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Sagar Movietone
Sagar Movietone also Sagar Films, Sagar Film Company and Sagar Productions was an Indian film production company involved in the making of films for Indian cinema. It was launched by Ardeshir Irani with Chimanlal Desai and Dr. Ambalal Patel in 1929 in Bombay, Maharashtra, India. Sagar was initially started as a branch company of Ardeshir's Imperial Film Company. Several key figures from Imperial, such as Mehboob Khan were shifted to Sagar. The studio was in operation from 1930 to 1939. In 1940, it combined with General Pictures to form National Studios. It made "Parsi theatre based films, mythologicals and stunt movies". Sagar fostered the career of many artists who rose to prominence. Early directors such as Prafulla Ghosh, Sarvottam Badami, Ezra Mir and Nanubhai Vakil were promoted by the company. Mehboob Khan got his first break as a director in '' Al Hilal'' in 1935. He was referred to as "the most important alumnus" from Sagar, who went on to become one of Indian cinema's "mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Private Company
A privately held company (or simply a private company) is a company whose shares and related rights or obligations are not offered for public subscription or publicly negotiated in the respective listed markets, but rather the company's stock is offered, owned, traded, exchanged privately, or Over-the-counter (finance), over-the-counter. In the case of a closed corporation, there are a relatively small number of shareholders or company members. Related terms are closely-held corporation, unquoted company, and unlisted company. Though less visible than their public company, publicly traded counterparts, private companies have major importance in the world's economy. In 2008, the 441 list of largest private non-governmental companies by revenue, largest private companies in the United States accounted for ($1.8 trillion) in revenues and employed 6.2 million people, according to ''Forbes''. In 2005, using a substantially smaller pool size (22.7%) for comparison, the 339 companies on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gujarati Language
Gujarati (; gu, ગુજરાતી, Gujarātī, translit-std=ISO, label=Gujarati script, ) is an Indo-Aryan language native to the Indian state of Gujarat and spoken predominantly by the Gujarati people. Gujarati is descended from Old Gujarati (). In India, it is one of the 22 scheduled languages of the Union. It is also the official language in the state of Gujarat, as well as an official language in the union territory of Dadra and Nagar Haveli and Daman and Diu. As of 2011, Gujarati is the 6th most widely spoken language in India by number of native speakers, spoken by 55.5 million speakers which amounts to about 4.5% of the total Indian population. It is the 26th most widely spoken language in the world by number of native speakers as of 2007.Mikael Parkvall, "Världens 100 största språk 2007" (The World's 100 Largest Languages in 2007), in ''Nationalencyklopedin''. Asterisks mark th2010 estimatesfor the top dozen languages. Outside of Gujarat, Gujarati is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kisan Kanya (1937 Film)
''Kisan Kanya'' was a 1937 Hindi Cinecolor feature film which was directed by Moti Gidwani and produced by Ardeshir Irani of Imperial Pictures. It is largely remembered by the Indian public on account of it being India's first indigenously made colour film. V. Shantaram had earlier produced a Marathi film ''Sairandhri'' (1933) which had scenes in color. However, the film was processed and printed in Germany ''Kisan Kanya'' was, therefore, India's first indigenously made color film. Kisan Kanya was based on a novel by Saadat Hasan Manto and focussed on the plight of poor farmers. Cast * Padma Devi as Bansri * Jilloo as Ramdai * Ghulam Mohammed as Randheer * Nissar as Ramu * Syed Ahmed as Muneem * Gani Gani as the ''Zamindar'' (landlord) Production Film pioneer Ardeshir Irani, who had produced notable films as ''Nala Damayanti'' (1920) which was India's first international co-production (with Italy) and India's first talkie ''Alam Ara'' (1931) conceived the idea of producing a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alam Ara
