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Swing! Entertainment Games
''Swing!'' is a musical conceived by Paul Kelly with music by various artists. It celebrates the music of the Swing era of jazz (1930s–1946), including many well-known tunes by artists like Duke Ellington, William "Count" Basie, Benny Goodman and others. It received a nomination for the 2000 Tony Award for Best Musical and other Tony awards. Productions ''Swing!'' premiered on Broadway at the St. James Theatre on December 9, 1999 and closed on January 14, 2001, running for 461 performances. The director and choreographer was Lynne Taylor-Corbett, and the production was supervised by Jerry Zaks. Among the cast were Laura Benanti, Ann Hampton Callaway and Everett Bradley. A US tour began Nov 20, 2000 at the Ahmanson Theatre in Los Angeles.McBride, MurdocSwing Closes Jan. 14 on Broadway; Touring Co. Gets Strong Start in L.A. playbill.com, January 14, 2001 The Pittsburgh Civic Light Opera production, directed and choreographed by one of the original cast members, Dana Solim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swing (genre)
Swing or swinging may refer to: Apparatus * Swing (seat), a hanging seat that swings back and forth * Pendulum, an object that swings * Russian swing, a swing-like circus apparatus * Sex swing, a type of harness for sexual intercourse * Swing ride, an amusement park ride consisting of suspended seats that rotate like a merry-go-round Arts, entertainment, and media Films * ''Swing'' (1938 film), an American film directed by Oscar Micheaux * ''Swing'' (1999 film), an American film by Nick Mead * ''Swing'' (2002 film), a French film by Tony Gatlif * ''Swing'' (2003 film), an American film by Martin Guigui * ''Swing'' (2010 film), a Hindi short film * ''Swing'' (2021 film), an American film by Michael Mailer Music Styles * Swing (jazz performance style), the sense of propulsive rhythmic "feel" or "groove" in jazz * Swing music, a style of jazz popular during the 1930s–1950s Groups and labels * Swing (Canadian band), a Canadian néo-trad band * Swing (Hong Kong band), a Hon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sing, Sing, Sing
"Sing, Sing, Sing (With a Swing)" is a 1936 song, with music and lyrics by Louis Prima, who first recorded it with the New Orleans Gang. Brunswick Records released it on February 28, 1936 on the 78rpm record format, with "It's Been So Long" as the B-side. The song is strongly identified with the big band and swing eras. Several have performed the piece as an instrumental, including Fletcher Henderson and, most famously, Benny Goodman. Benny Goodman recording On July 6, 1937, "Sing, Sing, Sing" was recorded in Hollywood with Benny Goodman on clarinet; Gene Krupa on drums; Harry James, Ziggy Elman, and Chris Griffin on trumpets; Red Ballard and Murray McEachern on trombones; Hymie Schertzer and George Koenig on alto saxophones; Art Rollini and Vido Musso on tenor saxophone; Jess Stacy on piano; Allan Reuss on guitar; and Harry Goodman on bass. The song was arranged by Jimmy Mundy. Unlike most big band arrangements of that era, limited in length to three minutes so that they could ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dick Rogers
Dick Rogers (1912—1970) was a singer, comedian, songwriter and pianist, who wrote the lyrics for "Harlem Nocturne". He was a member of the Ray Noble orchestra and the Will Osborne band. Rogers was associated with Will Osborne, a "star crooner" who was on the radio in the 1930s. Osborne's band was on the decline in 1940. Osborne created a "bus and truck vaudeville show", with comedy acts, which did not do well. Dick was hired on as "Stinky" Rogers, doing a singing comedy act. When Osborne moved to Hollywood in 1940, Rogers took over the band. He did well, according to ''Billboard Magazine'', who said he "acquitted himself credibly, as did his orchestra." The magazine called him capable, saying he could sing, compose, play and lead. Composed music or lyrics * "Harlem Nocturne" (1939) (with Earle Hagen) * "Pompton Turnpike" (sung by Frankie Carle) (written with Will Osborne) (1947) * "Spaghetti Rag" (music by Lyons and Yosco) (1950) * "Magazines (Are Magic for Lonely People)" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Earle Hagen
