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SP-1200
The E-mu SP-1200 is a sampler created by Dave Rossum that was released in August 1987 by E-mu Systems. Like the product it was meant to replace, the SP-12, the SP-1200's intended use was as a drum machine and sequencer for dance music producers. However, its use as a phrase sampler produces a "gritty" sound due to the machine's 26.04 kHz sampling rate, its SSM2044 filter chips and its 12-bit sampling resolution. This distinctive sound, often said to capture the "warmth" of vinyl recordings (because both formats attenuate significant amounts of bass and treble), has sustained demand for the SP-1200 more than thirty years after its discontinuation, despite the introduction of digital audio workstations and samplers/sequencers with far superior technical specifications, such as the Akai MPC. The SP-1200 is strongly associated with hip hop's golden age. Its ability to construct the bulk of a song within one piece of portable gear, a first for the industry, reduced studio cos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-mu Systems
E-mu Systems was a software synthesizer, audio interface, MIDI interface, and MIDI keyboard manufacturer. Founded in 1971 as a synthesizer maker, E-mu was a pioneer in samplers, sample-based drum machines and low-cost digital sampling music workstations. After its acquisition in 1993, E-mu Systems was a wholly owned subsidiary of Creative Technology, Ltd.About E-MU Creative.com In 1998, E-mu was combined with Ensoniq, another synthesizer and sampler manufacturer previously acquired by Creative Technology. E-mu was last based in , on the outskirts of |
Hip Hop Production
Hip hop production is the creation of hip hop music in a recording studio. While the term encompasses all aspects of hip hop music creation, including recording the rapping of an MC, a turntablist or DJ providing a beat, playing samples and "scratching" using record players and the creation of a rhythmic backing track, using a drum machine or sequencer, it is most commonly used to refer to recording the instrumental, non-lyrical and non-vocal aspects of hip hop. Music production Hip hop producers may be credited as the record producer or songwriter; they may also supervise recording sessions. Hip hop instrumentals are colloquially referred to as beats or musical compositions, while the composer is called either a programmer, songwriter or beat maker. In the studio, the hip hop producer often functions as both the composer and as a traditional record producer. They are sometimes called Orchestrators, P. Diddy is an example of one, and they are ultimately responsible for the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-mu SP-1200 Front Of Machine
E-mu Systems was a software synthesizer, audio interface, MIDI interface, and MIDI keyboard manufacturer. Founded in 1971 as a synthesizer maker, E-mu was a pioneer in samplers, sample-based drum machines and low-cost digital sampling music workstations. After its acquisition in 1993, E-mu Systems was a wholly owned subsidiary of Creative Technology, Ltd.About E-MU Creative.com In 1998, E-mu was combined with , another synthesizer and sampler manufacturer previously acquired by Creative Technology. E-mu was last based in , on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-mu SP-1200 Back Panel
E-mu Systems was a software synthesizer, audio interface, MIDI interface, and MIDI keyboard manufacturer. Founded in 1971 as a synthesizer maker, E-mu was a pioneer in samplers, sample-based drum machines and low-cost digital sampling music workstations. After its acquisition in 1993, E-mu Systems was a wholly owned subsidiary of Creative Technology, Ltd.About E-MU Creative.com In 1998, E-mu was combined with , another synthesizer and sampler manufacturer previously acquired by Creative Technology. E-mu was last based in , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampler (musical Instrument)
A sampler is an electronic or digital musical instrument which uses sound recordings (or " samples") of real instrument sounds (e.g., a piano, violin, trumpet, or other synthesizer), excerpts from recorded songs (e.g., a five-second bass guitar riff from a funk song) or found sounds (e.g., sirens and ocean waves). The samples are loaded or recorded by the user or by a manufacturer. These sounds are then played back by means of the sampler program itself, a MIDI keyboard, sequencer or another triggering device (e.g., electronic drums) to perform or compose music. Because these samples are usually stored in digital memory, the information can be quickly accessed. A single sample may often be pitch-shifted to different pitches to produce musical scales and chords. Often samplers offer filters, effects units, modulation via low frequency oscillation and other synthesizer-like processes that allow the original sound to be modified in many different ways. Most samplers have Mult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-mu SP-12
E-mu SP-12 12 also known as the “sampling drum computer” was designed in 1985 and widely released in 1986 by E-mu Systems. Although the SP-12 was quickly superseded by the more powerful SP-1200, the SP-12 is often regarded as the first commercially successful drum machine and sampler combo. History The E-mu SP-12 was the spiritual successor to E-mu's Drumulator and was originally going to be produced under the name Drumulator II, however shortly before the sampler went into production its name was changed to SP-12. The name SP-12 stands for sampling percussion at twelve bits, demonstrating the power of the sampler. The E-mu SP-12 is credited with helping usher in the era of digital sampling by being one of the first digital samplers in production, which allowed musicians to take digital sampling in a completely different direction. Originally the sole purpose of digital sampling was to allow producers to implement a desired sound into a keyboard so it would be able to be repl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Golden Age Hip Hop