''Alam Ara'' () is a 1931 Indian Hindustani-language historical fantasy film directed and produced by Ardeshir Irani. It revolves on a king and his two wives, Navbahaar and Dilbahaar, who are childless; soon, a '' fakir'' (Muhammad Wazir Khan) tells the king that the former wife will give birth to a boy, later named Qamar (Master Vithal), but the child will die following his 18th birthday if Navbahaar cannot find the necklace he asks for. Meanwhile, the king finds out that Dilbahaar falls for the ''senapati'' Adil (Prithviraj Kapoor), leading the king to arrest him and evicts his pregnant wife, who later gives birth to Alam Ara (Zubeida). Irani was inspired to make ''Alam Ara'', after watching the 1929 American part-talkie ''Show Boat''. The story was adapted from the Bombay-based dramatist Joseph David's play of the same name. Made on a budget of , principal photography was handled by Adi M. Irani within four months in Bombay (present-day Mumbai). Because the studio was locate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anil Biswas (composer)
Anil Krishna Biswas (7 July 1914 – 31 May 2003), professionally known as Anil Biswas, was an Indian film music director and playback singer from 1935 to 1965, who apart from being one of pioneers of playback singing, is also credited for the first Indian orchestra of twelve pieces and introducing orchestral music and full-blooded choral effects, into Indian cinema. A master in western symphonic music was known for the Indian classical or folk elements, especially Baul and Bhatiyali in his music. Out of his over 90 films, most memorable were, ''Roti'' (1942), '' Kismet'' (1943), ''Anokha Pyar'' (1948), ''Tarana'' (1951), ''Waaris'' (1954), '' Pardesi'' (1957) and '' Char Dil Char Rahen'' (1959). He was also the pioneer in using the counter melody in film scores, employing technique of western music, ‘cantala’, where one line overlaps the other in contra-melody, recitative prose songs as in ''Roti'' (1942), besides he was the first one to start extensively using the Ragmala. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ek Hi Raasta (1939 Film)
''Ek Hi Raasta'' (Hindi: एक ही रास्ता, The Only Way) is a 1939 Hindi social film directed by Mehboob Khan. The director of photography was Faredoon Irani with story by Babubhai A. Mehta and Wajahat Mirza. The film was produced by Sagar Movietone. The cast included Arun Kumar Ahuja, Sheikh Mukhtar, Anuradha, Kanhaiyalal and Harish. This was the debut film of Sheikh Mukhtar who went on to act and direct several successful films. and Arun Kumar Ahuja, a prominent actor in the 1940s. Ek Hi Raasta is a film about wrongs of society and its laws, and one of the early Hindi films to make a noticeable application of WW II. Plot Raja (Arun Kumar Ahuja) an orphan, Mangoo (Sheikh Mukhtar), a pickpocket, and Vithal (Harish), a hansom cab driver are friends. They live in the city where Mala (Anuradha) and her father (Gani) arrive from the village. Mangoo gets into an altercation with Mala’s father and kills him. Banke (Kanhaiyalal) kidnaps Mala and sells her to a wealt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hum Tum Aur Woh (1938 Film)
''Hum Tum Aur Woh'' (We Three) is a 1938 Hindi/Urdu social drama film. The film was directed by Mehboob Khan for Sagar Movietone. The music was composed by Anil Biswas with lyrics by Wajahat Mirza and Zia Sarhadi. The cinematographer was Faredoon Irani. The film starred Motilal, Maya Banerjee, Rose, Yakub and Sankatha Prasad. The film was a romantic triangle involving Moti (Motilal), Bina (Maya Bannerjee) the girl he's engaged to and Leela (Rose) who is obsessed with him. Plot Moti (Motilal) is engaged to Bina (Maya Banerjee), but gets involved with Leela (Rose), who is passionate about him. She declares her love for Moti without guilt and goes on to have his child out of wedlock. Her traumatised father suggests that she commit suicide to avoid shame and harassment from society. Bina decides to break off her engagement with Moti in order for him to marry Leela. But Moti goes after Bina and is told by her father that Bina is dead. Leela makes the final sacrifice, letting Moti g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jagirdar (film)
''Jagirdar'' (Landlord) is a 1937 Hindi romantic melodrama film directed by Mehboob Khan, and starring Bibbo, Motilal, Surendra, Yakub, Pande, Sankatha Prasad, Pesi Patel and Maya Banerjee. The film was produced by Sagar Movietone and was Anil Biswas' first major venture as an independent music director. After the success of Manmohan, Anil Biswas replaced Ashok Ghosh as an acclaimed composer continuously producing a range of successful music. The story was written by Babubhai Mehta with dialogues credited to Zia Sarhadi. The lyricists were Zia Sarhadi and Pandit Indra Sharma. Plot Neela (Bibbo) and Jagirdar (Surendra) marry each other without anyone's knowledge. However, Jagirdar goes missing at sea presumed dead. Neela realises she's pregnant and when the child is born he's called illegitimate. Shripat (Pande), a poor farmer marries her and helps take care of her son Ramesh. On his return Jagirdar is angry to find Neela married to Shripat and a fight ensues. When Shripat is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manmohan (film)
