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Sabu Toyozumi
Yoshisaburo "Sabu" Toyozumi (born Tsurumi, Yokohama; 1943Rusch, Bob "The Questionnaire", ''Cadence'' Volume 15, Number 2, 1989) is one of the small group of musical pioneers who comprised the first generation playing free improvisation music in Japan. As an improvising drummer he played and recorded with many of the key figures in Japanese free music including the two principal figures in the first generation, Masayuki Takayanagi and Kaoru Abe from the late 1960s onwards. He is one of a very few of this circle who are still alive and engaged in playing this music today. Toyozumi features on numerous commercially available recordings with many of the most notable Japanese and international improvising musicians including Derek Bailey, Mototeru Takagi, Misha Mengelberg, Peter Brötzmann, Keiji Haino, Otomo Yoshihide, Tom Cora and Fred Van Hove. In 1971 he became the only non-American member of the Association for the Advancement of Creative Musicians(AACM)). He dedicated his first r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Improvisation
Free improvisation or free music is improvised music without any rules beyond the logic or inclination of the musician(s) involved. The term can refer to both a technique (employed by any musician in any genre) and as a recognizable genre in its own right. Free improvisation, as a genre of music, developed in the U.S. and Europe in the mid to late 1960s, largely as an outgrowth of free jazz and modern classical musics. Exponents of free improvised music include saxophonists Evan Parker, Anthony Braxton, Peter Brötzmann, and John Zorn, composer Pauline Oliveros, drummer Christian Lillinger, trombonist George E. Lewis, guitarists Derek Bailey, Henry Kaiser and Fred Frith and the improvising groups Spontaneous Music Ensemble, The Music Improvisation Company, Iskra 1903, The Art Ensemble of Chicago and AMM. Characteristics In an atonal context, free improvisation refers to where the focus shifts from harmony to other dimensions of music: timbre, melodic intervals, rhythm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phil Minton
Phil Minton (born 2 November 1940) is a British avant-garde jazz/ free-improvising vocalist and trumpeter. Minton is a highly dramatic baritone who tends to specialize in literary texts: he has sung lyrics by William Blake with Mike Westbrook's group, Daniil Kharms and Joseph Brodsky with Simon Nabatov, and extracts from James Joyce's ''Finnegans Wake'' with his own ensemble. He sings on a Jimi Hendrix tribute album, belting out the lyrics in over-the-top fashion. Between 1987 and 1993 Minton toured Europe, North America, and Russia with Lindsay Cooper's ''Oh Moscow'' ensemble. He is perhaps best known, however, for his completely free-form work, which involves "extended techniques" that can be as unsettling as they can be mesmerising. His vocals often include the sounds of retching, burping, screaming, and gasping, as well as childlike muttering, whining, crying and humming; he also has an ability to distort his vocal cords to produce two notes at once. As the DJ/poet Kenneth G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan Honsinger
Tristan Honsinger (born October 23, 1949) is an American cello player active in free jazz and free improvisation. He is perhaps best known for his long-running collaboration with free jazz pianist Cecil Taylor and guitarist Derek Bailey. Born in Burlington, Vermont, United States, Honsinger was given music lessons from a very early age, as his mother had hopes of creating a chamber orchestra together with his brother and sister. At the age of 12, Tristan would give concerts on a nearly weekly basis. He studied classical cello at the New England Conservatory in Boston before moving to Montreal in 1969 to avoid the draft. While in Canada, he became interested in improvisational music. Honsinger moved to Europe in 1974 and was active throughout the continent. He operates from Amsterdam in the Netherlands. Honsinger has a striking appearance, with body language reminiscent of that of a slapstick actor. He has experimented with a combo of three string-players (violin, cello and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stomu Yamashta
Stomu Yamashta (or Yamash'ta), born , is a Japanese percussionist, keyboardist and composer. He is best known for pioneering and popularising a fusion of traditional Japanese percussive music with Western progressive rock music in the 1960s and 1970s. In the latter part of the 1970s, he led the supergroup Go with Steve Winwood, Al Di Meola, Klaus Schulze, and Michael Shrieve. Biography Yamash'ta was born in Kyoto, Japan on 15 March 1947. He entered to study at the Kyoto Academy of Music in 1960. His father was the director of the Kyoto Philharmonic, and he became a percussionist in the orchestra when he was 13. He studied music at Kyoto University, Juilliard School of Music, and Berklee College of Music, and has also lectured in music. His innovation and acrobatic drumming style earned him many accolades. In the 1960s he performed with Thor Johnson, Toru Takemitsu, and Hans Werner Henze amongst others. He changed his name from Tsutomu Yamashita to the phonetic Stomu Yamash'ta a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Mingus
Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz upright bassist, pianist, composer, bandleader, and author. A major proponent of collective improvisation, he is considered to be one of the greatest jazz musicians and composers in history,See the 1998 documentary ''Triumph of the Underdog'' with a career spanning three decades and collaborations with other jazz musicians such as Louis Armstrong, Duke Ellington, Charlie Parker, Dizzy Gillespie, and Herbie Hancock. Mingus' compositions continue to be played by contemporary musicians ranging from the repertory bands Mingus Big Band, Mingus Dynasty, and Mingus Orchestra, to the high school students who play the charts and compete in the Charles Mingus High School Competition. In 1993, the Library of Congress acquired Mingus' collected papers—including scores, sound recordings, correspondence and photos—in what they described as "the most important acquisition of a manuscript collection relating to jaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Braxton
