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Strugnell's Haiku
''Strugnell's Haiku'' is a collection of three songs for voice and piano by the composer Colin Matthews, set to haiku poems by Jason Strugnell, an alter ego of the poet Wendy Cope. Texts The texts cover the angst of living in South London, the abode of the fictional Strugnell, who lived in Tulse Hill and worked at Norwood library, and whose work shows the influence of a number of poets, including Ted Hughes, Craig Raine and James Elroy Flecker. The poems were originally published in Cope's collection ''Making Cocoa for Kingsley Amis.'' The haiku touch on various experiences in the poet's life. The first of Strugnell's ''Three Haiku'' is a eulogy to cherry blossom, which the poet thinks "looks really nice". In the second haiku, the poet laments his imminent baldness, comparing it to the seasonal fallen leaves and snow. In the last haiku, describing a November evening, the poet notes that "the pubs are open". Music Matthews's settings of the first two haiku are essentially penta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Upper Norwood Library, London SE19
Upper may refer to: * Shoe upper or ''vamp'', the part of a shoe on the top of the foot * Stimulant, drugs which induce temporary improvements in either mental or physical function or both * ''Upper'', the original film title for the 2013 found footage film ''The Upper Footage ''The Upper Footage'' (also known as ''Upper'') is a 2013 found footage film written and directed by Justin Cole. First released on January 31, 2013 to a limited run of midnight theatrical screenings at Landmark’s Sunshine Cinema in New York Cit ...'' See also {{Disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentatonic Scale
A pentatonic scale is a musical scale with five notes per octave, in contrast to the heptatonic scale, which has seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations and are still used in various musical styles to this day. There are two types of pentatonic scales: those with semitones (hemitonic) and those without (anhemitonic). Types Hemitonic and anhemitonic Musicology commonly classifies pentatonic scales as either ''hemitonic'' or ''anhemitonic''. Hemitonic scales contain one or more semitones and anhemitonic scales do not contain semitones. (For example, in Japanese music the anhemitonic ''yo'' scale is contrasted with the hemitonic ''in'' scale.) Hemitonic pentatonic scales are also called "ditonic scales", because the largest interval in them is the ditone (e.g., in the scale C–E–F–G–B–C, the interval found between C–E and G–B). (This should not be confu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominic Muldowney
Dominic Muldowney (born 19 July 1952 in Southampton) is a British composer. Biography Dominic Muldowney studied at the University of Southampton with Jonathan Harvey, at the University of York (with Bernard Rands and David Blake), and privately with Harrison Birtwistle. From 1974 to 1976 he was composer-in-residence to the Southern Arts Association. In 1976 he was invited by Birtwistle to become Assistant Music Director of the Royal National Theatre in London. He succeeded Birtwistle as Music Director in 1981, remaining in that post until 1997. Muldowney's orchestral music includes a number of concerti (for piano, saxophone, oboe, violin, percussion, trumpet and trombone), many of which explore his fascination with polyrhythms. Other works include ''Three Pieces for Orchestra'' (1991), the song cycle ''Lonely Hearts'' (1988) and three full-length ballets, including ''The Brontës'' (1994). Muldowney’s radio opera ''The Voluptuous Tango'' (1996) won the Prix Italia in 1997, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Wiegold's Songbook
Mary Wiegold’s Songbook is a collection of songs for soprano and, usually, an ensemble of two clarinets, viola, cello and double bass which were written at the invitation of the soprano Mary Wiegold and the composer John Woolrich. Around two hundred songs were collected, mostly written within a ten year period from the late 1980s. The Songbook is ‘like a modern day codex- should nothing survive from the previous decade of British music save this, scholars would be able to form a reliable picture of the diverse compositional activity of those years.’ (Tempo) Selected list of songs * Thomas Adès Life Story (Faber Music) *Milton Babbitt Quatrains * Simon Bainbridge A Song from Michelangelo (Musicsales) * Harrison Birtwistle Night (UniversalEdition/Boosey) * Harrison Birtwistle Tenebrae (Universal Edition/Boosey) * Harrison Birtwistle White and Light (Universal Edition/Boosey) * Gavin Bryars The Adnan Songbook No.5 (Schott) * Niccolo Castiglioni Vallis Clausa (Ricordi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bassline, bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ad Libitum
