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Saint Peter (Grão Vasco)
''Saint Peter'' is a painting by Portuguese artist Grão Vasco, dated c. 1529. Commissioned by Miguel da Silva, originally meant to serve as an altarpiece for a side altar of the Viseu Cathedral, the painting is now part of the collections of Grão Vasco National Museum, in Viseu, Portugal. The painting is considered a masterpiece of the Portuguese Renaissance. Anglo-Irish art critic Sir William Henry Gregory called ''Saint Peter'' "one of the chief ornaments of any gallery in the world from its grandeur and simplicity". Description Saint Peter is at the centre of the symmetrical composition, sitting on an ornate Italianate pontifical throne making the blessing gesture toward the viewer, in full Papal regalia: the ample cope, of rich red brocade, features finely woven ornamental motifs in gold thread and medallions with angels holding the Instruments of the Passion, pearls and precious stones; the papal tiara features three intricately-decorated gold circlets with arabesque p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grão Vasco
Vasco Fernandes (c. 1475 – c. 1542), better known as ''Grão Vasco'' ("The Great Vasco"), was one of the main Portuguese Renaissance painters. Life According to local tradition, the painter Vasco Fernandes, known as ''Grão Vasco'' (the Great Vasco) from the 17th century onwards, was born somewhere in the area around Viseu, but there is no document recording his place or date of birth, nor the names of his parents. The oldest chronological reference to his name, dating back to the financial year of 1501–1502, refers to him as already married and working as a painter in Viseu, which allows us to infer that he was born around 1475. Between the end of 1542 and the beginning of the next year, as is indirectly confirmed by some documents, he died in this same city, leaving behind a widow and two daughters. To help us reconstruct his family background, as well as his economic and artistic life, there are roughly fifty written documents, mostly kept at the Viseu District Archives an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brocade
Brocade is a class of richly decorative shuttle-woven fabrics, often made in colored silks and sometimes with gold and silver threads. The name, related to the same root as the word "broccoli", comes from Italian ''broccato'' meaning "embossed cloth", originally past participle of the verb ''broccare'' "to stud, set with nails", from ''brocco'', "small nail", from Latin ''broccus'', "projecting, pointed". Brocade is typically woven on a draw loom. It is a supplementary weft technique; that is, the ornamental brocading is produced by a supplementary, non-structural, weft in addition to the standard weft that holds the warp threads together. The purpose of this is to give the appearance that the weave was actually embroidered on. In Guatemala, brocade is the most popular technique used to decorate fabric woven by Maya weavers on backstrap looms. Ornamental features in brocade are emphasized and wrought as additions to the main fabric, sometimes stiffening it, though more fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grotesque (architecture)
In architecture, a grotesque () or chimera () is a fantastic or mythical figure used for decorative purposes. Chimerae are often described as gargoyles, although the term gargoyle technically refers to figures carved specifically as terminations to spouts which convey water away from the sides of buildings. In the Middle Ages, the term ''babewyn'' was used to refer to both gargoyles and chimerae. This word is derived from the Italian word ''babuino,'' which means "baboon". A grotesque is a decorative feature found in architecture carved from stone often depicting whimsical, mythical creatures in dramatic or humorous ways. Most commonly grotesques are a decoration that surround waterspouts and drains largely on historic buildings. Grotesques, also often referred to as chimera, have historically been a key element of architecture in many periods including the Renaissance and Medieval periods and have stylistically developed in conjunction with these times. While they depicted a wide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Putto
A putto (; plural putti ) is a figure in a work of art depicted as a chubby male child, usually naked and sometimes winged. Originally limited to profane passions in symbolism,Dempsey, Charles. ''Inventing the Renaissance Putto''. University of North Carolina Press, Chapel Hill and London, 2001. the putto came to represent the sacred cherub (plural cherubim), and in Baroque art the putto came to represent the omnipresence of God. A putto representing a cupid is also called an amorino (plural amorini) or amoretto (plural amoretti). Etymology The more commonly found form ''putti'' is the plural of the Italian word ''putto''. The Italian word comes from the Latin word ''putus'', meaning "boy" or "child". Today, in Italian, ''putto'' means either toddler winged angel or, rarely, toddler boy. It may have been derived from the same Indo-European root as the Sanskrit word "putra" (meaning "boy child", as opposed to "son"), Avestan ''puθra''-, Old Persian ''puça''-, Pahlavi (Middle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manueline
The Manueline ( pt, estilo manuelino, ), occasionally known as Portuguese late Gothic, is the sumptuous, composite Portuguese architectural style originating in the 16th century, during the Portuguese Renaissance and Age of Discoveries. Manueline architecture incorporates maritime elements and representations of the discoveries brought from the voyages of Vasco da Gama and Pedro Álvares Cabral. This innovative style synthesizes aspects of Late Gothic Flamboyant architecture with original motifs and influences of the Plateresque, Mudéjar, Italian, and Flemish architecture. It marks the transition from Late Gothic to Renaissance. The construction of churches and monasteries in Manueline was largely financed by proceeds of the lucrative spice trade with Africa and India. The style was given its name, many years later, by Francisco Adolfo de Varnhagen, Viscount of Porto Seguro, in his 1842 book ''Noticia historica e descriptiva do Mosteiro de Belem, com um glossario de varios ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papal Supremacy