Earle Harry Hagen (July 9, 1919 – May 26, 2008) was an American composer who created music for movies and television. His best-known TV themes include those for ''Make Room for Daddy'', ''The Dick Van Dyke Show'', ''I Spy'', ''That Girl'' and ''The Mod Squad''. He is also remembered for co-writing and whistling "The Fishin' Hole", the melody of the main theme to ''The Andy Griffith Show''; writing the instrumental song "Harlem Nocturne" used as the theme to television's '' Mickey Spillane's Mike Hammer''; and co-writing the theme song to Tim Conway's Western comedy '' Rango''.Weber, Bruce (May 28, 2008)"Earle Hagen, Who Composed Noted TV Tunes, Dies at 88" Television: ''The New York Times''. Retrieved: May 28, 2008. Zoglin, Richard (March 3, 1986)"Back to the Time Warp" ''Time''. Retrieved: May 28, 2008. Biography Born in Chicago, Illinois, as a boy he moved with his family to Los Angeles, California, where he learned to play the trombone in junior high school, and graduated f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harlem Nocturne
"Harlem Nocturne" is a jazz standard written by Earle Hagen (music) and Dick Rogers (lyrics) in 1939 for the Ray Noble orchestra, of which they were members. The song was chosen by the big-band leader Randy Brooks the next year as his theme song. The version by the Viscounts has the distinction of being released twice and rising high on the ''Billboard'' charts each time: first in 1959, when it peaked at #53, and again in 1966, peaking at #39 on the ''Billboard'' Hot 100 chart. "Harlem Nocturne", in a version with Bud Shank on alto sax, was the theme song of the television series '' Mickey Spillane's Mike Hammer'' and ''The New Mike Hammer''. Harold Faltermeyer recorded a version for the soundtrack to the film '' Tango & Cash''. In 1990, the pianist Kofi Wilmot gained popularity in the instrumental world for his cover version from the album of the same name, ''Harlem Nocturne''. Danny Gatton released a version in 1993 on his album ''Cruisin' Deuces'' (Elektra/Rhino). The So ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jump For Joy (Cannonball Adderley Album)
''Jump for Joy'' (1958) is the final album by jazz saxophonist Cannonball Adderley released on the EmArcy Records, EmArcy label and featuring Adderley with an orchestra arranged by Bill Russo.Cannonball Adderley discography accessed 19 October 2009 Reception The Allmusic review by Stewart Mason states: "Something of a companion album to the earlier ''Julian Cannonball Adderley and Strings'', ''Jump for Joy'' sounds like it could be outtakes from the same sessions in terms of its orchestral-quality arrangements, but this is very much its own album. Jump for Joy is Adderley's reinterpretation, circa 1958, of a Duke Ellington stage musical from 1941.... Hearing Adderley's often thrilling, always well-constructed alto sax improvisations over tunes like the standard 'I ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buck Privates
''Buck Privates'' is a 1941 musical military comedy film that turned Bud Abbott and Lou Costello into bona fide movie stars. It was the first service comedy based on the peacetime draft of 1940. The comedy team made two more service comedies before the United States entered the war (''In the Navy'' and ''Keep 'Em Flying''). A sequel to this movie, ''Buck Privates Come Home'', was released in 1947. ''Buck Privates'' is one of three Abbott and Costello films featuring The Andrews Sisters, who were also under contract to Universal Pictures at the time. Abbott and Costello performed a one-hour radio adaptation of the film on the ''Lux Radio Theatre'' on October 13, 1941. Plot Slicker Smith and Herbie Brown are sidewalk peddlers who hawk neckties out of a suitcase. Chased by a cop, they duck into a movie theater, not realizing that it is now being used as an Army enlistment center. Believing that they are signing up for theater prizes, they accidentally enlist. Meanwhile, spoile ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jumpin' At The Woodside
