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Saint George And The Dragon (Crivelli)
Carlo Crivelli (Venice, c. 1430 – Ascoli Piceno, c. 1495) was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivarini, Squarcione, and Mantegna. He left the Veneto by 1458 and spent most of the remainder of his career in the March of Ancona, where he developed a distinctive personal style that contrasts with that of his Venetian contemporary Giovanni Bellini. Early life Crivelli was born around 1430–35 in Venice to a family of painters and received his artistic formation there and in Padua. The details of Crivelli's career are still sparse: He is said to have studied under Jacobello del Fiore, who was painting as late as 1436; at that time Crivelli was probably only a boy. He also studied at the school of Vivarini in Venice, then left Venice for Padua, where he is believed to have worked in the workshop of Francesco Squarcione and then, after be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Annunciation, With Saint Emidius
''The Annunciation, with Saint Emidius'' is an altarpiece by Italian artist Carlo Crivelli showing an artistic adaptation of the Annunciation. The altarpiece was painted for the Church of SS. Annunziata in the Italian town of Ascoli Piceno, in the region of Marche, to celebrate the self-government granted to the town in 1482 by Pope Sixtus IV. The painting was removed to the Pinacoteca di Brera in Milan in 1811, but passed to Auguste-Louis de Sivry in 1820, and had reached England by the mid-19th century. It has been housed in the National Gallery in London since it was donated by Henry Labouchere, 1st Baron Taunton in 1864. Themes The light ray from the sky represents Mary's receiving Jesus Christ into her womb by the Holy Spirit. The closed passage into the depth at the left and the flask of pure water in Mary's bedroom conventionally refer to Mary's virginity. The winged angel Gabriel is depicted with Saint Emidius, the patron saint of Ascoli Piceno carrying a model of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padua
Padua ( ; it, Padova ; vec, Pàdova) is a city and ''comune'' in Veneto, northern Italy. Padua is on the river Bacchiglione, west of Venice. It is the capital of the province of Padua. It is also the economic and communications hub of the area. Padua's population is 214,000 (). The city is sometimes included, with Venice (Italian ''Venezia'') and Treviso, in the Padua-Treviso-Venice Metropolitan Area (PATREVE) which has a population of around 2,600,000. Padua stands on the Bacchiglione, Bacchiglione River, west of Venice and southeast of Vicenza. The Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain (''Pianura Veneta''). To the city's south west lies the Colli Euganei, Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Percy Bysshe Shelley, Shelley. Padua appears twice in the UNESCO World Heritage List: for its Botanical Garden of Padua, Botanical Garden, the most anc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Crivelli - Saint Francis Collecting The Blood Of Christ - Google Art Project
Carlo is a given name. It is an Italian form of Charles. It can refer to: * Carlo (name) *Monte Carlo * Carlingford, New South Wales, a suburb in north-west Sydney, New South Wales, Australia *A satirical song written by Dafydd Iwan about Prince Charles. *A former member of Dion and the Belmonts best known for his 1964 song, Ring A Ling. * Carlo (submachine gun), an improvised West Bank The West Bank ( ar, الضفة الغربية, translit=aḍ-Ḍiffah al-Ġarbiyyah; he, הגדה המערבית, translit=HaGadah HaMaʽaravit, also referred to by some Israelis as ) is a landlocked territory near the coast of the Mediter ... gun. * Carlo, a fictional character from Animal Crossing: Pocket Camp * It can be confused with Carlos * Carlo means “man” (from Germanic “karal”), “free man” (from Middle Low German “kerle”) and “warrior”, “army” (from Germanic “hari”). See also * Carl (name) * Carle (other) * Carlos (given name) {{disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Predella
In art a predella (plural predelle) is the lowest part of an altarpiece, sometimes forming a platform or step, and the painting or sculpture along it, at the bottom of an altarpiece, sometimes with a single much larger main scene above, but often (especially in earlier examples), a polyptych or multipanel altarpiece. In late medieval and Renaissance altarpieces, where the main panel consisted of a scene with large figures, it was normal to include a predella below with a number of small-scale narrative paintings depicting events from the life of the dedicatee, whether the ''Life of Christ'', the ''Life of the Virgin'' or a saint. Typically there would be three to five small scenes, in a horizontal format. Sometimes a single space shows different scenes in continuous representation. They are significant in art history, as the artist had more freedom from iconographic conventions than in the main panel as they could only be seen from close up. As the main panels themselves ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyptych
A polyptych ( ; Greek: ''poly-'' "many" and ''ptychē'' "fold") is a painting (usually panel painting) which is divided into sections, or panels. Specifically, a "diptych" is a two-part work of art; a "triptych" is a three-part work; a tetraptych or quadriptych has four parts, and so on. Historically, polyptychs typically displayed one "central" or "main" panel that was usually the largest of the attachments; the other panels are called "side" panels, or "wings". Sometimes, as evident in the Ghent and Isenheim works (see below), the hinged panels can be varied in arrangement to show different "views" or "openings" in the piece. The upper panels often depict static scenes, while the lower register, the predella, often depict small narrative scenes. Polyptychs were most commonly created by early Renaissance painters, the majority of whom designed their works to be altarpieces in churches and cathedrals. The polyptych form of art was also quite popular among ukiyo-e printmakers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transfer Of Panel Paintings