Papal supremacy is the doctrine of the Catholic Church that the Pope, by reason of his office as Vicar of Christ, the visible source and foundation of the unity both of the bishops and of the whole company of the faithful, and as pastor of the entire Catholic Church, has full, supreme, and universal power over the whole church, a power which he can always exercise unhindered: that, in brief, "the Pope enjoys, by divine institution, supreme, full, immediate, and universal power in the care of souls." The doctrine had the most significance in the relationship between the church and the temporal state, in matters such as ecclesiastic privileges, the actions of monarchs and even successions. Institution of papal supremacy The Catholic doctrine of papal supremacy is based on the idea that it was instituted by Christ and that papal succession is traced back to Peter the Apostle in the 1st century. The authority for the position is derived from the Confession of Peter documented ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keys Of Heaven
The Keys of Heaven, also called Saint Peter's keys, refers to the metaphorical keys of the office of Saint Peter, the keys of Heaven, or the keys of the kingdom of Heaven. It is explicitly referenced in the Bible in Matthew 16:19. In Catholicism According to Catholic teaching, Jesus promised the keys to heaven to Saint Peter, empowering him to take binding actions. In the Gospel of Matthew 16:19, Jesus says to Peter, "I will give you the keys of the kingdom of heaven, and whatever you bind on Earth shall be bound in heaven, and whatever you loose on Earth shall be loosed in heaven." Saint Peter is often depicted in Catholic and Eastern Orthodox paintings and other artwork as holding a key or a set of keys. The keys of heaven or keys of Saint Peter are seen as a symbol of papal authority and are seen on papal coats of arms (those of individual popes) and those of the Holy See and Vatican City State: "Behold he eterreceived the keys of the kingdom of heaven, the power of bindi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crosier
A crosier or crozier (also known as a paterissa, pastoral staff, or bishop's staff) is a stylized staff that is a symbol of the governing office of a bishop or abbot and is carried by high-ranking prelates of Roman Catholic, Eastern Catholic, Eastern Orthodox, Oriental Orthodox, and some Anglican, Lutheran, United Methodist and Pentecostal churches. In Western Christianity the usual form has been a shepherd's crook, curved at the top to enable animals to be hooked. In Eastern Christianity, it is found in two common forms: tau-shaped, with curved arms, surmounted by a small cross; or a pair of sculptured serpents or dragons curled back to face each other, with a small cross between them. Other typical insignia of prelates are the mitre, the pectoral cross, and the episcopal ring. History The origin of the crozier as a staff of authority is uncertain, but there were many secular and religious precedents in the ancient world. One example is the lituus, the traditional sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Google Arts & Culture
Google Arts & Culture (formerly Google Art Project) is an online platform of high-resolution images and videos of artworks and cultural artifacts from partner cultural organizations throughout the world. It utilizes high-resolution image technology that enables the viewer to tour partner organization collections and galleries and explore the artworks' physical and contextual information. The platform includes advanced search capabilities and educational tools. A part of the images are used within Wikimedia and Wikipedia. Collections in Wikimedia The following list of collections is based on the Wikimedia category Google Art Project works by collection. The "Visit" link redirects to the museum's official page on the Google Arts & Culture platform. See alscollections in Google Arts & Culture The "Assigned works" link redirects to the images of the works shown in this collection available in Wikimedia. Painters in Wikimedia The following alphabetically ordered list of painters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ring Of The Fisherman
The Ring of the Fisherman (Latin: ''Anulus piscatoris''; Italian: ''Anello Piscatorio''), also known as the Piscatory Ring, is an official part of the regalia worn by the Pope, who is head of the Catholic Church and successor of Saint Peter, who was a fisherman by trade. It used to feature a bas-relief of Peter fishing from a boat, a symbolism derived from the tradition that the apostles were "fishers of men" (Mark 1:17). The Fisherman's Ring is a signet used until 1842 to seal official documents signed by the Pope. Since at least the Middle Ages it has been a tradition for Catholics meeting the Pope to show their devotion by kissing the ring. History A letter written by Pope Clement IV to his nephew Pietro Grossi in 1265 includes the earliest known mention of the Ring of the Fisherman, which was used for sealing all the pope's private correspondence. Public documents, by contrast, were sealed by stamping a different papal seal onto lead which was attached to the document. Such doc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Episcopal Gloves
The episcopal gloves or pontifical gloves (''chirothecœ'', called also at an earlier date ''manicœ, wanti'') are a Roman Catholic pontifical vestment worn a by bishop when celebrating Solemn Pontifical Mass. They are worn from the beginning of the Mass until the offertory, when they are removed. They can be elaborately embroidered and generally match the liturgical color of the Mass. They are not worn for Good Friday or Requiem Masses. While normally reserved for bishops, other prelates entitled to use pontificals, including abbots, may also use them without a special papal privilege. The gloves are considered symbolic of purity, the performance of good works and carefulness in procedure. Use The Caeremoniale Episcoporum, as revised in 1984, omits all mention of episcopal gloves. They are very rarely seen today except in celebrations of the 1962 form of the Roman Rite or yet earlier forms by some traditionalist Catholics. Anglo-Catholic and Old Catholic bishops also sometimes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabesque
The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foliate ornament, used in the Islamic world, typically using leaves, derived from stylised half-palmettes, which were combined with spiralling stems". It usually consists of a single design which can be ' tiled' or seamlessly repeated as many times as desired. Within the very wide range of Eurasian decorative art that includes motifs matching this basic definition, the term "arabesque" is used consistently as a technical term by art historians to describe only elements of the decoration found in two phases: Islamic art from about the 9th century onwards, and European decorative art from the Renaissance onwards. Interlace and scroll decoration are terms used for most other types of similar patterns. Arabesques are a fundamental element of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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