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Stitt's Bits
''Stitt's Bits'' is an album by saxophonist Sonny Stitt compiling tracks recorded in 1950 and released on the Prestige label in 1958. accessed December 21, 2012 Reception The review awarded the album 3 stars.Wynn, RAllmusic Review accessed December 21, 2012 Track listing # "" ( |
Sonny Stitt
Edward Hammond Boatner Jr. (February 2, 1924 – July 22, 1982), known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his relentless touring and devotion to jazz yet rarely worked with the same musicians for long. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone and even occasionally baritone saxophone. Early life Edward Hammond Boatner, Jr. was born in Boston, Massachusetts, and grew up in Saginaw, Michigan. He had a musical background: his father, Edward Boatner, was a baritone singer, composer, and college music professor; his brother was a classically trained pianist, and his mother was a pian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Signorelli
Frank Signorelli (May 24, 1901 – December 9, 1975) was an American jazz pianist. Biography Signorelli was born to an Italian Sicilian family in New York City, New York. Signorelli was a founding member of the Original Memphis Five in 1917, then joined the Original Dixieland Jazz Band briefly in 1921. In 1927, he played in Adrian Rollini's New York ensemble, and subsequently worked with Eddie Lang, Bix Beiderbecke, Matty Malneck and Paul Whiteman. In 1935 he was part of Dick Stabile's All-America "Swing" Band. In 1936-38, he played in the revived version of the Original Dixieland Jazz Band. He recorded with Phil Napoleon in 1946 and with Miff Mole in 1958. Compositions As a songwriter, Signorelli composed "'I'll Never Be The Same" (initially called "Little Buttercup" by Joe Venuti's Blue Four), "Gypsy", recorded by Paul Whiteman and his Orchestra, "Caprice Futuristic", "Evening", "Anything", "Bass Ale Blues", "Great White Way Blues", "Park Avenue Fantasy", "Sioux City Sue" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Creamer
Henry Sterling Creamer (June 21, 1879 – October 14, 1930) was an African American popular song lyricist and theater producer. He was born in Richmond, Virginia and died in New York. He co-wrote many popular songs in the years from 1900 to 1929, often collaborating with Turner Layton, with whom he also appeared in vaudeville. Career Henry Creamer was a singer, dancer, songwriter and stage producer/director. He first performed on the vaudeville circuit in the U.S. and in Europe as a duo with pianist Turner Layton, with whom he also co-wrote songs. Two of their most enduring songs, for which Creamer wrote the lyrics, are " After You've Gone" (1918), which was popularized by Sophie Tucker, and " Way Down Yonder in New Orleans" (1922), which was included in the soundtrack for one of the dance numbers in the Fred Astaire / Ginger Rogers 1939 movie ''The Story of Vernon and Irene Castle''. Way Down Yonder in New Orleans became a hit again in 1959 when the rocked up recording by Freddy C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turner Layton
Turner Layton (July 2, 1894 – February 6, 1978), born John Turner Layton, Jr., was an African American songwriter, singer and pianist. He frequently worked with Henry Creamer. Life Born in Washington, D.C., United States, in 1894, he was the son of John Turner Layton, "a bass singer, music educator and hymn composer."Peterson, Bernard L. ''Profiles of African American Stage Performers and Theatre People, 1816-1890)'', Greenwood Press, 2000, p. 164 After receiving a musical education from his father, he attended the Howard University Dental School, later coming to New York City in the early 1900s, where he met future songwriting partner, lyricist Henry Creamer. Layton is best known for his many compositions with Creamer, the best known of which is the standard " After You've Gone", written in 1918 and first popularized by Sophie Tucker. Turner and Creamer had another hit with Way Down Yonder in New Orleans in 1922. It was recorded in 1927 by Frank Trumbauer (with Bix Beiderbeck ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
After You've Gone (song)
"After You've Gone" is a 1918 popular song composed by Turner Layton with lyrics by Henry Creamer. History It was recorded by Marion Harris on July 22, 1918, and released by Victor Records. The song became so popular that the sheet music was later decorated with tiny photographs of the 45 men who made the song famous, including Paul Whiteman, Rudy Vallée, B.A. Rolfe, Guy Lombardo, and Louis Armstrong. Composition The chorus adheres to a standard ABAC pattern but is only 20 measures long. There are four 4-bar phrases, followed by a 4 measure tag. The song is harmonically active, with chord changes almost every measure. The opening four notes are identical to the opening notes of "Peg o' My Heart" (1912) — at the time songwriters often borrowed the first few notes of a hit melody. Notable recordings See also *List of pre-1920 jazz standards References External links "After You've Goneby Marion Harris, the original 1918 version at the Internet Archive"After You've Go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mack Gordon
