Summer (Shy Child Song)
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Summer (Shy Child Song)
Summer is a 2007 single by New York City synthpop band Shy Child Shy Child were an American electronic music duo from New York City, United States, consisting of Pete Cafarella on vocals and synthesizers and Nate Smith on drums. History Shy Child formed in the summer of 2000, when former college friends Pete .... Track listing CD # 'Summer (Clean Radio Edit)' # 'Murder Capital' # 'Summer (South Central Remix)' # 'Summer (Mark One Remix)' # 'Summer (Seiji Remix)' # 'Summer (Infadels Remix)' # 'Summer (Album Version)' # 'Summer (Radio Edit)' 7" *A 'Summer' *B 'Murder Capital' 12" *A1 'Summer (South Central's Summer Revolution Mix)' *A2 'Summer (Seiji Remix)' *B1 'Summer (Infadels Remix)' *B2 'Noise Won't Stop (Buraka Som Sistema Remix)' Chart positions {{DEFAULTSORT:Summer (Shy Child Song) 2007 singles Wall of Sound (record label) singles 2007 songs ...
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Shy Child
Shy Child were an American electronic music duo from New York City, United States, consisting of Pete Cafarella on vocals and synthesizers and Nate Smith on drums. History Shy Child formed in the summer of 2000, when former college friends Pete Cafarella and Nate Smith separately moved to New York City. The duo shared a love for progressive rock and electronic music, and started playing music together in an attempt to create a fusion of the genres. Shy Child recorded their debut album, '' Please Consider Our Time'', in 2001. Originally sold through local record shops, Grenadine Records signed the band and re-released it proper in 2002, followed by the Humanity EP in 2003. In 2004 the band released their second album, '' One with the Sun'', on New York label Say Hey Records. Two singles were later released in the UK from the album, "The Noise Won't Stop" and " Technicrats", though the album itself was only released in North America. Shy Child began playing steadily in the UK in ...
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Noise Won't Stop
''Noise Won't Stop'' is the third studio album by New York City electronica duo Shy Child. Release The album was the first by the band to be released in the UK, leading many to erroneously believe that it was the band's first album. The album was also released in the US and Japan. Track listing # " Drop the Phone" - 3:03 # "Pressure to Come" - 3:26 # "Kick Drum (Featuring Spank Rock)" - 3:23 # "The Volume" - 3:07 # "Generation Y (We Got It)" - 3:08 # "Astronaut" - 3:29 # "Good and Evil" - 3:23 # "Noise Won't Stop" - 3:21 # " Summer" - 3:47 # "What's It Feel Like?" - 5:00 # "Cause and Effect" - 5:09 *Tracks 8 and 9 appeared on the band's previous album, '' One with the Sun''. *Tracks 1 and 6 feature Saxophone by Seth Misterka. Critical reception Reviews of the album have been generally positive. Pitchfork Media ''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Sch ...
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Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ...
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Wall Of Sound (record Label)
Wall of Sound is a British independent record label based in London, England, and was founded by Mark Jones in 1994. History The label gained international recognition and residencies were set up in cities around the globe including a yearly summer residency at Ibiza's "Manumission" (an annual club party). Human League released their first album ''Credo'' for Wall of Sound in 2011. In September they released the album on vinyl. Notable artists * Aeroplane * Grace Jones * The Human League * Reverend and The Makers * Röyksopp * Scala & Kolacny Brothers Notable past projects * Agent Provocateur * Akasha * The American Analog Set * Amp Fiddler * Artery Jon Carter * The Bees * Blak Twang * Ceasefire * Cosmo Jarvis * The Creators * Diefenbach * DJ Pierre * Dylan Donkin * Elektrons * Etienne De Crecy Eugene* Felix Da Housecat * Iain Archer * I Am Kloot * Infadels * DJ Touche * Jon Carter * Junior Cartier * Kids On Bridges * Lisbon Kid * Little Barrie * Les Rythmes Digitales ...
