Sadb Ingen Chuinn
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Sadb Ingen Chuinn
Sadb ingen Chuinn was a daughter of Conn of the Hundred Battles, a High King of Ireland. She married firstly Macnia mac Lugdach, prince of the Dáirine or Corcu Loígde, and was mother of Lugaid Mac Con, High King of Ireland. Upon the death of Macnia, she married secondly Ailill Aulom, king of southern Ireland, and was mother of Éogan Mór, ancestor of the Eóganachta. Her brother was Art mac Cuinn, also a High King of Ireland, while her sister Sáruit married Conaire Cóem of the Érainn, who was High King before him. The traditions vary. Alternatively, as in the ''Cath Maige Mucrama'', she was the wife only of Ailill Aulom and mother of Éogan Mór, Cormac Cas, Cian, and Lugaid Mac Con's foster-mother. In the ''Cath Maige Léna'', an Early Modern tale, Sadb is actually Mac Con's wife, although he is called Mac Nia and possibly confused with his father or grandfather. Regardless, in historical times, she was chiefly remembered as an ancestor of the Eóganachta dynasties. ...
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Conn Of The Hundred Battles
Conn Cétchathach (; "of the Hundred Battles"), son of Fedlimid Rechtmar, was a semi-legendary High King of Ireland and the ancestor of the Connachta, and, through his descendant Niall Noígiallach, the Uí Néill dynasties, which dominated Ireland in the early Middle Ages. Literary tradition Early life and accession The ''Annals of the Four Masters'' says that five roads to Tara, which had never been seen before, were discovered on the night of Conn's birth. According to the ''Lebor Gabála Érenn'', he took power after killing his predecessor Cathair Mór. In other sources his predecessor is Dáire Doimthech. The ''Lia Fáil'', the coronation stone at Tara which was said to roar when the rightful king stood on it, roared under Conn for the first time since Cúchulainn split it with his sword when it failed to roar for Lugaid Riab nDerg. In the saga ''Baile in Scáil'' ("The Phantom's Ecstatic Vision"), Conn treads on the stone by accident while walking the ramparts of Tara, ...
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Érainn
The Iverni (, ') were a people of early Ireland first mentioned in Ptolemy's 2nd century ''Geography'' as living in the extreme south-west of the island. He also locates a "city" called Ivernis (, ') in their territory, and observes that this settlement has the same name as the island as a whole, Ivernia (, '). It was probably once the name given to all the peoples of Ireland, but by Ptolemy's time had a more restricted usage applicable to the inhabitants of the south-west. These Iverni can be identified linguistically with the Érainn (Éraind, Érnai, Érna), a people attested in Munster and elsewhere in the early Middle Ages. The prehistoric Érainn royal dynasties are sometimes referred to as the Dáirine. Etymology The name Iverni has been derived from Archaic Irish ''*Īwernī'' meaning "folk of ''*Īweriū'' " (the island of Ireland). This is in turn derived from Proto-Celtic *''Φīwerjon-'' and further from Proto-Indo-European *''piHwerjon-'' (the fertile land), whic ...
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The Discovery Programme
The Discovery Programme: Centre for Archaeology and Innovation Ireland is an all-Ireland centre for archaeology and heritage research. It was established by the Irish Government in 1991. It is a company limited by guarantee, funded mainly through the Heritage Council. It has registered as a charity with the Charities Regulator. Its primary aim is to benefit the community by the advancement of culture, heritage and sciences, and in particular by enhancing the understanding of Ireland’s past through archaeological and related research in the humanities and sciences, establishing and directing research programmes, promoting such research; and promoting an appreciation of Ireland’s archaeological heritage through education and outreach programmes. Projects Tara Research Project The Discovery Programme began carrying out research at Tara in 1992, often in collaboration with the Centre for Archaeological Survey at the Department of Archaeology, NUI Galway. The research on Tara ...
