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SO36 Club
The SO36 () club is a music club on Oranienstraße near Heinrichplatz in the area of Kreuzberg in Berlin, Germany. It takes its name from the historic postcode of that area, SO36, in which the SO stands for Südost (South East). The Kreuzberg district has historically been home to the Berlin '' punk rock'' movement, as well as other alternative subcultures in Germany. History Since the 1970s SO36 has been a major venue for "alternative" music and culture. Many Punk greats have performed and still perform here. Martin Kippenberger took over the management in 1979, focusing on creating a crossover between Punk and other genres and mediums such as New Wave and the visual arts. SO36 has been compared to New York's '' CBGB'' as one of the finest new-wave venues in the world. However unlike CBGB the venue still stands as of June 2020, and remains a fixture on the Berlin music scene championing new artists, while staying true to its Punk roots. In 2016, the club released ''SO36: 197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SO36 Oranienstrasse Berlin
The SO36 () club is a music club on Oranienstraße near Heinrichplatz in the area of Kreuzberg in Berlin, Germany. It takes its name from the historic postcode of that area, SO36, in which the SO stands for Südost (South East). The Kreuzberg district has historically been home to the Berlin '' punk rock'' movement, as well as other alternative subcultures in Germany. History Since the 1970s SO36 has been a major venue for "alternative" music and culture. Many Punk greats have performed and still perform here. Martin Kippenberger took over the management in 1979, focusing on creating a crossover between Punk and other genres and mediums such as New Wave and the visual arts. SO36 has been compared to New York's ''CBGB'' as one of the finest new-wave venues in the world. However unlike CBGB the venue still stands as of June 2020, and remains a fixture on the Berlin music scene championing new artists, while staying true to its Punk roots. In 2016, the club released ''SO36: 1978 b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In Friedrichshain-Kreuzberg
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music In Berlin
Since the 18th century Berlin has been an influential musical center in Germany and Europe. First as an important trading city in the Hanseatic League, then as the capital of the electorate of Brandenburg and the Prussian Kingdom, later on as one of the biggest cities in Germany it fostered an influential music culture that remains vital until today. Berlin can be regarded as the breeding ground for the powerful choir movement that played such an important role in the broad socialization of music in Germany during the 19th century. History 1700–1900 When in 1701 Frederick III declared himself Frederick I, "King in Prussia", Berlin became a royal residence and subsequently attained more musical prestige. Under his successor Frederick William I (1713–1740), musical life in Berlin lost part of its splendor, due to his focus on the military strengthening of Prussia. At that time the court orchestra was abandoned and music events at the court played only a decorative role. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Lind
Peter Lind (born 1961) is a Danish photographer, Contemporary artist and New Media Art artist. Peter Lind's work is based on documentary observations, and stands at the crossroads of conceptual photography, installation and Narrative structure. He has been exhibited in : Austria, Australia, Argentina, Denmark, France, Germany, Greece, USA, Italy, Spain, Poland, Sweden, Vietnam. Lind was born in Copenhagen. He studied cinematography at the Istituto di Scienze Cinematografiche e Audiovisive in Florence, 1983, and University of Copenhagen 1984. His work is permanently represented in several public collections: Brandts Museum of Photographic Art, National Museum of Photography, The Danish Art Foundation (Statens Kunstfond) Esbjerg Art Museum. "REPRESENTED ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berlin Atonal
Berlin Atonal is an annual festival for sonic and visual art in two distinct stages. It first took place between 1982 and 1990, relaunching in 2013 under new direction and continuing to the present day. The festival presents contemporary, interdisciplinary projects at the intersection of sound art, visual and media art, installation and performance, with an emphasis on commissioned work and world premieres. Apart from the annual event, Berlin Atonal has presented other satellite events such as The Long Now, New Assembly in Tokyo, and has collaborated with Deutsches Symphonie-Orchester, Dark Mofo and Berliner Festspiele. History Originally staged at SO36 in Kreuzberg, the early years of Atonal fostered revolutionary and innovative musical acts such as Malaria!, Einstürzende Neubauten, Test Dept, Laibach, Psychic TV, 808 State, Die Haut among many others. Throughout the 1980s Berlin Atonal was at the vanguard of the progressive electronic and experimental music and art scenes, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolaus Schmidt
Nicolaus Schmidt (born 1 January 1953) is a German artist, photographer and historian. He studied at the Hamburg Art Academy (HfBK) in the 1970s. In 1975, he founded ROSA, one of Germany’s first gay magazines. During the 1980s, he was a volunteer with the German branch of the children’s rights organization Terre des Hommes, serving for a time as its chairman. Since 1991, he has been living and making art in the Berlin neighborhood of Prenzlauer Berg. Public works Nicolaus was born Arnis, West Germany. In 1982, he created the Cerro Rico Aktion with 100,000 tin cans. In this work, the artist created an outdoor installation inspired by his interest in Third World affairs. Via public media, people were asked to collect tin cans so that the artist and his team could build a shining silver mountain (“Cerro Rico”) to symbolize the Bolivian mountain of the same name. This project called attention to the historical exploitation of South America’s wealth by European conquerors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Killing Joke (1980 Album)
''Killing Joke'' is the debut studio album by English post-punk band Killing Joke, released on 5 October 1980 by E.G. via Polydor Records. It debuted at number 41 on the UK Albums Chart on 26 October 1980 and later peaked at number 39. Background and recording Singer and keyboardist Jaz Coleman met drummer Paul Ferguson in late 1978. In February 1979, they put an announcement in ''Melody Maker'' with the words: "Bass, lead, to tell the killing joke, we mean it man ! Total exploitation, no information, anonymity". They soon recruited guitarist Geordie Walker and then bassist Youth. After releasing a few singles, they recorded ''Killing Joke'' in August 1980 at Marquee Studios in London, shortly after a small tour promoting the ''Almost Red'' EP. The album was self-produced by the band on purpose. They only wanted an engineer "who can put their technical knowledge into what we want, the way we want it. He's got to take us as we are". They recorded it live in the studio as "ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Killing Joke
Killing Joke are an English rock music, rock band from Notting Hill, London, England, formed in 1979 by Jaz Coleman (vocals, keyboards), Paul Ferguson (drums), Geordie Walker (guitar) and Youth (musician), Youth (bass). Their first album, ''Killing Joke (1980 album), Killing Joke'', was released in 1980. After the release of ''Revelations (Killing Joke), Revelations'' in 1982, bassist Youth was replaced by Paul Raven (musician), Paul Raven. The band achieved mainstream success in 1985 with both the album ''Night Time (album), Night Time'' and the single "Love Like Blood (song), Love Like Blood". The band's musical style emerged from the post-punk scene, but stood out due to their heavier approach, and has been cited as a key influence on industrial rock. Their style evolved over many years, at times incorporating elements of gothic rock, synth-pop and electronic music, often baring Walker's prominent guitar and Coleman's "savagely strident vocals". Killing Joke have influenced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