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Noise Won't Stop (song)
''Noise Won't Stop'' is the third studio album by New York City electronica duo Shy Child. Release The album was the first by the band to be released in the UK, leading many to erroneously believe that it was the band's first album. The album was also released in the US and Japan. Track listing # "Drop the Phone" - 3:03 # "Pressure to Come" - 3:26 # "Kick Drum (Featuring Spank Rock)" - 3:23 # "The Volume" - 3:07 # "Generation Y (We Got It)" - 3:08 # "Astronaut" - 3:29 # "Good and Evil" - 3:23 # "Noise Won't Stop" - 3:21 # "Summer" - 3:47 # "What's It Feel Like?" - 5:00 # "Cause and Effect" - 5:09 *Tracks 8 and 9 appeared on the band's previous album, ''One with the Sun''. *Tracks 1 and 6 feature Saxophone by Seth Misterka. Critical reception Reviews of the album have been generally positive. Pitchfork Media gave the album 8/10, stating "it's when Shy Child's grip on songcraft grows extremely tenuous that their music becomes interesting, even thrilling". Drowned in Sound ...
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Disconnected (Shy Child Song)
Disconnected may refer to: Film * ''Disconnected'' (1984 film), an American psychological slasher film * ''Disconnected'' (2021 film), a Hong Kong action drama film Music Albums * ''Disconnected'' (The Buzzhorn album), or the title song, 2002 * ''Disconnected'' (Fates Warning album), or the title song, 2000 * ''Disconnected'' (Faust and Nurse with Wound album), or the title song, 2007 * ''Disconnected'' (Funkstörung album), or the title song, 2004 * ''Disconnected'' (Greymachine album), 2009 * ''Disconnected'' (Stiv Bators album), 1980 * ''Disconnected EP'', by Profane Omen, or the title song, 2007 * ''Disconnected'', by Beat Union, 2008 * ''Disconnected'', by Chipzel, 2010 * ''Disconnected'', by Dry Cell, 2002 * ''Disconnected'', by the Dial-A-Poem Poets, 1974 Songs * "Disconnected" (Face to Face song), 1993 * "Disconnected" (Keane song), 2012 * "Disconnected" (Queensrÿche song), 1994 * "Disconnected", by 5 Seconds of Summer from ''She Looks So Perfect EP'', 2014 * ...
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New York City
New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the List of United States cities by population density, most densely populated major city in the United States, and is more than twice as populous as second-place Los Angeles. New York City lies at the southern tip of New York (state), New York State, and constitutes the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the world by urban area, urban landmass. With over 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York is one of the world's most populous Megacity, megacities, and over 58 million people live within of the city. New York City is a global city, global Culture of New ...
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Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ...
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2007 Singles
7 (seven) is the natural number following 6 and preceding 8. It is the only prime number preceding a cube. As an early prime number in the series of positive integers, the number seven has greatly symbolic associations in religion, mythology, superstition and philosophy. The seven Classical planets resulted in seven being the number of days in a week. It is often considered lucky in Western culture and is often seen as highly symbolic. Unlike Western culture, in Vietnamese culture, the number seven is sometimes considered unlucky. It is the first natural number whose pronunciation contains more than one syllable. Evolution of the Arabic digit In the beginning, Indians wrote 7 more or less in one stroke as a curve that looks like an uppercase vertically inverted. The western Ghubar Arabs' main contribution was to make the longer line diagonal rather than straight, though they showed some tendencies to making the digit more rectilinear. The eastern Arabs developed the digit f ...
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Wall Of Sound (record Label) Singles
The Wall of Sound (also called the Spector Sound) is a music production formula developed by American record producer Phil Spector at Gold Star Studios, in the 1960s, with assistance from engineer Larry Levine and the conglomerate of session musicians later known as " the Wrecking Crew". The intention was to exploit the possibilities of studio recording to create an unusually dense orchestral aesthetic that came across well through radios and jukeboxes of the era. Spector explained in 1964: "I was looking for a sound, a sound so strong that if the material was not the greatest, the sound would carry the record. It was a case of augmenting, augmenting. It all fit together like a jigsaw." A popular misconception holds that the Wall of Sound was created simply through a maximum of noise and distortion, but the method was actually more nuanced. To attain the Wall of Sound, Spector's arrangements called for large ensembles (including some instruments not generally used for ensemble ...
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