In music and other performing arts, the phrase (; from Latin for 'at one's pleasure' or 'as you desire'), often shortened to "ad lib" (as an adjective or adverb) or "ad-lib" (as a verb or noun), refers to various forms of improvisation. The roughly synonymous phrase ('in accordance with ne'sgood pleasure') is less common but, in its Italian form , entered the musical ''lingua franca'' (see below). The phrase "at liberty" is often associated mnemonically (because of the alliteration of the ''lib-'' syllable), although it is not the translation (there is no cognation between and ). Libido is the etymologically closer cognate known in English. Music As a direction in sheet music, indicates that the performer or conductor has one of a variety of types of discretion with respect to a given passage: *to play the passage in free time rather than in strict or " metronomic" tempo (a practice known as ''rubato'' when not expressly indicated by the composer); *to improvise a melo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tam-tam
A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal disc that is typically struck with a mallet. They can be small or large in size, and tuned or can require tuning. The earliest mention of gongs can be found in sixth century Chinese records, which mentioned the instrument to have come from a country between Tibet and Burma. The term ''gong'' ( jv, ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Burma, China, Java and Annam were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a resting b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola
The viola ( , also , ) is a string instrument that is bow (music), bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth above) and the cello (which is tuned an octave below). The strings from low to high are typically tuned to scientific pitch notation, C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word viola originates from the Italian language. The Italians often used the term viola da braccio meaning literally: 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted as ''Bratsche''. The French had their own names: ''cinquiesme'' was a small viola, ''haute contre'' was a large viola, and ''taile'' was a tenor. Today, the French use the term ''alto'', a reference to its range. The viola was popular in the heyd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Clarinet
The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays notes an octave below the soprano B clarinet. Bass clarinets in other keys, notably C and A, also exist, but are very rare (in contrast to the regular A clarinet, which is quite common in classical music). Bass clarinets regularly perform in orchestras, wind ensembles and concert bands, and occasionally in marching bands, and play an occasional solo role in contemporary music and jazz in particular. Someone who plays a bass clarinet is called a bass clarinettist or a bass clarinetist. Description Most modern bass clarinets are straight-bodied, with a small upturned silver-colored metal bell and curved metal neck. Early examples varied in shape, some having a doubled body making them look similar to bassoons. The bass clarinet is fairly heavy and is suppor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-flat Clarinet
The E-flat (E) clarinet is a member of the clarinet family, smaller than the more common B clarinet and pitched a perfect fourth higher. It is typically considered the sopranino or piccolo member of the clarinet family and is a transposing instrument in E with a sounding pitch a minor third higher than written. In Italian it is sometimes referred to as a ''terzino'' and is generally listed in B-based scores (including many European band scores) as ''terzino in Mi♭''. The E-flat clarinet has a total length of about 49 cm. The E clarinet is used in orchestras, concert bands, and marching bands, and plays a central role in clarinet choirs, carrying melodies that would be uncomfortably high for the B clarinet. Solo repertoire is limited, but composers from Berlioz to Mahler have used it extensively as a solo instrument in orchestral contexts. Tonal range Many orchestration and instrumentation books give a smaller tonal range (E3 to G6) for the E-flat clarinet compared to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Music Information Centre
Sound and Music is the UK's national agency for new music, established on 1 October 2008 from the merger of four existing bodies working in the contemporary music field: the Society for the Promotion of New Music (SPNM), the British Music Information Centre, the Contemporary Music Network and the Sonic Arts Network. SPNM, originally named The Committee for the Promotion of New Music, was founded in January 1943 in London by the émigré composer Francis Chagrin, to promote the creation and performance of new music by young and unestablished composers. The British Music Information Centre archive was founded in 1967 by the Composers’ Guild of Great Britain and housed within the Guild's central London office at 10 Stratford Place, off Oxford Street. The Contemporary Music Network was set up in the early 1970s by the Arts Council to promote contemporary music performances through extensive regional tours. The Sonic Arts Network was established in 1979, aiming to enable both audien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
