Synagogue Of El Tránsito
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Synagogue Of El Tránsito
The Synagogue of El Tránsito (), also known as the Synagogue of Samuel ha-Levi or Halevi, is a historic synagogue, church, and Sephardic museum in Toledo, Spain. Designed by master mason Don Meir (Mayr) Abdeil, it was built as an annex of the palace of Samuel ha-Levi Abulafia, treasurer to King Peter of Castile, in 1357. The synagogue was converted into a church after the expulsion of the Jews from Spain in 1492. It was briefly used as military barracks during the Napoleonic Wars of the early 1800s. It became a museum in 1910, formally known today as the Sephardic Museum. Besides being a historic building, it's also known for its rich stucco decoration, Mudéjar style, and women's gallery. History of building Synagogue The synagogue was built around 1357, under the patronage of Samuel ha-Levi Abulafia. His family had served the Castilian kings for several generations and included kabbalists and Torah scholars such as Meir and Todros Abulafia. Another of the same name, Todr ...
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Sephardic Jews
Sephardic (or Sephardi) Jews (, ; lad, Djudíos Sefardíes), also ''Sepharadim'' , Modern Hebrew: ''Sfaradim'', Tiberian: Səp̄āraddîm, also , ''Ye'hude Sepharad'', lit. "The Jews of Spain", es, Judíos sefardíes (or ), pt, Judeus sefarditas or Hispanic Jews, are a Jewish diaspora population associated with the Iberian Peninsula. The term, which is derived from the Hebrew ''Sepharad'' (), can also refer to the Mizrahi Jews of Western Asia and North Africa, who were also influenced by Sephardic law and customs. Many Iberian Jewish exiles also later sought refuge in Mizrahi Jewish communities, resulting in integration with those communities. The Jewish communities of the Iberian Peninsula prospered for centuries under the Muslim reign of Al-Andalus following the Umayyad conquest of Hispania, but their fortunes began to decline with the Christian ''Reconquista'' campaign to retake Spain. In 1492, the Alhambra Decree by the Catholic Monarchs of Spain called for the expul ...
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Order Of Calatrava
The Order of Calatrava ( es, Orden de Calatrava, pt, Ordem de Calatrava) was one of the four Spanish military orders and the first military order founded in Castile, but the second to receive papal approval. The papal bull confirming the Order of Calatrava was given by Pope Alexander III on September 26, 1164. Most of the political and military power of the order had dissipated by the end of the 15th century, but the last dissolution of the order's property did not occur until 1838. Origins and foundation It was founded at Calatrava la Vieja in Castile, in the twelfth century by St. Raymond of Fitero, as a military branch of the Cistercian family. The etymology of the name of this military order, Calatrava, conveys the meaning: "fortress of Rabah". Rodrigo of Toledo describes the origins of the order: Calatrava is the Arabic name of a castle recovered from the Muslims, in 1147, by the King of Castile, Alfonso VII, called ''el Emperador''. Located in what was then the so ...
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Muqarnas
Muqarnas ( ar, مقرنص; fa, مقرنس), also known in Iranian architecture as Ahoopāy ( fa, آهوپای) and in Iberian architecture as Mocárabe, is a form of ornamented vaulting in Islamic architecture. It is the archetypal form of Islamic architecture, integral to the vernacular of Islamic buildings that originated in the Abbasid Empire. The muqarnas structure originated from the squinch. Sometimes called "honeycomb vaulting" or "stalactite vaulting", the purpose of muqarnas is to create a smooth, decorative zone of transition in an otherwise bare, structural space. This structure gives the ability to distinguish between the main parts of a building, and serve as a transition from the walls of a room into a domed ceiling. Muqarnas is significant in Islamic architecture because its elaborate form is a symbolic representation of universal creation by God. Muqarnas architecture is featured in domes, half-dome entrances, iwans and apses. The two main types of muqarnas a ...
