SKA Almaty
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SKA Almaty
Ska (; ) is a music genre that originated in Jamaica in the late 1950s and was the precursor to rocksteady and reggae. It combined elements of Caribbean mento and calypso with American jazz and rhythm and blues. Ska is characterized by a walking bass line accented with rhythms on the off beat. It was developed in Jamaica in the 1960s when Stranger Cole, Prince Buster, Clement "Coxsone" Dodd, and Duke Reid formed sound systems to play American rhythm and blues and then began recording their own songs. In the early 1960s, ska was the dominant music genre of Jamaica and was popular with British mods and with many skinheads. Music historians typically divide the history of ska into three periods: the original Jamaican scene of the 1960s; the 2 Tone ska revival of the late 1970s in Britain, which fused Jamaican ska rhythms and melodies with the faster tempos and harder edge of punk rock forming ska-punk; and third wave ska, which involved bands from a wide range of countries aro ...
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Mento
Mento is a style of Music of Jamaica, Jamaican folk music that predates and has greatly influenced ska and reggae music. It is a fusion of African rhythmic elements and European elements, which reached peak popularity in the 1940s and 1950s. Mento typically features acoustic instruments, such as classical guitar, acoustic guitar, banjo, hand drums, and the rhumba box — a large mbira in the shape of a box that can be sat on while played. The rhumba box carries the bass (sound), bass part of the music. Mento is often confused with Calypso music, calypso, a musical form from Trinidad and Tobago. Although the two share many similarities, they are separate and distinct musical forms. During the mid-20th century, mento was conflated with calypso, and mento was frequently metonym, referred to as ''calypso'', ''kalypso'' and ''mento calypso.'' Mento singers frequently used calypso songs and techniques. As in calypso, mento uses topical lyrics with a humorous slant, commenting on po ...
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Skinhead
A skinhead is a member of a subculture which originated among working class youths in London, England, in the 1960s and soon spread to other parts of the United Kingdom, with a second working class skinhead movement emerging worldwide in the late 1970s. Motivated by social alienation and working class solidarity, skinheads (often shortened to "skins" in the UK) are defined by their close-cropped or shaven heads and working-class clothing such as Dr. Martens and steel toe work boots, braces, high rise and varying length straight-leg jeans, and button-down collar shirts, usually slim fitting in check or plain. The movement reached a peak at the end of the 1960s, experienced a revival in the 1980s, and, since then, has endured in multiple contexts worldwide. The rise to prominence of skinheads came in two waves, with the first wave taking place in the late 1960s in the UK. The first skinheads were working class youths motivated by an expression of alternative values and wo ...
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Stranger Cole
Stranger Cole, also known as StrangeJah Cole (born Wilburn Theodore Cole, 26 June 1942)Thompson, Dave (2002) ''Reggae & Caribbean Music'', Backbeat Books, , p. 335 is a Jamaican singer whose long recording career dates from the early days of ska in 1962 through to the present (2019). Biography Cole was born in Kingston, Jamaica on 26 July 1942 and nicknamed "Stranger" by his family, as they considered that he didn't resemble any member of his family. Cole was initially successful as a songwriter, writing "In and out the Window", which was a hit for Eric "Monty" Morris.Boehm, Mike (2001)StrangeJah in Laguna Reggae Musicians Will Perform at a Benefit to Provide Toys for Children at Orangewood, ''Los Angeles Times'', 21 December 1988, retrieved 30 August 2009 This success gave him the chance to make his recording debut in 1962, instantly finding success with singles such as "Rough and Tough" and "When You Call My Name" (a duet with Patsy Todd) for producer Arthur "Duke" Reid.Larkin, ...
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Off-beat (music)
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres such as funk ...
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