Symphony No. 2 (Davies)
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Symphony No. 2 (Davies)
The Symphony No. 2 by Peter Maxwell Davies was commissioned by the Boston Symphony Orchestra in celebration of its centenary, and was composed in 1980. Seiji Ozawa conducted the world premiere with the BSO on 26 February 1981 at Symphony Hall, Boston. The same forces performed the New York premiere on 4 March that year at Carnegie Hall. Character and materials The symphony is in B minor, though the key does not figure in the title and the tonality is not entirely conventional. It has been characterised as "focused atonality ... a new tonality without neo-classicism". For example, instead of the usual dominant, F, throughout the symphony Davies uses E, a semitone lower and a tritone above the tonic—a technique used earlier by Bartók in the first movement of his '' Music for Strings, Percussion and Celesta''. An additional unifying element used throughout the work is the plainsong "Nativitas tua, Dei Genitrix", a chant for the birthday of the Virgin Mary, which also happen ...
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Peter Maxwell Davies
Sir Peter Maxwell Davies (8 September 1934 – 14 March 2016) was an English composer and conductor, who in 2004 was made Master of the Queen's Music. As a student at both the University of Manchester and the Royal Manchester College of Music, Davies formed a group dedicated to contemporary music called the New Music Manchester with fellow students Harrison Birtwistle, Alexander Goehr, Elgar Howarth and John Ogdon. Davies’s compositions include eight works for the stage—from the monodrama ''Eight Songs for a Mad King'', which shocked the audience in 1969, to ''Kommilitonen!'', first performed in 2011—and ten symphonies, written between 1973 and 2013. As a conductor, Davies was artistic director of the Dartington International Summer School from 1979 to 1984 and associate conductor/composer with the Royal Philharmonic Orchestra from 1992 to 2002, holding the latter position with the BBC Philharmonic Orchestra as well. Early life and education Davies was born in Holly ...
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Piccolo
The piccolo ( ; Italian for 'small') is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the sound it produces is an octave higher. This has given rise to the name ottavino (), by which the instrument is called in Italian and thus also in scores of Italian composers. Piccolos are often orchestrated to double the violins or the flutes, adding sparkle and brilliance to the overall sound because of the aforementioned one-octave transposition upwards. The piccolo is a standard member in orchestras, marching bands, and wind ensembles. History Since the Middle Ages, evidence indicates the use of octave transverse flutes as military instruments, as their penetrating sound was audible above battles. In cultured music, however, the first piccolos were used in some of Jean Philippe Rameau's works in the first half of the 18th century. Sti ...
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Marimba
The marimba () is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the timbre of the marimba is warmer, deeper, more resonant, and more pure. It also tends to have a lower range than that of a xylophone. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone. Today, the marimba is used as a solo instrument, or in ensembles like orchestras, marching bands (typically as a part of the front ensemble), percussion ensembles, brass and concert bands, and other traditional ensembles. Etymology and terminology The term ''marimba'' refers to both the traditional version of this instrument and its modern form. Its first documented use in the English language dates back to 1704. The term is of Bantu origin, deriving from the prefix meaning 'many' and ...
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Crotales
Crotales (, ), sometimes called antique cymbals, are percussion instruments consisting of small, tuned bronze or brass disks. Each is about in diameter with a flat top surface and a nipple on the base. They are commonly played by being struck with hard mallets. However, they may also be played by striking two disks together in the same manner as finger cymbals, or by bowing. Their sound is rather like a small tuned bell, only with a much brighter sound and a much longer resonance. Similar to tuned finger cymbals, crotales are thicker and larger; they also have slight grooves in them. The name comes from the Greek ''crotalon'', for a castanet or rattle. Modern crotales are arranged chromatically and have a range of up to two octaves. They are typically available in sets (commonly one octave) but may also be purchased individually. Crotales are treated as transposing instruments; music for crotales is written two octaves lower than the sounding pitch to minimize ledger lines. ...
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Glockenspiel
The glockenspiel ( or , : bells and : set) or bells is a percussion instrument consisting of pitched aluminum or steel bars arranged in a keyboard layout. This makes the glockenspiel a type of metallophone, similar to the vibraphone. The glockenspiel is played by striking the bars with mallets, often made of a hard material such as metal or plastic. Its clear, high-pitched tone is often heard in orchestras, wind ensembles, marching bands, and in popular music. Terminology In German, a carillon is also called a , and in French, the glockenspiel is sometimes called a . It may also be called a () in French, although this term may sometimes be specifically reserved for the keyboard glockenspiel. In Italian, the term () is used. The glockenspiel is sometimes erroneously referred to as a xylophone. The Pixiphone, a type of toy glockenspiel, was one such instrument sold as a xylophone. Range The glockenspiel is limited to the upper register and usually covers about to 3 octa ...
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Timpani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian ...
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Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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French Horn
The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a list of horn players, horn player or hornist. Pitch is controlled through the combination of the following factors: speed of air through the instrument (controlled by the player's lungs and thoracic diaphragm); diameter and tension of lip aperture (by the player's lip muscles—the embouchure) in the mouthpiece; plus, in a modern horn, the operation of Brass instrument valve, valves by the left hand, which route the air into extra sections of tubing. Most horns have lever-operated rotary valves, but some, especially older horns, use piston valves (similar to a trumpet's ...
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Double Bassoon
The contrabassoon, also known as the double bassoon, is a larger version of the bassoon, sounding an octave lower. Its technique is similar to its smaller cousin, with a few notable differences. Differences from the bassoon The reed is considerably larger than the bassoon's, at in total length (and in width) compared with for most bassoon reeds. The large blades allow ample vibration that produces the low register of the instrument. The contrabassoon reed is similar to an average bassoon's in that scraping the reed affects both the intonation and response of the instrument. Contrabassoons feature a slightly simplified version of bassoon keywork, though all open toneholes on bassoon have necessarily been replaced with keys and pads due to the physical distances. In the lower register, its fingerings are nearly identical to bassoon. However, the octave mechanism used to play in the middle register works differently than on bassoon, and the upper register fingerings are oft ...
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Bassoon
The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity. It is a non-transposing instrument and typically its music is written in the bass and tenor clefs, and sometimes in the treble. There are two forms of modern bassoon: the Buffet (or French) and Heckel (or German) systems. It is typically played while sitting using a seat strap, but can be played while standing if the player has a harness to hold the instrument. Sound is produced by rolling both lips over the reed and blowing direct air pressure to cause the reed to vibrate. Its fingering system can be quite complex when compared to those of other instruments. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band, and chamber music literature, and is occasionally heard in pop, r ...
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Bass Clarinet
The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays notes an octave below the soprano B clarinet. Bass clarinets in other keys, notably C and A, also exist, but are very rare (in contrast to the regular A clarinet, which is quite common in classical music). Bass clarinets regularly perform in orchestras, wind ensembles and concert bands, and occasionally in marching bands, and play an occasional solo role in contemporary music and jazz in particular. Someone who plays a bass clarinet is called a bass clarinettist or a bass clarinetist. Description Most modern bass clarinets are straight-bodied, with a small upturned silver-colored metal bell and curved metal neck. Early examples varied in shape, some having a doubled body making them look similar to bassoons. The bass clarinet is fairly heavy and is suppor ...
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