Saint Francis Receiving The Stigmata (van Eyck)
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Saint Francis Receiving The Stigmata (van Eyck)
''Saint Francis of Assisi Receiving the Stigmata'' is the name given to two unsigned paintings completed around 1428–1432 that art historians usually attribute to the Flemish artist Jan van Eyck. The panels are nearly identical, apart from a considerable difference in size. Both are small paintings: the larger measures 29.3 cm x 33.4 cm and is in the Sabauda Gallery in Turin, Italy; the smaller panel is 12.7 cm x 14.6 cm and in the Philadelphia Museum of Art. The earliest documentary evidence is in the 1470 inventory of Anselm Adornes of Bruges's will; he may have owned both panels. The paintings show a famous incident from the life of Saint Francis of Assisi, who is shown kneeling by a rock as he receives the stigmata of the crucified Christ on the palms of his hands and soles of his feet. Behind him are rock formations, shown in great detail, and a panoramic landscape. This treatment of Francis is the first such to appear in northern Renai ...
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Saint Francis Of Assisi Receiving The Stigmata Turin
In religious belief, a saint is a person who is recognized as having an exceptional degree of holiness, likeness, or closeness to God. However, the use of the term ''saint'' depends on the context and denomination. In Catholic, Eastern Orthodox, Anglican, Oriental Orthodox, and Lutheran doctrine, all of their faithful deceased in Heaven are considered to be saints, but some are considered worthy of greater honor or emulation. Official ecclesiastical recognition, and consequently a public cult of veneration, is conferred on some denominational saints through the process of canonization in the Catholic Church or glorification in the Eastern Orthodox Church after their approval. While the English word ''saint'' originated in Christianity, historians of religion tend to use the appellation "in a more general way to refer to the state of special holiness that many religions attribute to certain people", referring to the Jewish tzadik, the Islamic walī, the Hindu rishi or Sikh gur ...
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Hubert Van Eyck 002
Hubert is a Germanic masculine given name, from ''hug'' "mind" and ''beraht'' "bright". It also occurs as a surname. Saint Hubertus or Hubert (c. 656 – 30 May 727) is the patron saint of hunters, mathematicians, opticians, and metalworkers. People with the given name Hubert This is a small selection of articles on people named Hubert; for a comprehensive list see instead . *Hubert Aaronson (1924–2005), F. Mehl University Professor at Carnegie Mellon University *Hubert Adair (1917–1940), World War II Royal Air Force pilot *Hubert Boulard, a French comics creator who is unusually credited as "Hubert" * Hubert Brasier (1917–1981), a Church of England clergyman, more famously the father of UK Prime Minister Theresa May *Hubert Buchanan (born 1941), a United States Air Force captain and fighter pilot *Hubert Chevis (1902–1931), a lieutenant in the Royal Artillery of the British Army who died of strychnine poisoning in June 1931 * Hubert Davies, British playwright and d ...
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William Henry James Weale
William Henry James Weale (8 March 1832 – 26 April 1917) was a British art historian who lived and worked most of his life in Bruges and was one of the first to research the Early Netherlandish painting (then better known as "Flemish Primitives") extensively. He was also a pioneer in the study of early bookbinding, and a staunch promoter of Gothic Revival architecture. Biography Weale was born in Marylebone, London, in 1832 as the son of James Weale (died 1838) and Susan de Vezian (died 1855). His father was the librarian to John Baker Holroyd, 1st Earl of Sheffield and had a large book collection of his own. Weale had two sisters Henrietta and the philanthropist Charlotte Julia Weale. Weale studied at King's College London between 1843 and 1848. He was the headmaster at a school in Islington. In 1854, he married Helena Amelia Walton, and the next year, after the death of his mother, they moved to Bruges. Weale was already interested in early Flemish art, and could pursue t ...
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Giovanni Bellini
Giovanni Bellini (; c. 1430 – 26 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned.; “Giovanni Bellini: Birth, Parentage, and Independence" in ''Renaissance Quarterly'' An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna. Giovanni Bellini was considered to have revolutionized Venetian painting, moving it toward a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian. Life Early career Giovanni Bell ...
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Filippino Lippi
Filippino Lippi (April 1457 – 18 April 1504) was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance. Biography Filippino Lippi was born in Prato, Tuscany, the illegitimate son of the painter Fra Filippo Lippi and Lucrezia Buti. Filippino first trained under his father. They moved to Spoleto, where Filippino served as workshop adjuvant in the construction of the Cathedral. When his father died in 1469, he completed the frescoes with ''Storie della Vergine'' (''Histories of the Virgin'') in the cathedral. Filippino Lippi completed his apprenticeship in the workshop of Botticelli, who had been a pupil of Filippino's father. In 1472 the records of the painters' guild record that Botticelli had only Filippino Lippi as an assistant. His first works greatly resemble those of Botticelli, but with less sensitivity and subtlety. The very first ones (dating from 1475 onwards) were initially attr ...