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Artesonado
Artesonado or Spanish ceiling is a term for coffer "a type of intricately joined wooden ceiling in which supplementary laths are interlaced into the rafters supporting the roof to form decorative geometric patterns", found in Spanish architecture. It is an example of Mudéjar style. Artesonado decoration is usually in regular recesses between the rafter beams and the woodwork is gilded or painted. It originated in the Islamic regions of North Africa and Al-Andalus, as can be seen at the Nasrid palace of the Alhambra, and was introduced into the Iberian Christian kingdoms by Muslim craftsmen during the Christian reconquest of the Iberian Peninsula. The name comes from the Spanish word ''artesa'', a shallow basin used in bread making. Beginning in the 13th century, artesonado ceilings continued to be built through the Spanish Renaissance in the 15th and 16th centuries, with a change of the motifs to a classical Greco-Roman style. Notable examples of artesonado ceilings include ...
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Arch
An arch is a vertical curved structure that spans an elevated space and may or may not support the weight above it, or in case of a horizontal arch like an arch dam, the hydrostatic pressure against it. Arches may be synonymous with vaults, but a vault may be distinguished as a continuous arch forming a roof. Arches appeared as early as the 2nd millennium BC in Mesopotamian brick architecture, and their systematic use started with the ancient Romans, who were the first to apply the technique to a wide range of structures. Basic concepts An arch is a pure compression form. It can span a large area by resolving forces into compressive stresses, and thereby eliminating tensile stresses. This is sometimes denominated "arch action". As the forces in the arch are transferred to its base, the arch pushes outward at its base, denominated "thrust". As the rise, i. e. height, of the arch decreases the outward thrust increases. In order to preserve arch action and prevent collapse ...
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Yeseria
Stucco decoration in Islamic architecture refers to carved or molded stucco and plaster. The terms "stucco" and "plaster" are used almost interchangeably in this context to denote most types of stucco or plaster decoration with slightly varying compositions. This decoration was mainly used to cover walls and surfaces and the main motifs were those predominant in Islamic art: geometric, arabesque (or vegetal), and calligraphic, as well as three-dimensional ''muqarnas''. Plaster of gypsum composition was extremely important in Islamic architectural decoration as the relatively dry climate throughout much of the Islamic world made it easy to use this cheap and versatile material in a variety of spaces. Stucco decoration was already used in ancient times in the region of Iran and the Greco-Roman Mediterranean. In Islamic architecture, stucco decoration appeared during the Umayyad period (late 7th–8th centuries) and underwent further innovations and generalization during the 9th c ...
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Polychrome
Polychrome is the "practice of decorating architectural elements, sculpture, etc., in a variety of colors." The term is used to refer to certain styles of architecture, pottery or sculpture in multiple colors. Ancient Egypt Colossal statue of Tutankhamun Paris 2019 A.jpg, Polychrome quartzite colossal statue of Tutankhamun, 1355-1315 BC Nofretete Neues Museum.jpg, Polychrome limestone and plaster ''Bust of Nefertiti'', 1352–1336 BC Composite Papyrus Capital MET 10.177.2 EGDP018080.jpg, Polychrome sandstone Composite papyrus capital, 380–343 BC Medinet Habu 2016-03-23g.jpg, Polychrome winged sun on a cavetto from the Medinet Habu temple complex, unknown date Classical world Some very early polychrome pottery has been excavated on Minoan Crete such as at the Bronze Age site of Phaistos. In ancient Greece sculptures were painted in strong colors. The paint was frequently limited to parts depicting clothing, hair, and so on, with the skin left in the natural co ...