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Four Courts Press
Four Courts Press is an independent Irish academic publishing house, with its office at Malpas Street, Dublin 8, Ireland. Founded in 1970 by Michael Adams, who died in February 2009, its early publications were primarily theological, notably the English translation of the Navarre Bible. From 1992 it expanded into publishing peer-reviewed works in Celtic Studies, Medieval Studies and Ecclesiastical History __NOTOC__ Church history or ecclesiastical history as an academic discipline studies the history of Christianity and the way the Christian Church has developed since its inception. Henry Melvill Gwatkin defined church history as "the spiritua ..., and then into Modern History, Art, Literature and Law. As of late 2020, Four Courts Press had around 500 titles in print and publishing around 50 new works each year. References {{Authority control Companies based in Dublin (city) Publishing companies established in 1970 Publishing companies of Ireland ...
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Edel Bhreathnach
Edel Bhreathnach is an Irish historian and academic and former CEO of the Discovery Programme. Bhreathnach was a Tara Research Fellow for the Discovery Programme from 1992 to 2000. In 2005 she was appointed Post-Doctoral Fellow at the Mícheál Ó Cléirigh Institute for the study of Irish History and Civilization, at University College Dublin. In 2013, she left her role in the Ó Cléirigh Institute to rejoin the Discovery Programme as CEO. Her particular areas of interest concern the history of Tara in County Meath, dynastic politics in the kingdoms of Mide and Leinster.She is currently part of the Monastic Ireland network and is working on a study of monasticism in Ireland AD900-1250. See also * Breathnach Bibliography The following is a provisional list of Bhreathnach's publications. Articles * ''Killeskin: An Irish Monastery Surveyed'' in ''Cambridge/Cambrian Medieval Celtic Studies'', pp. 33–47. 1994. * ''Tara: A Select Bibliography,'' in ''Discovery Programme ...
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Fionn Mac Cumhaill
Fionn mac Cumhaill ( ; Old and mga, Find or ''mac Cumail'' or ''mac Umaill''), often anglicized Finn McCool or MacCool, is a hero in Irish mythology, as well as in later Scottish and Manx folklore. He is leader of the ''Fianna'' bands of young roving hunter-warriors, as well as being a seer and poet. He is said to have a magic thumb that bestows him with great wisdom. He is often depicted hunting with his hounds Bran and Sceólang, and fighting with his spear and sword. The tales of Fionn and his ''fiann'' form the Fianna Cycle or Fenian Cycle (''an Fhiannaíocht''), much of it narrated by Fionn's son, the poet Oisín. Etymology In Old Irish, finn/find means "white, bright, lustrous; fair, light-hued (of complexion, hair, etc.); fair, handsome, bright, blessed; in moral sense, fair, just, true". It is cognate with Primitive Irish ''VENDO-'' (found in names from Ogam inscriptions), Welsh ''gwyn'', Cornish ''gwen'', Breton ''gwenn'', Continental Celtic and Common Brittoni ...
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Oisín
Oisín ( ), Osian, Ossian ( ), or anglicized as Osheen ( ) was regarded in legend as the greatest poet of Ireland, a warrior of the Fianna in the Ossianic or Fenian Cycle of Irish mythology. He is the demigod son of Fionn mac Cumhaill and of Sadhbh (daughter of Bodb Dearg), and is the narrator of much of the cycle and composition of the poems are attributed to him. Legends His name literally means "young deer" or fawn, and the story is told that his mother, Sadhbh, was turned into a deer by a druid, Fear Doirche (or Fer Doirich). A young hunter named Fionn caught Sadhbh, but did not kill her, and she returned to human form. Fionn gave up hunting and fighting to settle down with Sadhbh, and she was soon pregnant, but Fer Doirich turned her back into a deer and she returned to the wild. Seven years later Fionn found his child, naked, on Benbulbin. Other stories have Oisín meet Fionn for the first time as an adult and contend over a roasting pig before they recognise each other ...
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Sadhbh
In Irish mythology, Sadhbh or Sive ( ) was the mother of Oisín by Fionn mac Cumhail. She is either a daughter of Bodb Derg, king of the Síd of Munster, or may derive in part from Sadb ingen Chuinn, daughter of Conn of the Hundred Battles. The legend goes that Sadhbh was enchanted to take the form of a doe for refusing the love of Fer Doirich (or Fear Doirche), the dark druid of the Men of Dea (here meaning the Tuatha Dé Danann). She held this form for three years, until a serving man of the Dark Druid took pity on her and told her that if she set foot in the dún (fort or castle) of the Fianna of Ireland, the druid would no longer have any power over her. She then travelled straight to Almhuin (Fionn's house) and was found by Fionn while he was out hunting. Since Sadhbh was a human in animal form, she was not harmed by Fionn's hounds Bran and Sceolan, as they too had been transformed from their original human shape. On their return to Almhuin, Sadhbh became a beautiful g ...
