Study After Velázquez's Portrait Of Pope Innocent X
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Study After Velázquez's Portrait Of Pope Innocent X
''Study after Velázquez's Portrait of Pope Innocent X'' is a 1953 painting by the artist Francis Bacon. The work shows a distorted version of the ''Portrait of Innocent X'' painted by Spanish artist Diego Velázquez in 1650. The work is one of the first in a series of around 50Zweite (2006), p. 116 variants of the Velázquez painting which Bacon executed throughout the 1950s and early 1960s. The paintings are widely regarded as highly successful modern re-interpretations of a classic of the western canon of visual art. Of the old masters, Bacon favored Titian, Rembrandt, Velázquez and Francisco Goya's late works. He kept an extensive inventory of images for source material, but preferred not to confront the major works in person; he viewed ''Portrait of Innocent X'' only once. Having deliberately avoided it for years, he only saw it in person much later in his life. The canvas is one of Bacon's masterpieces, completed when he was at the height of his creative powers. It has b ...
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Francis Bacon (painter)
Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures. Rejecting various classifications of his work, Bacon said he strove to render "the brutality of fact." He built up a reputation as one of the giants of contemporary art with his unique style. Bacon said that he saw images "in series", and his work, which numbers in the region of 590 extant paintings along with many others he destroyed,Harrison, Martin.Out of the Black Cavern. Christie's. Retrieved 4 November 201Archivedon 11 November 2019 typically focused on a single subject for sustained periods, often in triptych or diptych formats. His output can be broadly described as sequences or variations on single motifs; including the 1930s Picasso-infl ...
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Galleria Doria Pamphilj
The Doria Pamphilj Gallery is a large art collection housed in the Palazzo Doria Pamphilj in Rome, Italy, between Via del Corso and Via della Gatta. The principal entrance is on the Via del Corso (until recently, the entrance to the gallery was from the Piazza del Collegio Romano). The palace façade on Via del Corso is adjacent to a church, Santa Maria in Via Lata. Like the palace, it is still privately owned by the princely Roman family Doria Pamphili. Tours of the state rooms often culminate in concerts of Baroque and Renaissance music, paying tribute to the setting and the masterpieces it contains. Collection The large collection of paintings, furniture and statuary has been assembled since the 16th century by the Doria, Pamphilj, Landi and Aldobrandini families now united through marriage and descent under the simplified surname Doria Pamphilj. The collection includes paintings and furnishings from Innocent X's Palazzo Pamphilj (in Piazza Navona), who bequeathed them to h ...
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Vicar Of Christ
Vicar of Christ (from Latin ) is a term used in different ways and with different theological connotations throughout history. The original notion of a vicar is as an "earthly representative of Christ", but it's also used in the sense of "person acting as parish priest in place of a real person." The title is now used in Catholicism to refer to the bishops and more specifically was historically used to the Bishop of Rome (the pope). History and different uses During the history of Christianity, the title of Vicar of Christ was used in different ways, with implications for theological, pastoral or different time. Use for the bishops An early appearance of a similar concept of the Vicar of Christ is mentioned in the Epistle to the Magnesians of St. Ignatius, Bishop of Antioch, who was possibly a disciple of both John the Apostle and Saint Peter, with a pastoral sense, written between the years AD 88 and 107 "''your bishop presides in the place of God (...)".'' Although Ignat ...
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God Is Dead
"God is dead" (German: ; also known as the death of God) is a statement made by the German philosopher Friedrich Nietzsche. Nietzsche's first use of this statement is his 1882 ''The Gay Science'', where it appears three times. The phrase also appears in Nietzsche's ''Thus Spoke Zarathustra''. The meaning of this statement is that since, as Nietzche says, "the belief in the Christian God has become unbelievable", everything that was "built upon this faith, propped up by it, grown into it", including "the whole .. European morality", is bound to "collapse". Other philosophers had previously discussed the concept, including Philipp Mainländer and Georg Wilhelm Friedrich Hegel. Proponents of the strongest form of the Death of God theology have used the phrase in a literal sense, meaning that the Christian God who had existed at one point has ceased to exist. Early usage Discourses of a "death of God" in German culture appear as early as the 17th century and originally referred ...
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Friedrich Nietzsche
Friedrich Wilhelm Nietzsche (; or ; 15 October 1844 – 25 August 1900) was a German philosopher, prose poet, cultural critic, philologist, and composer whose work has exerted a profound influence on contemporary philosophy. He began his career as a classical philologist before turning to philosophy. He became the youngest person ever to hold the Chair of Classical Philology at the University of Basel in 1869 at the age of 24. Nietzsche resigned in 1879 due to health problems that plagued him most of his life; he completed much of his core writing in the following decade. In 1889, at age 45, he suffered a collapse and afterward a complete loss of his mental faculties, with paralysis and probably vascular dementia. He lived his remaining years in the care of his mother until her death in 1897 and then with his sister Elisabeth Förster-Nietzsche. Nietzsche died in 1900, after experiencing pneumonia and multiple strokes. Nietzsche's writing spans philosophical polemics ...
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Sotheby's
Sotheby's () is a British-founded American multinational corporation with headquarters in New York City. It is one of the world's largest brokers of fine and decorative art, jewellery, and collectibles. It has 80 locations in 40 countries, and maintains a significant presence in the UK. Sotheby's was established on 11 March 1744 in London by Samuel Baker, a bookseller. In 1767 the firm became Baker & Leigh, after George Leigh became a partner, and was renamed to Leigh and Sotheby in 1778 after Baker's death when Leigh's nephew, John Sotheby, inherited Leigh's share. Other former names include: Leigh, Sotheby and Wilkinson; Sotheby, Wilkinson and Hodge (1864–1924); Sotheby and Company (1924–83); Mssrs Sotheby; Sotheby & Wilkinson; Sotheby Mak van Waay; and Sotheby's & Co. The American holding company was initially incorporated in August 1983 in Michigan as Sotheby's Holdings, Inc. In June 2006, it was reincorporated in the State of Delaware and was renamed Sotheby's. In Ju ...
