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Stubborn Kind Of Fellow
"Stubborn Kind of Fellow" is a 1962 song recorded by Marvin Gaye for the Tamla label. Co-written by Gaye and produced by William "Mickey" Stevenson, "Stubborn Kind of Fellow" became Gaye's first hit single, reaching the top 10 of the R&B chart and the top 50 of the ''Billboard'' Hot 100 in late 1962. Recording By summer 1962, Marvin Gaye had recorded for Tamla Records, a subsidiary of Motown Enterprises, for a year with limited success. The previous summer, Gaye released his first LP, ''The Soulful Moods of Marvin Gaye'', an album of jazz and pop standards that failed to crack the charts. He had also released a total of three singles, all of which also failed to enter the ''Billboard'' charts. According to some within the label, he was considered "the least likely hit maker". During 1961, Gaye had spent time on the road as a drummer for fellow Tamla act, The Miracles, and had also drummed for blues artist Jimmy Reed, earning $5 weekly. In early 1962, Gaye scored his first ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marvin Gaye
Marvin Pentz Gay Jr., who also spelled his surname as Gaye (April 2, 1939 – April 1, 1984), was an American singer and songwriter. He helped to shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of successes, earning him the nicknames "Prince of Motown" and "Prince of Soul". Gaye's Motown songs include "Ain't That Peculiar", "How Sweet It Is (To Be Loved By You)", and "I Heard It Through the Grapevine". Gaye also recorded duets with Mary Wells, Kim Weston, Tammi Terrell, and Diana Ross. During the 1970s, Gaye recorded the albums '' What's Going On'' and ''Let's Get It On'' and became one of the first artists in Motown to break away from the reins of a production company. His later recordings influenced several contemporary R&B subgenres, such as quiet storm and neo soul. "Sexual Healing", released in 1982 on the album ''Midnight Love'', won him his first two Grammy Awards. Gaye's last televised appearances we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Single (music)
In music, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. One can be released for sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. In other cases a recording released as a single may not appear on an album. Despite being referred to as a single, in the era of music downloads, singles can include up to as many as three tracks. The biggest digital music distributor, the iTunes Store, accepts as many as three tracks that are less than ten minutes each as a single. Any more than three tracks on a musical release or thirty minutes in total running time is an extended play (EP) or, if over six tracks long, an album. Historically, when mainstream music was purchased via vinyl records, singles would be released double-sided, i.e. there was an A-side and a B-side, on which two songs would appear, one on each si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosalind Ashford
Rosalind "Roz" Ashford-Holmes (born September 2, 1943) is an American soprano R&B and soul singer, known for her work as an original member of the Motown singing group Martha and the Vandellas. Early years Born Rosalind Ashford on September 2, 1943, to John and Mary Ashford in Detroit, Michigan, Ashford sang in church choirs and learned to dance in local centers. Developing a passion for music, she joined the glee club and mixed choruses while attending Wilbur Wright High School. According to Ashford, in 1957 her mother and sister helped land her an audition at a local Detroit YMCA club, where a man named Edward "Pops" Larkins recruited her, Annette Beard and Gloria Williams to form a sister group to a male vocal group. Martha Reeves, contrary to belief, was not an original member of The Del-Phis, as she was a member of another group. Reeves would not join until 1960. Naming themselves The Del-Phis, the group performed in local benefit parties throughout Detroit and performed a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martha Reeves
Martha Rose Reeves (born July 18, 1941) is an American R&B and pop singer. She is the lead singer of the Motown girl group Martha and the Vandellas which scored over a dozen hit singles, including "Come and Get These Memories", " Nowhere to Run", "Heat Wave", "Jimmy Mack", and their signature "Dancing in the Street". From 2005 until 2009, Reeves served as an elected council woman for the city of Detroit, Michigan. Martha Reeves and the Vandellas were inducted into the Rock and Roll Hall of Fame in 1995. Early life Martha Rose Reeves was born in Eufaula, Alabama, the first daughter of Elijah Joshua Reeves and Ruby Lee Gilmore Reeves, and the third of the couple's 11 children. She was a baby when the family moved from Eufaula to Detroit, Michigan, where her grandfather, Reverend Elijah Reeves, was a minister at Detroit's Metropolitan Church. The family was very active in the church and its choir. Elijah played guitar, and Ruby liked to sing; the children acquired their love o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dave Hamilton (musician)
David Lewis Hamilton (January 15, 1920 – August 9, 1994) was an American R&B and jazz musician and record producer in Detroit, Michigan. Life and career Dave Hamilton was born in Savannah, Georgia, and moved to Detroit with his parents as a child. He played guitar and vibraphone, and in the late 1930s toured as a member of the Helen Pennilton Quartet. In the 1940s he formed his own band, the Noc-Tunes, who recorded for the Sensation label. Hamilton remained active as a performer and session musician on the Detroit music scene, and from 1954 recorded several singles with a vocal group, the Peppers, released on the Checker label. He came to know Berry Gordy, and played on Jackie Wilson's hits "Reet Petite" (1957) and "Lonely Teardrops" (1958), which Gordy co-wrote and in the latter case produced. In the early 1960s Hamilton played on such recordings as John Lee Hooker's " Boom Boom" (1961), as well as many recordings for Gordy's Motown label and associated labels. He wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berry Gordy
