Sail (hieroglyph)
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Sail (hieroglyph)
The ancient Egyptian Sail hieroglyph is Gardiner sign listed no. P5 for the ''sail of a ship''. The hieroglyph shows a hoisted sail, curved because of wind filling it. It is used in Egyptian hieroglyphs as a determinative for words related to ''wind, air, breath, sailors,'' (as "nefu"), ''floods-(of the Nile), etc.'' Also an ideogram in 'puff', 'wind', Egyptian ''ṯꜣw''. Breath, in the Book of the Dead Because of the use of the word 'winds', the 'breath' concept became an equally important usage of the sail hieroglyph. The Nile current carried ships downstream-(north), but sometimes prevailing, or advantageous winds allowed upstream travel on the Nile. A replacement of the sekhem scepter held in the hand in vignettes from the Books of the Dead refers to obtaining life-giving 'breath' in the afterlife. An example is Nakht, (Papyrus of Nakht, 18th-19th Dynasty), holding a large mast-on-a-staff, referring to Spell 38A, ''for living by air in the realm of the dead.'' Other s ...
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Egypt Hieroglyphe1
Egypt ( ar, مصر , ), officially the Arab Republic of Egypt, is a transcontinental country spanning the northeast corner of Africa and southwest corner of Asia via a land bridge formed by the Sinai Peninsula. It is bordered by the Mediterranean Sea to the north, the Gaza Strip of Palestine and Israel to the northeast, the Red Sea to the east, Sudan to the south, and Libya to the west. The Gulf of Aqaba in the northeast separates Egypt from Jordan and Saudi Arabia. Cairo is the capital and largest city of Egypt, while Alexandria, the second-largest city, is an important industrial and tourist hub at the Mediterranean coast. At approximately 100 million inhabitants, Egypt is the 14th-most populated country in the world. Egypt has one of the longest histories of any country, tracing its heritage along the Nile Delta back to the 6th–4th millennia BCE. Considered a cradle of civilisation, Ancient Egypt saw some of the earliest developments of writing, agriculture, urban ...
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Cosmetic Palette
Cosmetic palettes are archaeological Artifact (archaeology), artifacts, originally used in predynastic Egypt, predynastic ancient Egypt, Egypt to grind and apply ingredients for facial or body cosmetics. The decorative palettes of the late 4th millennium BC, 4th millennium BCE appear to have lost this function and became commemorative, ornamental, and possibly ceremonial. They were made almost exclusively out of siltstone with a few exceptions. The siltstone originated from quarries in the Wadi Hammamat. Many of the palettes were found at Hierakonpolis, a centre of power in Predynastic Egypt, pre-dynastic Upper Egypt. After the unification of the country, the palettes ceased to be included in tomb assemblages. Notable palettes Notable decorative palettes are: * The Cosmetic palette in the form of a Nile tortoise * The Narmer Palette, often thought to depict the unification of Upper and Lower Egypt under the pharaoh Narmer, Egyptian Museum, Cairo * Libyan Palette, Egyptian Museum, ...
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Hill-country (hieroglyph)
The ancient Egyptian Hill-country or "Foreign land" hieroglyph (𓈉) is a member of the sky, earth, and water hieroglyphs. A form of the hieroglyph in color, has a ''green line''-(banding) at the base of the hieroglyph. The hieroglyph refers to the hills, and mountains, on both sides of the Nile River, and thus the green references the verdant black farming land adjacent to the river proper. It is coded N25 in Gardiner's sign list, and U+13209 in Unicode. It is determinative hieroglyph, simply conveying a meaning, and has no phonetic value. Various colors, and patterning, may adorn the rest of the hieroglyph when the bottom is green. Three major uses The ancient language hilly land hieroglyph has three major uses: :1 – hill country, or hills :2 – a reference to arid, ''desert land'' :3 – Determinative, for foreign lands The language meaning of the hieroglyph is as an ideogram or a determinative in the word ''khast'' (khaset), and is often translated as h ...
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Caphtor
Caphtor ( he, ''Kaftōr'') is a locality mentioned in the Bible, in which its people are called Caphtorites or Caphtorim and are named as a division of the ancient Egyptians. Caphtor is also mentioned in ancient inscriptions from Egypt, Mari, and Ugarit. Jewish sources placed Caphtor in the region of Pelusium, though modern sources tend to associate it with localities such as Cilicia, Cyprus, or Crete.Strange, J. ''Caphtor/Keftiu: A New Investigation'' (Leiden: Brill) 1980 Jewish accounts The Caphtorites are mentioned in the Table of Nations, Book of Genesis () as one of several divisions of Mizraim (Egypt). This is reiterated in the Books of Chronicles () as well as later histories such as Josephus' '' Antiquities of the Jews'' i.vi.2,Josephus, Antiquities of the Jews - Book i, Chapter vi, Section 2, partial: Now all the children of Mesraim, being eight in number, possessed the country from Gaza to Egypt, though it retained the name of one only, the Philistim; for the Greeks c ...
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Ramesses II
Ramesses II ( egy, wikt:rꜥ-ms-sw, rꜥ-ms-sw ''Rīʿa-məsī-sū'', , meaning "Ra is the one who bore him"; ), commonly known as Ramesses the Great, was the third pharaoh of the Nineteenth Dynasty of Egypt. Along with Thutmose III he is often regarded as the greatest, most celebrated, and most powerful pharaoh of the New Kingdom of Egypt, New Kingdom, itself the most powerful period of Ancient Egypt. The name ''Ramesses'' is pronounced variously . Transliteration of Ancient Egyptian, Other spellings include Rameses and Ramses; in grc-koi, Ῥαμέσσης, Rhaméssēs. He is known as Ozymandias in Greek sources ( grc-koi, Ὀσυμανδύας, translit=Osymandýas), from the first part of Ramesses's regnal name, , "The Maat of Ra is powerful, Chosen of Ra". His successors and later Egyptians called him the "Great Ancestor". At age fourteen, he was appointed prince regent by his father, Seti I. Most Egyptologists today believe he assumed the throne on 31 May 1279 BC, bas ...