"Jumpin' at the Woodside" is a song first recorded in 1938 by the Count Basie Orchestra, and considered one of the band's signature tunes. When first released it reached number 11 on the ''Billboard'' charts and remained on them for four weeks. Since then, it has become a frequently recorded jazz standard. Song details The song was recorded on August 22, 1938 for Decca and was released on December 17 of that year. It charted as high as #11 and was on the charts for four weeks. That original 1938 recording features solos by Earle Warren (alto sax), Buck Clayton (trumpet), Lester Young (tenor sax), and Herschel Evans (clarinet). The song is considered one of the Basie band's "signature" tunes, a "favorite", and even "a definition of swing." While many liner notes credit the tune only to Basie, historians and others also credit band member Eddie Durham. Like many Basie numbers of that era, it was a "head arrangement" collaboratively created by the band. Sullivan indicates Durham ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry James
Harry Haag James (March 15, 1916 – July 5, 1983) was an American musician who is best known as a trumpet-playing band leader who led a big band from 1939 to 1946. He broke up his band for a short period in 1947 but shortly after he reorganized and was active again with his band from then until his death in 1983. He was especially known among musicians for his technical proficiency as well as his Tone (musical instrument), tone, and was influential on new trumpet players from the late 1930s into the 1940s. He was also an actor in a number of films that usually featured his band. Early life Harry James was born in Albany, Georgia, United States, the son of Everett Robert James, a bandleader in a traveling circus, the Mighty Haag Circus, and Myrtle Maybelle (Stewart), an acrobat and horseback rider. He started performing with the circus at an early age, first as a contortionist at age of four, then playing the snare drum in the band from about the age of six. It was at this age ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Hodges
Cornelius "Johnny" Hodges (July 25, 1907 – May 11, 1970) was an American alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946. Along with Benny Carter, Hodges is considered to be one of the definitive alto saxophone players of the big band era. After beginning his career as a teenager in Boston, Hodges began to travel to New York and played with Lloyd Scott, Sidney Bechet, Luckey Roberts and Chick Webb. When Ellington wanted to expand his band in 1928, Ellington's clarinet player Barney Bigard recommended Hodges. His playing became one of the identifying voices of the Ellington orchestra. From 1951 to 1955, Hodges left the Duke to lead his own band, but returned shortly before Ellington's triumphant return to prominence – the orchestra's performance at the 1956 Newport Jazz Festival. Biography Early life Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don George
Don R. George (August 27, 1909 – 1987) was an American lyricist of popular music. His songs include " The Yellow Rose of Texas" " I Ain't Got Nothin' But the Blues" (1937), "I'm Beginning to See the Light" (1944) and " Everything but You" (1945). George has also written lyrics for film songs. He was a personal friend and occasional lyricist of jazz composer Duke Ellington Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based ..., whom he followed closely from 1943 until Ellington's death in 1974. It was with Ellington that he wrote many of hist best-known songs. George wrote a 1981 biography of Ellington titled ''Sweet Man: The Real Duke Ellington''. Notes External links * {{DEFAULTSORT:George, Don American lyricists 1909 births 1987 deaths ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus No
''Opus'' (pl. ''opera'') is a Latin word meaning "work". Italian equivalents are ''opera'' (singular) and ''opere'' (pl.). Opus or OPUS may refer to: Arts and entertainment Music * Opus number, (abbr. Op.) specifying order of (usually) publication, and hence applied to collections as well as individual compositions * OPUS Records, a Slovak record label * Opus 111, a French classical record label bought by Naive Bands * Opus (Austrian band), an Austrian pop-rock group * Opus (Yugoslav band), a former Yugoslav progressive rock group * Opus III (band), an English electronic pop group * Pur (band), a German pop group originally known as "Opus" Albums * ''Opus'' (Opus album), 1987 album by Austrian band Opus * ''Opus'' (Schiller album), 2013 album by German music project Schiller * ''Opus'', a 2014 album by Jane Badler * ''Opus'' (Eric Prydz album), 2016 album by the electronic artist Eric Prydz ** "Opus" (Eric Prydz song), song from the eponymous album. * ''Opus'', a 2007 compil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