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Acallam Na Senórach
''Acallam na Senórach'' (Modern Irish: ''Agallamh na Seanórach'', whose title in English has been given variously as ''Colloquy of the Ancients'', ''Tales of the Elders of Ireland'', ''The Dialogue of the Ancients of Ireland'', etc.), is an important prosimetric Middle Irish narrative dating to c.1200. It is the most important text of the Finn Cycle (also known as the Fenian Cycle, ''fíanaigecht'', ''fiannaigheacht'', ''fiannaíocht'' etc) and at about 8,000 lines is the longest surviving work of medieval Irish literature. It contains many Finn Cycle narratives framed by a story in which the ''fianna'' warriors and Caílte mac Rónáin have survived long enough to relate the tales to Saint Patrick. The work has been seen as a defence of the Irish literary establishment when it came under the scrutiny of Church reformers during the 12th to 13th centuries. Contents Set several hundred years after the death of Finn mac Cumaill, the frame story follows two aged Irish heroes ...
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Cath Maige Mucrama
The ''Cath Maige Mucrama'' (in English the Battle of Mag Mucrama) is an early Middle Irish language tale which forms part of the Cycles of the Kings. Content The cast includes several major figures from Irish pseudo-history, Ailill Aulom, his son Éogan Mór and his step- and foster-son Mac Con, along with the King of Tara Art mac Cuinn. Mag Mucrama, the plain of the counting of the pigs, was in Connacht, in the region of Athenry, County Galway. A tradition or folk etymology, in Irish ''dindshenchas'', has it that the plain was named for the magical pigs which infested it until banished by Queen Medb of Connacht.Wiley, "Cath Maige Mucrama". Mac Con, exiled from Ireland, returns with the aid of the king of Britain, along with an army of Britons and Saxons, and conquers Ireland as far as Connacht where Éogan, with the help of Art mac Cuinn, plans to fight. The night before the battle Éogan and Art sleep with their hosts' daughters, conceiving the sons who will succeed them, Fiachu ...
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Conaire Cóem
Conaire Cóem ("the beautiful"), son of Mug Láma, son of Coirpre Crou-Chend, son of Coirpre Firmaora, son of Conaire Mór, was, according to medieval Irish legend and historical tradition, the 111th High King of Ireland. He came to power on the death of his father-in-law Conn Cétchathach, and ruled for seven or eight years, at the end of which he was killed by Nemed, son of Sroibcenn, in the battle of Gruitine. He was succeeded by Conn's son Art. Time frame The ''Lebor Gabála Érenn'' synchronises his reign with that of the Roman emperor Commodus (180–192). The chronology of Geoffrey Keating's ''Foras Feasa ar Éirinn'' dates his reign to 136–143, that of the ''Annals of the Four Masters'' to 157–165.''Annals of the Four Masters'M157-165/ref> Issue Conaire had three sons by Conn's daughter Saraid. From his third son came the Síl Conairi, named after Conaire Cóem himself or his ancestor Conaire Mór. *Cairpre Músc, ancestor of the Múscraige and Corcu Duibne *Cairpr ...
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High King Of Ireland
High King of Ireland ( ga, Ardrí na hÉireann ) was a royal title in Gaelic Ireland held by those who had, or who are claimed to have had, lordship over all of Ireland. The title was held by historical kings and later sometimes assigned anachronously or to legendary figures. Medieval and early modern Irish literature portrays an almost unbroken line of High Kings, ruling from the Hill of Tara over a hierarchy of lesser kings, stretching back thousands of years. Modern historians believe this scheme was crafted in the 8th century from the various genealogical traditions of powerful dynasties, and intended to justify their status by projecting it far into the past.Dáibhí Ó Cróinín, "Ireland, 400–800", in Dáibhí Ó Cróinín (ed.), ''A New History of Ireland 1: Prehistoric and Early Ireland'', Oxford University Press, 2005, pp. 182–234. John T. Koch explains: "Although the kingship of Tara was a special kingship whose occupants had aspirations towards supremacy amon ...
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