The practice of conserving an unstable painting on panel by transferring it from its original decayed, worm-eaten, cracked, or distorted wood support to canvas or a new panel has been practised since the 18th century. It has now been largely superseded by improved methods of wood conservation. The practice evolved in Naples and Cremona in 1711–1725 and reached France by the middle of the 18th century. It was especially widely practiced in the second half of the 19th century. Similar techniques are used to transfer frescos. Oil paintings on canvas often receive additional support or are transferred to a new backing. Methods The process is described by Henry Mogford in his '' Handbook for the Preservation of Pictures''. Smooth sheets of paper were pasted over the painted surface of the panel, and a layer of muslin over that. The panel was then fixed, face down, to a table, and the wood planed away from the back until it was "as thin as a plane may safely go", and the remainde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Sebastiano, Venice
The Chiesa di San Sebastiano ( en, Church of Saint Sebastian) is a 16th-century Roman Catholic church located in the Dorsoduro ''sestiere'' of the Italian city of Venice. The church houses a cycle of paintings by the artist Paolo Veronese, as well as paintings by Tintoretto and Titian. The church is also a member of the Chorus Association of Venetian churches. It stands on the Campo di San Sebastiano by the Rio di San Basilio, close to the Giudecca Canal. It is one of the five votive churches in Venice, each one built after the passing of a plague through the city. Following construction, the church was dedicated to a saint associated with the disease; in this case St. Sebastian. History San Sebastiano is located on the site of a former hospice which was founded by the confraternity of Gerolimine fathers in 1393. Close to the hospice was an Oratory, built in 1396, and dedicated to Santa Maria Full of Grace and Justice. This was later expanded, and in 1468 was converted i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand II Of Naples
Ferdinando Trastámara d'Aragona, of the branch of Naples, known to contemporaries especially with the name of Ferrandino (Naples, 26 June 1467 - Naples, 7 October 1496). Acclaimed "the first among all the Kings and Lords of the World" and universally praised for his excellent virtues was King of Naples for just under two years, from 23 January 1495 to 7 October 1496. Prince of Capua from birth until 25 January 1494 and Duke of Calabria from 25 January 1494 to 23 January 1495 as heir to the throne. A valiant prince, magnanimous, forgiving, and truly endowed with every good disposition of the soul as well as of the body, he demonstrated, in the few years he lived, great audacity and high military valor, as well as rare political acumen. Since adolescence he lent his sword for the defense of the kingdom, which among a thousand dangers due to the nefarious politics of his father, had been lost. For it, as an extreme sacrifice, he finally gave his life: exhausted by the many battles, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brera Gallery
The Pinacoteca di Brera ("Brera Art Gallery") is the main public gallery for paintings in Milan, Italy. It contains one of the foremost collections of Italian paintings from the 13th to the 20th century, an outgrowth of the cultural program of the Brera Academy, which shares the site in the Palazzo Brera. History The Palazzo Brera owes its name to the Germanic ''braida'', indicating a grassy opening in the city structure: compare the ''Bra'' of Verona. The convent on the site passed to the Jesuits (1572), then underwent a radical rebuilding by Francesco Maria Richini (1627–28). When the Jesuits were disbanded in 1773, the palazzo remained the seat of the astronomical Observatory and the Braidense National Library founded by the Jesuits. In 1774 the herbarium of the new botanical garden was added. The buildings were extended to designs by Giuseppe Piermarini, who was appointed professor in the Academy when it was formally founded in 1776, with Giuseppe Parini as dean. Pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fermo
Fermo (ancient: Firmum Picenum) is a town and ''comune'' of the Marche, Italy, in the Province of Fermo. Fermo is on a hill, the Sabulo, elevation , on a branch from Porto San Giorgio on the Adriatic coast railway. History The oldest human remains from the area are funerary remains from the 9th–8th centuries BC, belonging to the Villanovan culture or the proto-Etruscan civilization. The ancient Firmum Picenum was founded as a Latin colony, consisting of 6000 men, in 264 BC, after the conquest of the Picentes, as the local headquarters of the Roman power, to which it remained faithful. It was originally governed by five quaestors. It was made a colony with full rights after the battle of Philippi, the 4th Legion being settled there. It lay at the junction of roads to Pausulae, Urbs Salvia, and Asculum, connected to the coast road by a short branch road from Castellum Firmanum (Porto S. Giorgio). According to Plutarch's ''Parallel Lives'', Cato the Elder thought highly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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