Saint Cecilia (Artemisia Gentileschi)
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Saint Cecilia (Artemisia Gentileschi)
''Santa Cecilia'' is an early painting, from c. 1620, by the Baroque painter Artemisia Gentileschi, a painter described as "a grand exception in the history of art - a successful woman painter in an era in which art was dominated by men." Description It shows a woman in a yellow gown and white chemise playing a lute, with an organ in the background. A cleaning in 1988 made the organ visible and confirmed the depiction of Saint Cecelia, an early Christian martyr who later became associated with musical instruments. Provenance It is believed to have been painted in 1620 and is known to be in the collection Alessandro Biffi by 1637. It passed to the Spada collection in the seventeenth century as a means of settling debts and is currently in the Galleria Spada in Rome. In 1759 it was inventoried as "school of Titian", then later ascribed to Caravaggio and Caroselli, before being suggested as a work of Artemisia in 1911. See also * List of works by Artemisia Gentileschi The followi ...
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Artemisia Gentileschi
Artemisia Lomi or Artemisia Gentileschi (, ; 8 July 1593) was an Italian Baroque painter. Gentileschi is considered among the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. She was producing professional work by the age of 15. In an era when women had few opportunities to pursue artistic training or work as professional artists, Gentileschi was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele. Many of Gentileschi's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are ''Susanna and the Elders'' (particularly the 1610 version in Pommersfelden), ''Judith Slaying Holofernes'' (her 1614–1620 version is in the Uffizi gallery), and '' Judith and Her Maidservant'' (her version of 1625 is in the Detroit Institute of Arts). Gentileschi was known for being able to depict the f ...
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Chemise
A chemise or shift is a classic smock, or a modern type of women's undergarment or dress. Historically, a chemise was a simple garment worn next to the skin to protect clothing from sweat and body oils, the precursor to the modern shirts commonly worn in Western nations. Etymology The English word ''chemise'' is a loanword from the French word for shirt and is related to the Italian ''camicia'' or Latin ''camisia'', which, according to Elizabeth Wayland Barber, is likely derived from Celtic. History The chemise seems to have developed from the Roman ''tunica'' and first became popular in Europe in the Middle Ages. Women wore a shift or chemise under their gown or robe; while men wore a chemise with their trousers or ''braies'', and covered the chemises with garments such as doublets, robes, etc. Until the late 18th century, a chemise referred to an undergarment. It was the only underwear worn until the end of the Regency era in the 1820s, and was usually the only piece of ...
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Lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can sho ...
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Saint Cecilia
Saint Cecilia ( la, Sancta Caecilia), also spelled Cecelia, was a Roman virgin martyr and is venerated in Catholic, Eastern Orthodox Church, Orthodox, Anglican Communion, Anglican, and some Lutheran churches, such as the Church of Sweden. She became the patroness of music and musicians, it being written that, as the musicians played at her wedding, Cecilia "sang in her heart to the Lord". Musical compositions are dedicated to her, and her feast, on 22 November, is the occasion of concerts and musical festivals. Saint Cecilia is one of several virgin martyrs commemorated by name in the Canon of the Mass in the Latin Catholic, Latin Church. The church of Santa Cecilia in Trastevere, founded in the 3rd century by Pope Pope Urban I, Urban I, is believed to be on the site of the house where she lived and died. Life It is popularly supposed that Cecilia was a noble lady of Rome who, with her husband Valerian, his brother Tiburtius, and a Roman soldier named Maximus, suffered marty ...
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Martyr
A martyr (, ''mártys'', "witness", or , ''marturia'', stem , ''martyr-'') is someone who suffers persecution and death for advocating, renouncing, or refusing to renounce or advocate, a religious belief or other cause as demanded by an external party. In the martyrdom narrative of the remembering community, this refusal to comply with the presented demands results in the punishment or execution of an actor by an alleged oppressor. Accordingly, the status of the 'martyr' can be considered a posthumous title as a reward for those who are considered worthy of the concept of martyrdom by the living, regardless of any attempts by the deceased to control how they will be remembered in advance. Insofar, the martyr is a relational figure of a society's boundary work that is produced by collective memory. Originally applied only to those who suffered for their religious beliefs, the term has come to be used in connection with people killed for a political cause. Most martyrs are consid ...
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Galleria Spada
The Galleria Spada is a museum in Rome, which is housed in the Palazzo Spada on Piazza Capo di Ferro. The palazzo is also famous for its façade and for the forced perspective gallery by Francesco Borromini. The gallery exhibits paintings from the 16th and 17th centuries. A state museum, it is managed by the Polo Museale del Lazio. History The building now housing the Galleria Spada was originally built in 1540 for Cardinal Girolamo Capodiferro. Bartolomeo Baronino, of Casale Monferrato, was the architect, while Giulio Mazzoni and a team provided lavish stuccowork inside and out. The palazzo was purchased by Cardinal Spada in 1632. He commissioned the Baroque architect Francesco Borromini to modify it for him, and it was Borromini who created the masterpiece of forced perspective optical illusion in the arcaded courtyard, in which diminishing rows of columns and a rising floor create the visual illusion of a gallery 37 meters long (it is 8 meters) with a lifesize sculpture at ...
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Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ...
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Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ...
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Caravaggio
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His ...
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Angelo Caroselli
Angelo Caroselli or Carosèlli (11 February 1585 – 8 April 1652) was an Italian painter of the Baroque period, active mainly in his native Rome. He created religious works, allegories, portraits as well as genre scenes in the vein of the Caravaggisti. He also returned regularly to scenes of witchcraft and sorcery.Attributed to Angelo Caroselli, ''An allegory of love with a singing violinist and a courtesan with coins in her palm''
at Sotheby's
His style is eclectic style and shows influences principally from and the painters of 'low-life' scenes active in Rome c ...
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List Of Works By Artemisia Gentileschi
The following is an incomplete list of works by Artemisia Gentileschi. Catalogue numbers abbreviated "WB" are taken from the 1999 publication by Raymond Ward Bissell, and number abbreviated "MET" are from the 2001 publication by the Metropolitan Museum of Art. Other attributions are taken from Jesse Locker's ''The Language of Painting''. Further references are available on the Bibliography on Artemisia Gentileschi This is an ongoing bibliography of work related to the Italian baroque painter Artemisia Gentileschi. 2023 * Banta, Andaleeb Badiee, Alexa Greist, and Theresa Kutasz Christensen, eds. ''Making Her Mark: A History of Women Artists in Europe, 140 .... References {{Lists of paintings Gentileschi,Artemisia * ...
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Paintings By Artemisia Gentileschi
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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