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Sweep Picking
Sweep picking is a guitar playing technique. When sweep picking, the guitarist plays single notes on consecutive strings with a 'sweeping' motion of the pick, while using the fretting hand to produce a specific series of notes that are fast and fluid in sound. Both hands essentially perform an integral motion in unison to achieve the desired effect. History The technique was first used and developed by jazz guitarists Les Paul, Chet Atkins, Tal Farlow and Barney Kessel in the 1950s, as well as rock guitarists Jan Akkerman, Ritchie Blackmore and Steve Hackett in the 1970s. In the 1980s, sweep picking became widely known for its use by shred guitarists including Yngwie Malmsteen, Jason Becker, Michael Angelo Batio, Tony MacAlpine and Marty Friedman. Jazz fusion guitarist Frank Gambale released several books and instructional videos about the technique, of which the most well-known is ''Monster Licks & Speed Picking'' in 1988. Prasad, Anil (2014-01-30)"Steve Hackett Revisits Gene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweep Picking By Punkettaro
Sweep or swept may refer to: Cleaning * Sweep, the action of using a brush to clean * Chimney sweep, a worker who clears ash and soot from chimneys * Street sweeper, a person's occupation, or a machine that cleans streets * Swept quartz, a cleaning of quartz crystal from alkali metal ions Arts, entertainment, and media * ''Sweep'' (book series), a fictional series by Cate Tiernan * Sweep (puppet), a character on the British children's television series ''The Sooty Show'' * Sweep, an ability keyword in ''Magic: The Gathering'' * Sweep-picking, a guitar technique * Sweeps period, a system of calculating viewership for television programming * ''Swept'' (album), a 1991 album by the English singer Julia Fordham Detection * Bug sweeping, the common name for electronic counter surveillance * Minesweeper (ship), a small naval ship designed to engage in minesweeping * Minesweeping, the practice of removing explosive mines * Radio-frequency sweep, the action of scanning a radio freque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Angelo Batio
Michael Angelo Batio (), also known as Michael Angelo, Mike Batio or MAB, is an American heavy metal music, heavy metal guitarist and columnist from Chicago, Illinois. He was the lead guitarist for the Los Angeles-based glam metal band Nitro (band), Nitro in the late 1980s and early 1990s. He is currently serving as the touring guitarist for the American heavy metal band Manowar. Batio's work has encompassed many genres, but he is best known for playing Heavy metal music, heavy metal and its subgenres such as neoclassical metal, and speed metal. Batio has an advanced knowledge of music theory, having a deep understanding of complex scale combinations and time signatures which assist him in his compositions. He is widely known for his technical mastery of the fretboard and his extremely fast picking and sweep picked arpeggios. He is also known for his showmanship during performances, particularly his use of the "MAB Over Under" technique, which he invented and for his ability to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mediant
In music, the mediant (''Latin'': to be in the middle) is the third scale degree () of a diatonic scale, being the note halfway between the tonic and the dominant.Benward & Saker (2003), p.32. In the movable do solfège system, the mediant note is sung as ''mi''. While the fifth scale degree is almost always a perfect fifth, the mediant can be a major or minor third. Schenkerian analysts consider this scale degree as expansion of the tonic since they have two common tones. On the other hand, in German theory derived from Hugo Riemann the mediant in major is considered the dominant parallel, Dp, and in minor the tonic parallel, tP. In Roman numeral analysis, the mediant chord can take several forms. In major scales, the mediant chord is a minor triad and is symbolized with the Roman numeral iii. In natural minor scales, the mediant is a major triad and is symbolized with the Roman numeral III. In harmonic minor scales and ascending melodic minor scales, the seventh scale d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonic (music)
In music, the tonic is the first scale degree () of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as ''do''. More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced. Scales are named after their tonics: for instance, the tonic of the C major scale is the note C. The triad formed on the tonic note, the tonic chord, is thus the most significant chord in these styles of music. In Roman numeral analysis, the tonic chord is typically symbolized by the Roman numeral "I" if it is major and by "i" if it is minor. These chords may also appear as seventh chords: in major, as IM7, or in minor as i7 or rarely iM7: The tonic is distinguished from the root, which is the reference note of a chord, rathe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triad (music)
In music, a triad is a set of three notes (or "pitch classes") that can be stacked vertically in thirds.Ronald Pen, ''Introduction to Music'' (New York: McGraw-Hill, 1992): 81. . "A triad is a set of notes consisting of three notes built on successive intervals of a third. A triad can be constructed upon any note by adding alternating notes drawn from the scale.... In each case the note that forms the foundation pitch is called the ''root'', the middle tone of the triad is designated the ''third'' (because it is separated by the interval of a third from the root), and the top tone is referred to as the ''fifth'' (because it is a fifth away from the root)." Triads are the most common chords in Western music. When stacked in thirds, notes produce triads. The triad's members, from lowest-pitched tone to highest, are called: * the root **Note: Inversion does not change the root. (The third or fifth can be the lowest note.) * the third – its interval above the root being a minor thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arpeggio