Anthony Braxton (born June 4, 1945) is an American experimental composer, educator, music theorist, improviser and multi-instrumentalist who is best known for playing saxophones, particularly the alto. Braxton grew up on the South Side of Chicago, Illinois, and was a key early member of the Association for the Advancement of Creative Musicians. He received great acclaim for his 1969 double- LP record ''For Alto'', the first full-length album of solo saxophone music. A prolific composer with a vast body of cross-genre work, the MacArthur Fellow and NEA Jazz Master has released hundreds of recordings and compositions. During six years signed to Arista Records, the diversity of his output encompassed work with many members of the AACM, including duets with co-founder and first president Muhal Richard Abrams; collaborations with electronic musician Richard Teitelbaum; a saxophone quartet with Julius Hemphill, Oliver Lake and Hamiet Bluiett; compositions for four orchestras; and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erhu
The ''erhu'' (; ) is a Chinese two-stringed bowed musical instrument, more specifically a spike fiddle, which may also be called a ''Southern Fiddle'', and is sometimes known in the Western world as the ''Chinese violin'' or a ''Chinese two-stringed fiddle''. It is used as a solo instrument as well as in small ensembles and large orchestras. It is the most popular of the huqin family of traditional bowed string instruments used by various ethnic groups of China. As a very versatile instrument, the erhu is used in both traditional and contemporary music arrangements, such as pop, rock and jazz. History The ''Erhu'' can be traced back to proto-Mongolic instruments which first appeared in China during the Tang dynasty. It is believed to have evolved from the '' Xiqin'' ( 奚 琴). The xiqin is believed to have originated from the Xi people located in current northeast China. The first Chinese character of the name of the instrument ( 二, ''èr'', two) is believed to come fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hijokaidan
is a Japanese noise and free improvisation group with a revolving lineup that has ranged from two members to as many as fourteen in its early days. The group is the project of guitarist , its one constant member, who is head and owner of the Osaka-based Alchemy Records. Other regulars include Jojo's wife Junko and Toshiji Mikawa (also of Incapacitants). The group began at the very end of the 1970s as a performance art-based group whose anarchic shows would often involve destruction of venues and audio equipment, food and garbage being thrown around, and on-stage urination. As the group's lineup changed over time, their focus became less performance-based and more musically based, fine-tuning their sound into a dense wall of noise. History Pre-Hijōkaidan Hijōkaidan originally began in 1979 in Kyoto as a side project of Rasenkaidan members and . They played an improvised session at a studio with fellow Rasenkaidan member (a.k.a. Idiot) in attendance. Afterwards, Takayama sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martial Arts
Martial arts are codified systems and traditions of combat practiced for a number of reasons such as self-defense; military and law enforcement applications; combat sport, competition; physical, mental, and spiritual development; entertainment; and the preservation of a nation's intangible cultural heritage. Etymology According to Paul Bowman, the term ''martial arts'' was popularized by mainstream popular culture during the 1960s to 1970s, notably by Hong Kong martial arts films (most famously those of Bruce Lee) during the so-called "chopsocky" wave of the early 1970s. According to John Clements, the term '':wikt:martial art, martial arts'' itself is derived from an older Latin (language), Latin term meaning "arts of Mars (mythology), Mars", the Roman mythology, Roman god of war, and was used to refer to the combat systems of Europe (European martial arts) as early as the 1550s. The term martial science, or martial sciences, was commonly used to refer to the fighting arts of E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakuhachi
A is a Japanese and ancient Chinese longitudinal, end-blown flute that is made of bamboo. The bamboo end-blown flute now known as the was developed in Japan in the 16th century and is called the .Kotobank, Fuke shakuhachi. The Asahi ShimbunKotobank, Shakuhachi. The Asahi Shimbun A bamboo flute known as the , which is quite different from the current style of , was introduced to Japan from China in the 7th century and died out in the 10th century. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Watazumido
Roshi (November 20, 1911 - December 14, 1992) was a master of the end-blown Japanese bamboo flute. He studied Rinzai Zen, attaining the title of rōshi. Born as Tanaka Masaru, he was also known as Tanaka Fumon, Itcho Fumon, Watazumi Fumon, and Watazumi Shuso. Watazumi played unlacquered instruments that he referred to as hotchiku, in contrast with the modern shakuhachi, stressing that to truly understand nature and oneself, one had to use an instrument of the most raw and natural origin. From this grew what he called ''Watazumidō'' "Way of Watazumi". In addition to hotchiku, Watazumi used the jō for exercise, invigoration, and training. Quotations * "It's fine that you are all deep into music. But there's something deeper and if you would go deeper, if you go to the source of where the music is being made, you'll find something even more interesting. At the source, everyone's individual music is made. If you ask what the deep place is, it's your own life and it's knowing y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadence Magazine
''Cadence: The Independent Journal of Creative Improvised Music'' is a quarterly review of jazz, blues and improvised music. The magazine covers a range of styles, from early jazz and blues to the avant-garde. Critic and historian Bob Rusch founded the magazine as a monthly in 1976 and served as publisher and coordinating editor through 2011. Musician David Haney became editor and publisher in 2012. History and profile ''Cadence'' began publication in 1976. The magazine's original parent company, Cadnor, Ltd. (based in Redwood, New York), also owns a pair of jazz record labels (CIMP and Cadence Jazz), a record distributorship (Cadence/North Country), and an audio equipment retailer (Northcountry Audio). The magazine was published monthly until October 2007, when it switched to a quarterly schedule with an increase in pages. In January 2011, Bob Rusch announced that ''Cadence'' would cease publication with the October–December 2011 issue, while other endeavors, such as CIMP, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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