Berry Gordy III (born November 28, 1929), known professionally as Berry Gordy Jr., is a retired American record executive, record producer, songwriter, film producer and television producer. He is best known as the founder of the Motown record label and its subsidiaries, which was the highest-earning African-American business for decades. As a songwriter, he composed or co-composed a number of hits including "Lonely Teardrops" and "That's Why" ( Jackie Wilson), "Shop Around" (the Miracles), and "Do You Love Me" (the Contours), all of which topped the US R&B charts, as well as the international hit "Reet Petite" ( Jackie Wilson). As part of the Corporation, he wrote many hit songs for the Jackson 5, including "I Want You Back" and "ABC". As a record producer, he launched the Miracles and signed acts like the Supremes, Marvin Gaye, the Temptations, the Four Tops, Gladys Knight & the Pips, and Stevie Wonder. He was known for carefully directing the public image, dress, manners, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crossover (music)
Crossover is a term applied to musical works or performers who appeal to different types of audience. This can be seen, for example, (especially in the United States) when a song appears on two or more of the record charts which track differing musical styles or genres. If the second chart combines genres, such as a " Hot 100" list, the work is not a ''crossover''. In some contexts the term "crossover" can have negative connotations associated with cultural appropriation, implying the dilution of a music's distinctive qualities to appeal to mass tastes. For example, in the early years of rock and roll, many songs originally recorded by African-American musicians were re-recorded by white artists such as Pat Boone in a more toned-down style, often with changed lyrics, that lacked the hard edge of the original versions. These covers were popular with a much broader audience. Crossover frequently results from the appearance of the music in a film soundtrack. For instance, Sac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music ... ith aheavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beechwood 4-5789
"Beechwood 4-5789" is a song written by Marvin Gaye, William "Mickey" Stevenson and George Gordy. It was a 1962 hit single for the Motown girl group The Marvelettes on Motown's Tamla subsidiary record label. The song became a hit again when it was covered by the pop duo The Carpenters in 1982. The song's title is derived from the now-defunct use of telephone exchange names in telephone numbers. In this case, the significant portions of the exchange name were the first two letters of "Beechwood" (BE), and the remainder of the number. In conventional modern use, this telephone number would be 234-5789. The Marvelettes version Background The lyrics are about the singer wanting a man she just met to call her number in order to "have a date, any ol' time." As with all the Marvelettes' other singles during the first phase of the group's career, the lead vocal was by Gladys Horton. The song's co-writer Marvin Gaye played drums on the track, which William Stevenson produced. The single ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marvelettes
The Marvelettes were an American girl group that achieved popularity in the early to mid-1960s. They consisted of schoolmates Gladys Horton, Katherine Anderson, Georgeanna Tillman, Juanita Cowart (now Cowart Motley), and Georgia Dobbins, who was replaced by Wanda Young prior to the group signing their first deal. They were the first successful act of Motown Records after the Miracles and its first significantly successful female group after the release of the 1961 number-one single, " Please Mr. Postman", one of the first number-one singles recorded by an all-female vocal group and the first by a Motown recording act. Founded in 1960 while the group's founding members performed together at their glee club at Inkster High School in Inkster, Michigan, they signed to Motown's Tamla label in 1961. Some of the group's early hits were written by band members and some of Motown's rising singer-songwriters such as Smokey Robinson and Marvin Gaye, who played drums on a majority of their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songwriter
A songwriter is a musician who professionally composes musical compositions or writes lyrics for songs, or both. The writer of the music for a song can be called a composer, although this term tends to be used mainly in the classical music genre and film scoring. A songwriter who mainly writes the lyrics for a song is referred to as a lyricist. The pressure from the music industry to produce popular hits means that song writing is often an activity for which the tasks are distributed between a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with the task of creating original melodies. Pop songs may be composed by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own music publishers, while others have external publishers. The old-style apprenticeship approach to learning how to write songs is being supplemented by university degrees, c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Reed
Mathis James Reed (September 6, 1925 – August 29, 1976) was an American blues musician and songwriter. His particular style of electric blues was popular with blues as well as non-blues audiences. Reed's songs such as "Honest I Do" (1957), "Baby What You Want Me to Do" (1960), " Big Boss Man" (1961), and " Bright Lights, Big City" (1961) appeared on both ''Billboard'' magazine's rhythm and blues and Hot 100 singles charts. Reed influenced other musicians, such as Elvis Presley, Hank Williams Jr., and the Rolling Stones, who recorded his songs. Music critic Cub Koda describes him as "perhaps the most influential bluesman of all," due to his easily accessible style. Biography Reed was born in Dunleith, Mississippi, United States. He learned the harmonica and guitar from his friend Eddie Taylor. After several years of busking and performing there, he moved to Chicago, Illinois, in 1943. He was then drafted into the U.S. Navy and served in World War II. He was discharged in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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