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Sakata Tōjūrō
refers to a family of kabuki actors in Kyoto and OsakaNussbaum, Louis-Frédéric. (2005). "''Sakata Tōjūrō''" in ; n.b., Louis-Frédéric is pseudonym of Louis-Frédéric Nussbaum, ''see'Deutsche Nationalbibliothek Authority File. and it is the stage name of a series of Kabuki actors over the course of the history of the form. The first Sakata Tōjūrō (1646–1709) was the most popular kabuki actor in Kyoto-Osaka during the Genroku era.Brandon, James R. (2000). "Sakata Tojuro (1647 - 1709)," in He played '' tachiyaku'' roles. He pioneered the ''wagoto'' form of the Kamigata (Kansai) theatre as his counterpart in Edo, Ichikawa Danjūrō I, did the same for the ''aragoto'' form. Sakata Tōjūrō was actor-manager (''zagashira'') of the Mandayū Theatre in Kyoto; and during this period, the house playwright Chikamatsu Monzaemon. Chikamatsu praised the actor's craft, including careful attention to the dramatic requirements of the script and encouraging other actors to study ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sakata Tōjūrō I
(1647 – 1 November 1709) was an early kabuki actor of the Genroku period in Japan. He was a pioneer of the ''wagoto'' style, and of Kamigata kabuki more generally. His influence persists in the lineage of actors who have taken up his artistic mantle.Nussbaum, Louis-Frédéric. (2005). "''Sakata Tōjūrō''" in ; n.b., Louis-Frédéric is pseudonym of Louis-Frédéric Nussbaum, ''see'Deutsche Nationalbibliothek Authority File. Life and career Tōjūrō was born in Kyoto in 1647; his father, Sakata Ichiemon, was a theatre owner. Sakata Tōjūrō was actor-manager (''zagashira'') of the Mandayū Theatre in Kyoto; and during this period, the house playwright Chikamatsu Monzaemon. Chikamatsu praised the actor's craft, including careful attention to the dramatic requirements of the script and encouraging other actors to study the actual details of a character's circumstances.Brandon, James R. (2000). "Sakata Tojuro (1647 - 1709)," in He played '' tachiyaku'' roles. In Februar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tachiyaku
is a term used in the Japanese theatrical form kabuki to refer to young adult male roles, and to the actors who play those roles. Though not all ''tachiyaku'' roles are heroes, the term does not encompass roles such as villains or comic figures, which form their own separate categories. The hero or chief protagonist of a kabuki play is nearly always a ''tachiyaku'' role, and the head of a troupe or acting family typically specializes in these roles. The term, which literally means "standing role", once was used to refer to all actors, to distinguish them from musicians and chanters, who were called . (''Tachiyaku''). ''Kabuki Jiten'' (歌舞伎事典, "Kabuki Encyclopedia"). 2001–2003: Japan Arts Council. Accessed 17 January 2009. There are two main types of ''tachiyaku'' role: * '' |
Wagoto
, or ''soft style'', is a style of kabuki acting that emphasizes realistic speech and gestures. Wagoto actors typically do not employ the exaggerated makeup and costuming common to the more exaggerated ''aragoto'' (''rough'') style. Wagoto was pioneered by Sakata Tōjūrō I, an actor in the Kamigata (Osaka-Kyoto) region. Plays that emphasize wagoto roles are typically tragic romances. Famous plays that emphasize wagoto roles include ''Sonezaki Shinjū'' (''The Love Suicides at Sonezaki'') and ''Kuruwa Bunshō'' (''Tales of the Licensed Quarter''). Wagotoshi refers to Kabuki actors who specialize in wagoto roles. Notable wagotoshi include Bandō Kakitsu I and Matsumoto Kōshirō VII. See also *Aragoto , or 'rough style', is a style of kabuki acting that uses exaggerated, dynamic (forms or movements) and speech. roles are characterised by the bold red or blue makeup () worn by actors, as well as their enlarged and padded costumes. The term i ... References * Kabuki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamigata
Kamigata (上方) was the colloquial term for a region today called Kansai (''kan'', barrier; ''sai'', west) in Japan. This large area encompasses the cities of Kyoto, Osaka, and Kobe. The term is used particularly when discussing elements of Edo period urban culture such as ukiyo-e and kabuki, and when making a comparison to the urban culture of the Edo/Tokyo region. The term was no longer used as name for the Kansai provinces when Emperor Meiji moved to Edo in 1868. An account described Kamigata suji as one of the two regions that emerged from the division of Japan for the purpose of taxation with the other being Kwanto-suji. Kabuki, ukiyo-e, and many of the other related fields of popular and urban culture of the Edo period in fact originated in Kamigata before being transmitted to Edo. The vast majority of scholarship on the urban culture of the Edo period (1603–1867), even today, focuses on culture in Edo; Kamigata culture, though it is beginning to be studied more and mor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kansai
The or the , lies in the southern-central region of Japan's main island Honshu, Honshū. The region includes the Prefectures of Japan, prefectures of Nara Prefecture, Nara, Wakayama Prefecture, Wakayama, Kyoto Prefecture, Kyoto, Osaka Prefecture, Osaka, Hyōgo Prefecture, Hyōgo and Shiga Prefecture, Shiga, often also Mie Prefecture, Mie, sometimes Fukui Prefecture, Fukui, Tokushima Prefecture, Tokushima and Tottori Prefecture, Tottori. The metropolitan region of Osaka, Kobe and Kyoto (Keihanshin region) is the second-most populated in Japan after the Greater Tokyo Area. Name The terms , , and have their roots during the Asuka period. When the old provinces of Japan were established, several provinces in the area around the then-capital Kyoto were collectively named Kinai and Kinki, both roughly meaning "the neighbourhood of the capital". Kansai (literally ''west of the tollgate'') in its original usage refers to the land west of the Osaka Tollgate (), the border between Yam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichikawa Danjūrō I