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Verrochio
Andrea del Verrocchio (, , ; – 1488), born Andrea di Michele di Francesco de' Cioni, was a sculptor, Italian painter and goldsmith who was a master of an important workshop in Florence. He apparently became known as ''Verrocchio'' after the surname of his master, a goldsmith. Few paintings are attributed to him with certainty, but a number of important painters were trained at his workshop. His pupils included Leonardo da Vinci, Pietro Perugino and Lorenzo di Credi. His greatest importance was as a sculptor and his last work, the Equestrian statue of Bartolomeo Colleoni in Venice, is generally accepted as a masterpiece. Life Verrocchio was born in Florence in around 1435. His father, Michele di Francesco Cioni, initially worked as a tile and brick maker, then later as a tax collector. Verrocchio never married, and had to provide financial support for some members of his family. He was at first apprenticed to a goldsmith. It has been suggested that he was later apprenticed to D ...
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Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian Renaissance painting, Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelite Brotherhood, Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo (art), tondo shape) and also some portraits. His best-known works are ''The Birth of Venus'' and ''Primavera (painting), Primavera'', both in the Uffizi in Florence, which holds many of Botticelli’s w ...
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Republic Of Florence
The Republic of Florence, officially the Florentine Republic ( it, Repubblica Fiorentina, , or ), was a medieval and early modern state that was centered on the Italian city of Florence in Tuscany. The republic originated in 1115, when the Florentine people rebelled against the Margraviate of Tuscany upon the death of Matilda of Tuscany, who controlled vast territories that included Florence. The Florentines formed a commune in her successors' place. The republic was ruled by a council known as the Signoria of Florence. The signoria was chosen by the (titular ruler of the city), who was elected every two months by Florentine guild members. During the Republic's history, Florence was an important cultural, economic, political and artistic force in Europe. Its coin, the florin, became a world monetary standard. During the Republican period, Florence was also the birthplace of the Renaissance, which is considered a fervent period of European cultural, artistic, political and e ...
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Isabella Of Portugal, Duchess Of Burgundy
Isabella of Portugal (21 February 1397 – 17 December 1471) was Duchess of Burgundy and the third wife of Duke Philip the Good. Their son was Charles the Bold, the last Valois Duke of Burgundy. Born a Portuguese ''infanta'' of the House of Aviz, Isabella was the only surviving daughter of King John I of Portugal and his wife Philippa of Lancaster served as the regent of the Burgundian Low Countries during the absence of her spouse in 1432 and in 1441–1443. She served as her husband's representative in negotiations with England regarding trade relations in 1439 and those with the rebellious cities of Holland in 1444. Early life Isabella was born to John I of Portugal and Philippa of Lancaster, who had six children survive infancy. Born in 1397 in Évora, and raised in the Portuguese court in Lisbon, Isabella was the fourth child and only daughter to survive to adulthood. Phillippa instilled in all her children, including her daughter, a sense of duty, faith and belief ...
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Portrait Of Isabella Of Portugal (van Eyck)
''Portrait of Isabella of Portugal'' was a betrothal painting by the early Netherlandish artist Jan van Eyck, one of his earliest works and now lost, known only from copies. It dates to his 1428-29 visit to Portugal on behalf of Philip the Good, when he was sent as part of an embassy to evaluate the then 30-year-old Isabella's suitability as a bride for Philip. Commission Van Eyck was tasked by Philip the Good with bringing back two (mostly likely a pair were painted to increase the probability that one would make it back to the Netherlands) faithful representations of her likeness for the duke to evaluate. Because Portugal was ridden with plague, their court was itinerant and the Dutch party met them at the out of way castle of Aviz. Van Eyck spent nine months there, returning successfully to the Netherlands with Isabella as a bride to be; the couple married on Christmas Day of 1429. The portrait was executed around the time the preliminary marriage agreement was drawn up, ...
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Philip The Good
Philip III (french: Philippe le Bon; nl, Filips de Goede; 31 July 1396 – 15 June 1467) was Duke of Burgundy from 1419 until his death. He was a member of a cadet line of the Valois dynasty, to which all 15th-century kings of France belonged. During his reign, the Burgundian State reached the apex of its prosperity and prestige, and became a leading centre of the arts. Philip is known historically for his administrative reforms, his patronage of Flemish artists such as van Eyck and Franco-Flemish composers such as Gilles Binchois, and perhaps most significantly the seizure of Joan of Arc, whom Philip ransomed to the English after his soldiers captured her, resulting in her trial and eventual execution. In political affairs, he alternated between alliances with the English and the French in an attempt to improve his dynasty's powerbase. Additionally, as ruler of Flanders, Brabant, Limburg, Artois, Hainaut, Holland, Luxembourg, Zeeland, Friesland and Namur, he played an i ...
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Hubert Van Eyck
Hubert van Eyck () or Huybrecht van Eyck ( – 18 September 1426) was an Early Netherlandish painter and older brother of Jan van Eyck, as well as Lambert and Margareta, also painters. The absence of any single work that he can clearly be said to have completed continues to make an assessment of his achievement highly uncertain, although for centuries he had the reputation of being an outstanding founding artist of Early Netherlandish painting.. Life and career He was probably born in Maaseik, in what is now the Belgian province of Limburg, into a family in the gentry. As the name was not a very common one, he is probably the "Magister Hubertus, Pictor" recorded as having been paid in 1409 for panels in the church of Onze Lieve Vrouwe, Tongeren. He is probably also Master Hubert who had painted a panel bequeathed in 1413 by Jan de Visch van der Capelle to his daughter, a Benedictine nun near Grevelingen; however he does not appear in guild records, and his heirs did not include ...
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