Mack Gordon (born Morris Gittler; June 21, 1904 – February 28, 1959) was an American composer and lyricist for the stage and film. He was nominated for the best original song Oscar nine times in 11 years, including five consecutive years between 1940 and 1944, and won the award once, for "You'll Never Know". That song has proved among his most enduring, and remains popular in films and television commercials to this day. "At Last" is another of his best-known songs. Biography Gordon was born in Grodno, then part of the Russian Empire. He emigrated with his mother and older brother to New York City in May 1907; the ship they sailed on was the S/S ''Bremen''; their destination was to his father in Guttenberg, New Jersey. Gordon appeared in vaudeville as an actor and singer in the late 1920s and early 1930s, but his songwriting talents were always paramount. He formed a partnership with English pianist Harry Revel, that lasted throughout the 1930s. In the 1940s he worked with a str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Warren
Harry Warren (born Salvatore Antonio Guaragna; December 24, 1893 – September 22, 1981) was an American composer and the first major American songwriter to write primarily for film. He was nominated for the Academy Award for Best Original Song eleven times and won three Oscars for composing " Lullaby of Broadway", "You'll Never Know" and "On the Atchison, Topeka and the Santa Fe". He wrote the music for the first blockbuster film musical, '' 42nd Street'', choreographed by Busby Berkeley, with whom he would collaborate on many musical films. Over a career spanning six decades, Warren wrote more than 800 songs. Other well known Warren hits included "I Only Have Eyes for You", "You Must Have Been a Beautiful Baby", " Jeepers Creepers", "The Gold Diggers' Song (We're in the Money)", "That's Amore", "There Will Never Be Another You", "The More I See You", "At Last" and "Chattanooga Choo Choo" (the last of which was the first gold record in history). Warren was one of America's most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
There Will Never Be Another You
"There Will Never Be Another You" is a popular song with music by Harry Warren and lyrics by Mack Gordon that was written for the Twentieth Century Fox musical ''Iceland'' (1942) starring Sonja Henie and John Payne. The songs in the film featured Joan Merrill accompanied by Sammy Kaye and His Orchestra.Joan Merrill at JazzStandards.com The song was published in 1942. The most popular version, a 1966 Chris Montez recording, went to #4 on the chart and #33 on the Hot 100
The ''Billboard'' Hot 100 is the music industry standard rec ...
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Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as "I Got Rhythm", "Embraceable You", " The Man I Love" and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is an important source for studying t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera ''Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nice Work If You Can Get It (song)
"Nice Work If You Can Get It" is a popular song and jazz standard composed by George Gershwin with lyrics by Ira Gershwin. Background It began life in 1930 as a nine-bar phrase with the working title "There's No Stopping Me Now". Its title phrase "Nice work if you can get it" came from an English magazine. It was one of nine songs the Gershwin brothers wrote for the movie '' A Damsel in Distress'' in which it was performed by Fred Astaire with backing vocals by The Stafford Sisters. The song was published in 1937. First recordings The first jazz recording of the work was by Tommy Dorsey three weeks after the release of the film. Early chart versions were by Shep Fields, Teddy Wilson with Billie Holiday, Fred Astaire, Maxine Sullivan, and The Andrews Sisters. The song was recorded by many jazz singers and adopted by bebop instrumentalists; Jerry Newman recorded pianist Thelonious Monk performing the tune in 1941 at Minton's Playhouse, a nightclub closely connected with early bebop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruno Coquatrix
Bruno Coquatrix (5 August 1910, Ronchin, Nord – 1 April 1979) was a French music producer, the owner and manager of the Olympia Hall in Paris from 1954 until his death in 1979. Career Coquatrix was first known as a song and music writer. He wrote over 300 songs, including ''Mon ange'' (1940) ; ''Dans un coin de mon pays'' (1940); ''Clopin-clopant'' (1947); ''Cheveux dans le vent'' (1949), as well as some operettas. He was also an impresario, representing Jacques Pills and Lucienne Boyer, among others. He managed the variety theatre Bobino before he took over the Olympia Hall, Europe's biggest music hall in 1954. In 1956, during a "tomorrow's number 1" audition at the Olympia, Coquatrix, Lucien Morrisse and Eddie Barclay discovered the unknown cabaret singer Dalida. He then staged all the era's celebrities, including Georges Brassens, Jacques Brel, Gilbert Bécaud, Ewa Demarczyk, Johnny Hallyday, Violetta Villas, Édith Piaf, Annie Cordy, Charles Aznavour, Mireille Mathieu and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