was an early kabuki actor in Japan. He remains today one of the most famous of all kabuki actors and is considered one of the most influential. His many influences include the pioneering of the ''aragoto'' style of acting which came to be largely associated with Edo kabuki and with Danjūrō and his successors in the Ichikawa Danjūrō line. Like many actors, Danjūrō also dabbled in playwriting, which he did under the '' haimyō'' (poetry name) Mimasuya Hyōgo. "Mimasu" (三升) is the name for the '' mon'' of the Ichikawa family; many actors in the Danjūrō line have since used "Mimasu" or "Sansho", an alternate reading of the same characters, as their ''haimyō''. Lineage As the originator of the most celebrated and prestigious stage name in kabuki, there have been a great many descendants of Danjūrō I in the kabuki world, some of them quite famous and accomplished themselves. Danjūrō's father, Horikoshi Juzō, was not involved in the theatre, but was an '' otokodat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aragoto
, or 'rough style', is a style of kabuki acting that uses exaggerated, dynamic (forms or movements) and speech. roles are characterised by the bold red or blue makeup () worn by actors, as well as their enlarged and padded costumes. The term is an abbreviation of the term , which literally means "wild-warrior style". The style was created and pioneered by Ichikawa Danjūrō I, a kabuki actor in the Edo period (1603-1867), and has come to be epitomized by his successors in the Ichikawa Danjūrō line of kabuki actors. Roles such as the leads in and are particularly representative of the style. is often contrasted with the ("soft" or "gentle") style, which emerged around the same time but focuses on more naturalistic drama. It is also contrasted with or "female-like style". Notable Aragotoshi * The Ichikawa Danjūrō line ** Ichikawa Danjūrō I ** Ichikawa Danjūrō II ** Ichikawa Danjūrō III ** Ichikawa Danjūrō IV ** Ichikawa Danjūrō V ** Ichikawa Danjūrō VI ** ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chikamatsu Monzaemon
was a Japanese dramatist of jōruri, the form of puppet theater that later came to be known as bunraku, and the live-actor drama, kabuki. The ''Encyclopædia Britannica'' has written that he is "widely regarded as the greatest Japanese dramatist". His most famous plays deal with double-suicides of honor bound lovers. Of his puppet plays, around 70 are ''jidaimono'' (時代物) (historical romances) and 24 are ''sewamono'' (世話物) (domestic tragedies). The domestic plays are today considered the core of his artistic achievement, particularly works such as ''The Courier for Hell'' (1711) and ''The Love Suicides at Amijima'' (1721). His histories are viewed less positively, though ''The Battles of Coxinga'' (1715) remains praised. Biography Chikamatsu was born Sugimori Nobumori. to a samurai family. There is disagreement about his birthplace. The most popular theory. suggests he was born in Echizen Province, but there are other plausible locations, including Hagi, Nagato Provi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sakata Tōjūrō III
Sakata may refer to: People * Jeanne Sakata, American actress and playwright * Lenn Sakata (Lenn Haruki Sakata) (born 1954), former American professional baseball player * Harold Sakata (Toshiyuki "Harold" Sakata) (1920–1982), American Olympic medalist and professional wrestler * Sakata Eio (1920–2010), Japanese professional Go player * Sakata Minoru (1902–1974), Japanese photographer * Sakata no Kintoki, the Japanese folk hero Kintarō * Sakata Tōjūrō, stage name taken on by a number of Kabuki actors * Takefumi Sakata (born 1980), Japanese flyweight boxer * Shoichi Sakata (Sakata Shōichi) (1911–1970), Japanese physicist * Akira Sakata (born 1945), Japanese saxophonist Places * Sakata, Yamagata, a city in Yamagata Prefecture, Japan * Sakata District, Shiga, a district located in Shiga, Japan * Sakata people, a tribe in the Black Water Province of the Democratic Republic of the Congo Other * Sakata language Sakata is a Bantu dialect cluster of DR Congo. The dia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sakata Tōjūrō IV
was a Japanese kabuki actor in the Kamigata style and was officially designated a Living National Treasure. Unlike most kabuki actors, he performed both male and female roles, and was renowned as both a skilled ''wagotoshi'' (actor of male roles in the ''wagoto'' tradition) and ''onnagata'' (actor of female roles). He was the fourth in the line of Sakata Tōjūrō, having revived the name after a lapse of over 230 years. Lineage Though he bears no direct hereditary connection to the previous lineage of Sakata Tōjūrō which he has revived, Tōjūrō traced his line back several generations within the kabuki world. He is the eldest son of Nakamura Ganjirō II, grandson of Nakamura Ganjirō I, and great-grandson of Nakamura Kanjaku III who was adopted into the kabuki families by Nakamura Utaemon IV. Tōjūrō's sons Nakamura Ganjirō IV and Nakamura Senjaku III perform as kabuki actors, as do his grandsons Nakamura Kazutarō and Nakamura Toranosuke. Life and career He wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