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Nasrid Dynasty
The Nasrid dynasty ( ar, بنو نصر ''banū Naṣr'' or ''banū al-Aḥmar''; Spanish: ''Nazarí'') was the last Muslim dynasty in the Iberian Peninsula, ruling the Emirate of Granada from 1230 until 1492. Its members claimed to be of Arab origin. Twenty-three emirs ruled Granada from the founding of the dynasty in 1230 by Muhammad I of Granada, Muhammad I until 2 January 1492, when Muhammad XII of Granada, Muhammad XII surrendered all lands to Queen Isabella I of Castile. Today, the most visible evidence of the Nasrid dynasty is part of the Alhambra palace complex built under their rule. Background The dynasty founded by Muhammad I of Granada held a territory that included Granada, Province of Jaén (Spain), Jaén, Almería, and Málaga. Valencia, Játiva, and Jaén were conquered by Christians during the campaigns of the Reconquista and for the most part, the Nasrids were made into tribute-paying vassals from 1243. Granada continued as a center of Islamic culture. The N ...
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Hebrew Language
Hebrew (; ; ) is a Northwest Semitic language of the Afroasiatic language family. Historically, it is one of the spoken languages of the Israelites and their longest-surviving descendants, the Jews and Samaritans. It was largely preserved throughout history as the main liturgical language of Judaism (since the Second Temple period) and Samaritanism. Hebrew is the only Canaanite language still spoken today, and serves as the only truly successful example of a dead language that has been revived. It is also one of only two Northwest Semitic languages still in use, with the other being Aramaic. The earliest examples of written Paleo-Hebrew date back to the 10th century BCE. Nearly all of the Hebrew Bible is written in Biblical Hebrew, with much of its present form in the dialect that scholars believe flourished around the 6th century BCE, during the time of the Babylonian captivity. For this reason, Hebrew has been referred to by Jews as '' Lashon Hakodesh'' (, ) since an ...
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Torah Ark
A Torah ark (also known as the ''Heikhal'', or the ''Aron Kodesh'') refers to an ornamental chamber in the synagogue that houses the Torah scrolls. History The ark, also known as the ''ark of law'', or in Hebrew the ''Aron Kodesh'' or ''aron ha-Kodesh'' ("holy ark") by Ashkenazi communities and as the ''Heikhal'' ("sanctuary") among Sefardi communities. ''Aron Kodesh'' comes from Hebrew אָרוֹן קׄדֶש ''ʼārōn qōdeš'' (i.e. A''ron Kodesh''), ''Holy Ark''. This name is a reference to the ''’ārōn haqqōdeš'', the Hebrew name for the Ark of the Covenant which was stored in the Holy of Holies in the inner sanctuary of both the ancient Tabernacle and the Temple in Jerusalem. Similarly, ''Hekhál'', also written ''hechal'', ''echal'' or ''heichal'' — and sometimes also ''Echal Kodesh'' (mainly among Balkan Sephardim) comes from Hebrew הֵיכָל ''hēkhāl'' (palace), was used in the same time period to refer to the inner sanctuary. The ''hekhal'' contained the M ...
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National Monument (Spain)
The current legislation regarding historical monuments in Spain dates from 1985. However, ''Monumentos nacionales'' (to use the original term) were first designated in the nineteenth century. It was a fairly broad category for national heritage sites protecting, for example, the Alhambra. The overarching category for Spanish heritage sites is now ''Bien de Interés Cultural'' ("good of cultural interest").Definición de bienes culturales protegidos
. Now there are some 13,000 monuments registered by the

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Death Of The Virgin
The Death of the Virgin Mary is a common subject in Western Christian art, the equivalent of the Dormition of the Theotokos in Eastern Orthodox art. This depiction became less common as the doctrine of the Assumption gained support in the Roman Catholic Church from the Late Middle Ages onward. Although that doctrine avoids stating whether Mary was alive or dead when she was bodily taken up to Heaven, she is normally shown in art as alive. Nothing is said in the Bible about the end of Mary's life, but a tradition dating back to at least the 5th century says the twelve Apostles were miraculously assembled from their far-flung missionary activity to be present at the death, and that is the scene normally depicted, with the apostles gathered round the bed. A virtuoso engraving by Martin Schongauer of about 1470 shows the Virgin from the foot of a large bed with the apostles spread around the three sides, and this composition influences many later depictions. Earlier depictions u ...
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