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Suyá Music
Suyá music is the music of the Suyá people, a tribe of about 150 people who live on the Suyá-Miçu River and are native to Mato Grosso, Brazil. Their houses are set up in a circle around the village square, where the majority of their ceremonies take place. Other buildings include a men's meeting house where there is almost always singing. Speech and hearing are highly valued in the social behavior of the tribe. The Suyá Indians symbolize their importance with body decorations that include ear and lip disks (also known as lip plates). In 1980, ethnomusicologist Anthony Seeger interpreted this body ornamentation as an emphasis on orality and listening as a principal means of perception, transmission, comprehension, and expression of fundamental values. Music is a very important part of everyday life for the Suyá people. Their songs stem from ancient ceremonial songs derived from myths, songs learned from outsiders and songs taught to the community by "men without spirits". Me ...
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Suyá People
The Suyá, self-denomination Kisêdjê, are indigenous people in Brazil, at the headwaters of the Xingu River. Historically, they were known for their lip plates, an unusual form of body modification which they practiced. After marriage, Suyá men used to have their lower lip pierced, and have a small wooden disk placed inside. The size of the disk would be gradually increased as time went on, permanently changing the size of the lip. Like many other tribes in the upper Xingu, the Suyá have been devastated by diseases introduced by European explorers in the late 19th and early 20th centuries. After the establishment of the Xingu Indigenous Park The Xingu Indigenous Park (, pronounced ) is an indigenous territory of Brazil, first created in 1961 as a national park in the state of Mato Grosso, Brazil. Its official purposes are to protect the environment and the several tribes of Xingu in ... in the 1960s, and after the introduction of organised medical care into the area, the ...
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Coda (music)
In music, a coda () (Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Beethoven ...
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Music By Ethnicity
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz the p ...
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Brazilian Music
The music of Brazil encompasses various regional musical styles influenced by European, American, African and Amerindian forms. Brazilian music developed some unique and original styles such as forró, repente, coco de roda, axé, sertanejo, samba, bossa nova, MPB, música nativista, pagode, tropicália, choro, maracatu, embolada (coco de repente), frevo, brega, modinha and Brazilian versions of foreign musical styles, such as rock, pop music, soul, hip-hop, disco music, country music, ambient, industrial and psychedelic music, rap, classical music, fado, and gospel. Samba has become the most known form of Brazilian music worldwide, especially because of the country's carnival, although bossa nova, which had Antônio Carlos Jobim as one of its most acclaimed composers and performers, have received much attention abroad since the 1950s, when the song " Desafinado", interpreted by João Gilberto, was first released. The first four winners of the Shell Brazilian Music pri ...
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Upper Xingu Sung Ceremonies
Upper may refer to: * Shoe upper or ''vamp'', the part of a shoe on the top of the foot * Stimulant, drugs which induce temporary improvements in either mental or physical function or both * ''Upper'', the original film title for the 2013 found footage film ''The Upper Footage ''The Upper Footage'' (also known as ''Upper'') is a 2013 found footage film written and directed by Justin Cole. First released on January 31, 2013 to a limited run of midnight theatrical screenings at Landmark’s Sunshine Cinema in New York Cit ...'' See also

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Woodwind Instruments
Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and reed instruments (otherwise called reed pipes). The main distinction between these instruments and other wind instruments is the way in which they produce sound. All woodwinds produce sound by splitting the air blown into them on a sharp edge, such as a reed or a fipple. Despite the name, a woodwind may be made of any material, not just wood. Common examples include brass, silver, cane, as well as other metals such as gold and platinum. The saxophone, for example, though made of brass, is considered a woodwind because it requires a reed to produce sound. Occasionally, woodwinds are made of earthen materials, especially ocarinas. Flutes Flutes produce sound by directing a focused stream of air below the edge of a hole in a cylindrical tub ...
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Caryocar Coriaceum
''Caryocar coriaceum'' is a species of plant in the Caryocaraceae family. It is endemic to Brazil Brazil ( pt, Brasil; ), officially the Federative Republic of Brazil (Portuguese: ), is the largest country in both South America and Latin America. At and with over 217 million people, Brazil is the world's fifth-largest country by area .... References coriaceum Endangered plants Endemic flora of Brazil Taxonomy articles created by Polbot Plants described in 1886 {{malpighiales-stub ...
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Idiophones
An idiophone is any musical instrument that creates sound primarily by the vibration of the instrument itself, without the use of air flow (as with aerophones), strings (chordophones), membranes (membranophones) or electricity ( electrophones). It is the first of the four main divisions in the original Hornbostel–Sachs system of musical instrument classification (see List of idiophones by Hornbostel–Sachs number). The early classification of Victor-Charles Mahillon called this group of instruments ''autophones''. The most common are struck idiophones, or concussion idiophones, which are made to vibrate by being struck, either directly with a stick or hand (like the wood block, singing bowl, steel tongue drum, triangle or marimba) or indirectly, with scraping or shaking motions (like maracas or flexatone). Various types of bells fall into both categories. A common plucked idiophone is the Jew's harp. According to Sachs, idiophones Etymology The word is from Ancient G ...
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Xokleng People
The Xokleng or Aweikoma (sometimes called '' botocudos'') are a Native American tribe of Brazil; their territory is located mainly in the state of Santa Catarina. They were one of the original inhabitants of Misiones Province Misiones (, ''Missions'') is one of the 23 provinces of Argentina, located in the northeastern corner of the country in the Mesopotamia region. It is surrounded by Paraguay to the northwest, Brazil to the north, east and south, and Corrientes ... in Argentina. They are also found on the Ibirama, Posto Velho, and Rio dos Pardos reservations. Ethnic groups in Brazil Indigenous peoples in Brazil {{Brazil-ethno-group-stub ...
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Xingu Peoples
Xingu peoples are indigenous peoples of Brazil living near the Xingu River. They have many cultural similarities despite their different ethnologies. Xingu people represent fifteen tribes and all four of Brazil's indigenous language groups, but they share similar belief systems, rituals and ceremonies. Precolumbian history The Upper Xingu region was heavily populated prior to European and African contact. Densely populated settlements developed from 1200 to 1600 CE. Ancient roads and bridges linked communities that were often surrounded by ditches or moats. The villages were pre-planned and featured circular plazas. Archaeologists have unearthed 19 villages so far.Wren, Kathleen"Lost cities of the Amazon revealed."'NBC News' (retrieved 25 June 2019) Post-contact history Kuikuro oral history says Portuguese slavers arrived in the Xingu region around 1750. Xinuguano population was estimated in the tens of thousands but was dramatically reduced by diseases and slavery by Portugues ...
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Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ...
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