Golden age hip hop is a name given to mainstream hip hop music created from the mid-1980s to early-mid 1990s, particularly by artists and musicians originating from the New York metropolitan area. An outgrowth of the new school hip hop movement, it is characterized by its diversity, quality, innovation and influence on hip hop after the genre's emergence and establishment in the old-school era,Green, Tony, in Wang, Oliver (ed.) ''Classic Material'', Toronto: ECW Press, 2003. p. 132 and is associated with the development and eventual mainstream success of hip hop. There were various types of subject matter, while the music was experimental and the sampling from old records was eclectic. The artists most often associated with the period are LL Cool J, Slick Rick, Ultramagnetic MC's,Linhardt, Alex (June 10, 2004)Album Reviews: Ultramagnetic MC's: Critical Beatdown. Pitchfork Media. Retrieved on December 24, 2014. the Jungle Brothers, Run-D.M.C., Public Enemy, Beastie Boys, KRS-One ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SMPTE Time Code
SMPTE timecode ( or ) is a set of cooperating standards to label individual frames of video or film with a timecode. The system is defined by the Society of Motion Picture and Television Engineers in the SMPTE 12M specification. SMPTE revised the standard in 2008, turning it into a two-part document: SMPTE 12M-1 and SMPTE 12M-2, including new explanations and clarifications. Timecodes are added to film, video or audio material, and have also been adapted to synchronize music and theatrical production. They provide a time reference for editing, synchronization and identification. Timecode is a form of media metadata. The invention of timecode made modern videotape editing possible and led eventually to the creation of non-linear editing systems. Basic concepts SMPTE timecode is presented in ''hour:minute:second:frame'' format and is typically represented in 32 bits using binary-coded decimal. There are also ''drop-frame'' and ''color framing'' flags and three extra ''binary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metronome
A metronome, from ancient Greek μέτρον (''métron'', "measure") and νομός (nomós, "custom", "melody") is a device that produces an audible click or other sound at a regular interval that can be set by the user, typically in beats per minute (BPM). Metronomes may include synchronized visual motion. Musicians use the device to practise playing to a regular pulse. A kind of metronome was among the inventions of Andalusian polymath Abbas ibn Firnas (810–887). In 1815, German inventor Johann Maelzel patented his mechanical, wind-up metronome as a tool for musicians, under the title "Instrument/Machine for the Improvement of all Musical Performance, called Metronome". In the 20th century, electronic metronomes and software metronomes were invented. Musicians practise with metronomes to improve their timing, especially the ability to stick to a regular tempo. Metronome practice helps internalize a clear sense of timing and tempo. Composers and conductors often use a me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quantization (music)
In digital music processing technology, quantization is the studio-software process of transforming performed musical notes, which may have some imprecision due to expressive performance, to an underlying musical representation that eliminates the imprecision. The process results in notes being set on beats and on exact fractions of beats. The purpose of quantization in music processing is to provide a more beat-accurate timing of sounds. Quantization is frequently applied to a record of MIDI notes created by the use of a musical keyboard or drum machine. Additionally, the phrase "pitch quantization" can refer to pitch correction used in audio production, such as using Auto-Tune. Description A frequent application of quantization in this context lies within MIDI application software or hardware. MIDI sequencers typically include quantization in their manifest of edit commands. In this case, the dimensions of this timing grid are set beforehand. When one instructs the music appl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Read-only Memory
Read-only memory (ROM) is a type of non-volatile memory used in computers and other electronic devices. Data stored in ROM cannot be electronically modified after the manufacture of the memory device. Read-only memory is useful for storing software that is rarely changed during the life of the system, also known as firmware. Software applications (like video games) for programmable devices can be distributed as plug-in cartridges containing ROM. Strictly speaking, ''read-only memory'' refers to memory that is hard-wired, such as diode matrix or a mask ROM integrated circuit (IC), which cannot be electronically changed after manufacture. Although discrete circuits can be altered in principle, through the addition of bodge wires and/or the removal or replacement of components, ICs cannot. Correction of errors, or updates to the software, require new devices to be manufactured and to replace the installed device. Floating-gate ROM semiconductor memory in the form of erasab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akai MPC60
The Akai MPC (originally MIDI Production Center, now Music Production Center) is a series of music workstations produced by Akai from 1988 onwards. MPCs combine sampling and sequencing functions, allowing users to record portions of sound, modify them and play them back as sequences. The first MPCs were designed by Roger Linn, who had designed the successful LM-1 and LinnDrum drum machines in the 1980s. Linn aimed to create an intuitive instrument, with a grid of pads that can be played similarly to a traditional instrument such as a keyboard or drum kit. Rhythms can be built not just from samples of percussion but samples of any recorded sound. The MPC had a major influence on the development of electronic and hip hop music. It led to new sampling techniques, with users pushing its technical limits to creative effect. It had a democratizing effect on music production, allowing artists to create elaborate tracks without traditional instruments or recording studios. Its pad i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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