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Michael Peppiatt
Michael Henry Peppiatt (born 9 October 1941) is an English art historian, curator and writer. Biography Son of Edward George Peppiatt (died 1983), B.Sc, ARCS, of Silver Birches, Stocking Pelham, near Buntingford, Hertfordshire, technical and production director for a pharmaceutical manufacturing company, and Elsa Eugénie (née Schlaich; died 1997). Education and career Michael Peppiatt studied at Brentwood School, Essex, at the University of Göttingen, and at Trinity Hall, Cambridge (BA 1964, MA 1985, PhD) and subsequently joined ''The Observer'' as a junior art critic. He then went to Paris to take up an editorial job at '' Réalités'' magazine, where he remained until 1969, when he was appointed arts editor at ''Le Monde''. In the mid-1970s he began reporting on cultural events across Europe for ''The New York Times'' and ''The Financial Times'', becoming Paris correspondent for several art magazines, notably ''Art News'' and ''Art International''. In 1985, Peppia ...
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Fauvism
Fauvism /ˈfoʊvɪzm̩/ is the style of ''les Fauves'' (French language, French for "the wild beasts"), a group of early 20th-century modern artists whose works emphasized painterly qualities and strong colour over the Representation (arts), representational or Realism (visual arts), realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions.John Elderfield, The ''"Wild Beasts" Fauvism and Its Affinities,'' 1976, Museum of Modern Art, p.13, The leaders of the movement were André Derain, Maurice de Vlaminck, and Henri Matisse. Artists and style Besides Matisse and Derain, other artists included Robert Deborne, Albert Marquet, Charles Camoin, Louis Valtat, Jean Puy, Maurice de Vlaminck, Henri Manguin, Raoul Dufy, Othon Friesz, Georges Rouault, Jean Metzinger, Kees van Dongen and Georges Braque (subsequently Picasso's partner in Cubism). Th ...
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Philip IV Of Spain
Philip IV ( es, Felipe, pt, Filipe; 8 April 160517 September 1665), also called the Planet King (Spanish: ''Rey Planeta''), was King of Spain from 1621 to his death and (as Philip III) King of Portugal from 1621 to 1640. Philip is remembered for his patronage of the arts, including such artists as Diego Velázquez, and his rule over Spain during the Thirty Years' War. By the time of his death, the Spanish Empire had reached approximately 12.2 million square kilometers (4.7 million square miles) in area but in other aspects was in decline, a process to which Philip contributed with his inability to achieve successful domestic and military reform. Personal life Philip IV was born in the Royal Palace of Valladolid, and was the eldest son of Philip III of Spain, Philip III and his wife, Margaret of Austria (1584–1611), Margaret of Austria. In 1615, at the age of 10, Philip was married to 13-year-old Elisabeth of France (1602–1644), Elisabeth of France. Although the ...
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Edgar Degas
Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is especially identified with the subject of dance; more than half of his works depict dancers. Although Degas is regarded as one of the founders of Impressionism, he rejected the term, preferring to be called a realist,Gordon and Forge 1988, p. 31 and did not paint outdoors as many Impressionists did. Degas was a superb draftsman, and particularly masterly in depicting movement, as can be seen in his rendition of dancers and bathing female nudes. In addition to ballet dancers and bathing women, Degas painted racehorses and racing jockeys, as well as portraits. His portraits are notable for their psychological complexity and their portrayal of human isolation. At the beginning of his career, Degas wanted to be a history painter, a calling f ...
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Henry Moore
Henry Spencer Moore (30 July 1898 – 31 August 1986) was an English artist. He is best known for his semi- abstract monumental bronze sculptures which are located around the world as public works of art. As well as sculpture, Moore produced many drawings, including a series depicting Londoners sheltering from the Blitz during the Second World War, along with other graphic works on paper. His forms are usually abstractions of the human figure, typically depicting mother-and-child or reclining figures. Moore's works are usually suggestive of the female body, apart from a phase in the 1950s when he sculpted family groups. His forms are generally pierced or contain hollow spaces. Many interpreters liken the undulating form of his reclining figures to the landscape and hills of his Yorkshire birthplace. Moore became well known through his carved marble and larger-scale abstract cast bronze sculptures, and was instrumental in introducing a particular form of modernism to the Unite ...
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Alberto Giacometti
Alberto Giacometti (, , ; 10 October 1901 – 11 January 1966) was a Swiss sculptor, painter, draftsman and printmaker. Beginning in 1922, he lived and worked mainly in Paris but regularly visited his hometown Borgonovo to see his family and work on his art. Giacometti was one of the most important sculptors of the 20th century. His work was particularly influenced by artistic styles such as Cubism and Surrealism. Philosophical questions about the human condition, as well as existential and phenomenological debates played a significant role in his work. Around 1935 he gave up on his Surrealist influences in order to pursue a more deepened analysis of figurative compositions. Giacometti wrote texts for periodicals and exhibition catalogues and recorded his thoughts and memories in notebooks and diaries. His critical nature led to self-doubt about his own work and his self-perceived inability to do justice to his own artistic vision. His insecurities nevertheless remained a ...
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