''Manmohan'' is a 1936 Indian Urdu/Hindi-language romantic tragedy film directed by Mehboob Khan. This was Khan's third film for Sagar Movietone after '' Al Hilal'' (1935) and ''Deccan Queen'' (1936). The cinematographer was Faredoon Irani who, starting from Mehboob Khan's ''Al Hilal'' (Judjement of Allah) (1935) went on to establish a long working relationship with him lasting till Khan's last film Son of India (1962). The music was composed by Ashok Ghosh assisted by Anil Biswas. The story writer was Zia Sarhadi who also wrote the lyrics, screenplay and dialogue in addition to acting in the film. Though he had started his writing career on Khan's backing for ''Deccan Queen'' (1936), it was with ''Manmohan'' that he achieved success. The film was inspired by ''Devdas'', (1935), which was a big hit at the box office. Surendra was chosen as the singing star to rival K. L. Saigal from New Theatres Calcutta, whose songs from ''Devdas'' had mesmerised the nation.Ahmed, p.29 Though ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narsinh Mehta (1932 Film)
''Narsinh Mehta'' ( gu, નરસિંહ મેહતા) is a 1932 Gujarati biographical film directed by Nanubhai Vakil. It was the first Gujarati talkie film. Plot The film is based on the life of the saint-poet Narsinh Mehta. Cast The cast was: * Master Manhar as Narsinh Mehta * Umakant Desai as Krishna * Mohan Lala as Ra Mandlik * Khatun as Kunwarbai * Master Bachu as Kunwarbai's husband * Miss Jamna as Manekbai * Miss Mehtab as Rukmini Marutirao, Trikam Das and Miss Devi appeared in other roles. Production The sets were designed by Ravishankar Raval. Criticism According to Anandshankar Dhruv, the film adhered to a Gandhian The followers of Mahatma Gandhi, the greatest figure of the Indian independence movement, are called Gandhians. Gandhi's legacy includes a wide range of ideas ranging from his dream of ideal India (or ''Rama Rajya)'', economics, environmentalis ... interpretation of Narsinh Mehta. The film was devoid of miracles associated with him. References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalidas (film)
''Kalidas'' (, ) is a 1931 Indian Tamil- and Telugu-language biographical film directed by H. M. Reddy and produced by Ardeshir Irani. It is notable for being the first sound film in the Tamil and Telugu languages, and the first sound film to be made in a language from South India. It was based on the life of the Sanskrit poet Kalidasa; it featured P. G. Venkatesan in the title role and T. P. Rajalakshmi as the female lead, with L. V. Prasad, Thevaram Rajambal, T. Susheela Devi, J. Sushila, and M. S. Santhanalakshmi in supporting roles. ''Kalidas'', principally in Tamil, contained additional dialogue in Telugu and Hindi. While Rajalakshmi spoke Tamil, Venkatesan spoke only Telugu due to his lack of fluency in Tamil, and Prasad spoke only Hindi. Despite its mythological theme, the film featured songs from much later time periods, such as the compositions of Carnatic musician Tyagaraja, publicity songs of the Indian National Congress, and songs about Mahatma Gandhi and the I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punjabi Language
Punjabi (; ; , ), sometimes spelled Panjabi, is an Indo-Aryan language of the Punjab region of Pakistan and India. It has approximately 113 million native speakers. Punjabi is the most widely-spoken first language in Pakistan, with 80.5 million native speakers as per the 2017 census, and the 11th most widely-spoken in India, with 31.1 million native speakers, as per the 2011 census. The language is spoken among a significant overseas diaspora, particularly in Canada, the United States, and the United Kingdom. In Pakistan, Punjabi is written using the Shahmukhi alphabet, based on the Perso-Arabic script; in India, it is written using the Gurmukhi alphabet, based on the Indic scripts. Punjabi is unusual among the Indo-Aryan languages and the broader Indo-European language family in its usage of lexical tone. History Etymology The word ''Punjabi'' (sometimes spelled ''Panjabi'') has been derived from the word ''Panj-āb'', Persian for 'Five Waters', referring to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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