A broken chord is a chord broken into a sequence of notes. A broken chord may repeat some of the notes from the chord and span one or more octaves. An arpeggio () is a type of broken chord, in which the notes that compose a chord are played or sung in a rising or descending order. An arpeggio may also span more than one octave. Being an Italian noun, its plural is ''arpeggi''. The word ''arpeggio'' comes from the Italian word ''arpeggiare'', which means ''to play on a harp''. Even though the notes of an arpeggio are not played or sung all together at the same time, listeners hear the sequence of notes as forming a chord. When an arpeggio also contains passing tones that are not part of the chord, different music theorists may analyze the same musical excerpt differently. Arpeggios enable composers writing for monophonic instruments that play one note at a time (e.g., flute, saxophone, trumpet), to voice chords and chord progressions in musical pieces. Arpeggios and brok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar World
''Guitar World'' is a monthly music magazine for guitarists – and fans of guitar-based music and trends – that has been published since July 1980. ''Guitar World'', the best-selling guitar magazine in the United States, contains original artist interviews and profiles, plus lessons/columns (with tablature and associated audio files or videos), gear reviews, news and exclusive tablature (for guitar and bass) of three songs per issue. The magazine is published 13 times per year (12 monthly issues and a holiday issue) by Future plc. Damian Fanelli has been Guitar World’s Editor-in-Chief since June 2018. History Stanley Harris, a New York magazine publisher, launched ''Guitar World'' magazine in July 1980. The magazine’s debut issue featured bluesman Johnny Winter on the cover and included pieces on the Allman Brothers Band, George Thorogood and pedal steel guitars. As former Editor-in-Chief Brad Tolinski wrote in the magazine’s 40th-anniversary issue, “It was a dece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
NewBay Media
NewBay Media, LLC was a magazine and website publisher founded in 2006 and headquartered in New York City. NewBay Media served five marketplaces — Music, Pro Audio/AV, Video & Broadcast, Consumer Electronics, and Education. In April 2018, Future plc acquired NewBay for $13.8 million. Acquisitions In September 2006, NewBay Media (as an affiliate of The Wicks Group of Companies) acquired CMP Entertainment Media (Including Music Player Network, formerly Miller Freeman Music) from United Business Media which yielded ''Guitar Player'', ''Bass Player'', ''Keyboard'', ''Pro Sound News'', ''Systems Contractor News'', ''Residential Systems'', ''Videography'', ''Government Video'', ''DV'', ''Technology & Learning'', and ''Television Broadcast''. In 2007, NewBay Media acquired IMAS Publishing which yielded ''TV Technology'', ''Radio World'', ''Pro Audio Review'', ''Audio Media'', and some regional editions. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Player
''Guitar Player'' is an American popular magazine for guitarists, founded in 1967 in San Jose, California. It contains articles, interviews, reviews and lessons of an eclectic collection of artists, genres and products. It has been in print since late 1967. The magazine is currently edited by Christopher Scapelliti. Contents A typical issue of ''Guitar Player'' includes in-depth artist features, extensive lessons, gear and music reviews, letters to the magazine, and various front-of-book articles. Guitar Player TV In May 2006, the Music Player Network partnered with TrueFire TV to launch an internet-based television station for guitarists. It provides content similar to that of the magazine such as interviews and lessons. Guitar Player TV is provided at no cost to the user because of advertising and sponsorship. |
Anil Prasad
Anil Prasad is a music journalist and music industry commentator. Career Prasad is the founder and editor of '' Innerviews,'' the Internet's first online music magazine, initially launched in 1994. Prasad’s writing has appeared in ''Guitar Player, Bass Player, Frets, JazzTimes, Relix, All About Jazz,'' and the Canadian Broadcasting Corporation (CBC). In addition, ''Innerviews'' content is used as part of the UCLA School of Music's course curriculum. He has conducted interviews with more than 450 musicians since 1992. He has contributed liner notes, essays, video interviews, and release consulting to projects for record labels including Abstract Logix, Blue Note, Favored Nations, Grass-Tops, Lazy Bones Recordings, Magna Carta, Panegyric, and 7d Media, as well as artists such as Pierre Bensusan, The Crimson ProjeKCt, Pete Levin, Tony Levin, Pat Mastelotto, John McLaughlin, Marco Minnemann, Markus Reuter, Jordan Rudess, Julie Slick, Sonar, Tanya Tagaq, David Torn, Us3, Vân à ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Gambale
Frank Gambale (; born 22 December 1958) is an Australian jazz fusion guitarist. He has released twenty albums over a period of three decades, and is known for his use of the sweep picking and economy picking techniques. Recording career Solo albums Gambale graduated from the Guitar Institute of Technology in Hollywood with Student of the Year honors and taught there from 1984 to 1986. Groups With the Mark Varney Project, consisting of Allan Holdsworth, Brett Garsed, and Shawn Lane, he recorded two albums, '' Truth in Shredding'' (1990) and ''Centrifugal Funk'' (1991). Beginning in 1987, he spent six years as a member of the Chick Corea Elektric Band, playing with Eric Marienthal, John Patitucci, and Dave Weckl. With Corea's band he recorded five albums and shared two Grammy Award nominations. He spent twelve years as a member of Vital Information, led by Steve Smith. He reunited with the Elektric Band in 2002 and with Corea in 2011 when he joined Return to Forever IV with St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