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Gardiner's Sign List
Gardiner's Sign List is a list of common Egyptian hieroglyphs compiled by Sir Alan Gardiner. It is considered a standard reference in the study of ancient Egyptian hieroglyphs. Gardiner lists only the common forms of Egyptian hieroglyphs, but he includes extensive subcategories, and also both vertical and horizontal forms for many hieroglyphs. He includes size-variation forms to aid with the reading of hieroglyphs in running blocks of text. In contrast, for example, the Budge Reference has about 1,000 hieroglyphs listed in 50 pages, but with no size variations. Gardiner does not cross-index signs; once put on the list, other significant uses may be overlooked. One example of this is G16, nbtỉ, the ideogram for the Two Ladies, goddesses Wadjet as the cobra and Nekhbet as the white vulture. These are the protective and patron goddesses of the separate Egyptian kingdoms that joined into ancient Egypt, who were both then displayed on the uraeus of Wadjet when the unification ...
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Plinth
A pedestal (from French ''piédestal'', Italian ''piedistallo'' 'foot of a stall') or plinth is a support at the bottom of a statue, vase, column, or certain altars. Smaller pedestals, especially if round in shape, may be called socles. In civil engineering, it is also called ''basement''. The minimum height of the plinth is usually kept as 45 cm (for buildings). It transmits loads from superstructure to the substructure and acts as the retaining wall for the filling inside the plinth or raised floor. In sculpting, the terms base, plinth, and pedestal are defined according to their subtle differences. A base is defined as a large mass that supports the sculpture from below. A plinth is defined as a flat and planar support which separates the sculpture from the environment. A pedestal, on the other hand, is defined as a shaft-like form that raises the sculpture and separates it from the base. An elevated pedestal or plinth that bears a statue, and which is raised from ...
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Cartouche
In Egyptian hieroglyphs, a cartouche is an oval with a line at one end tangent to it, indicating that the text enclosed is a royal name. The first examples of the cartouche are associated with pharaohs at the end of the Third Dynasty, but the feature did not come into common use until the beginning of the Fourth Dynasty under Pharaoh Sneferu. While the cartouche is usually vertical with a horizontal line, if it makes the name fit better it can be horizontal, with a vertical line at the end (in the direction of reading). The ancient Egyptian word for cartouche was , and the cartouche was essentially an expanded shen ring. Demotic script reduced the cartouche to a pair of brackets and a vertical line. Of the five royal titularies it was the ''prenomen'' (the throne name), and the "Son of Ra" titulary (the so-called '' nomen'' name given at birth), which were enclosed by a cartouche. At times amulets took the form of a cartouche displaying the name of a king and placed in tombs. ...
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Nine Bows
The Nine Bows is a visual representation in Ancient Egyptian art of foreigners or others. Besides the nine bows, there were no other generic representations of foreigners. Due to its ability to stand in for any nine enemies to Ancient Egypt, the peoples covered by this term changed over time as enemies changed, and there is no true list of the nine bows. Alternatively, the nine bows may have had a separate or complementary meaning. In Egyptian hieroglyphs, the word 'Nine Bows' is spelled out as a bow and three sets of three vertical lines. The bow, holding the phonic value "pḏ," means "stretch, (be) wide," and the three sets of lines makes the word plural. The number nine was used metaphorically to express totality. Using this more literal translation of the hieroglyphs, the nine bows could also refer to endless, innumerable foreign lands or the totality of foreign lands. It is important to note that Ancient Egyptians believed in dualism or that two cosmic forces, order and ch ...
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Fortress
A fortification is a military construction or building designed for the defense of territories in warfare, and is also used to establish rule in a region during peacetime. The term is derived from Latin ''fortis'' ("strong") and ''facere'' ("to make"). From very early history to modern times, defensive walls have often been necessary for cities to survive in an ever-changing world of invasion and conquest. Some settlements in the Indus Valley civilization were the first small cities to be fortified. In ancient Greece, large stone walls had been built in Mycenaean Greece, such as the ancient site of Mycenae (famous for the huge stone blocks of its 'cyclopean' walls). A Greek ''Towns of ancient Greece#Military settlements, phrourion'' was a fortified collection of buildings used as a military garrison, and is the equivalent of the ancient Roman, Roman castellum or English language, English fortress. These constructions mainly served the purpose of a watch tower, to guard certa ...
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Libyan Palette
The Libyan Palette (also variously known as the City Palette,Lloyd 2010, p. 841. the Libyan Booty Palette, the Libyan Tribute Palette, the Siege Palette, the Tehenu- or Tjehenu Palette) is the surviving lower portion of a stone cosmetic palette bearing carved decoration and hieroglyphic writing. It dates from the Naqada III or Protodynastic Period of Egypt (c. 3200 to 3000 BC). The palette was found at Abydos, Egypt. The palette is made of schist and it is 19 cm long and 22 cm wide. Housed in Room 43 on the ground floor of the Egyptian Museum, Cairo,Egyptian Museum Official websiteLibyan Palette article, accessed 8 June 2007. its Journal d'Entrée number is JE27434 and its Catalogue Général number is CG14238. Content On one side, there is a scene of walking lines of animals within registers.Stephan Seidlmayer 1998, p. 28.
official website of The G ...
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Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon). This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semiotics ...
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