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Stereoscopic Motion
Stereoscopic motion, as introduced by Béla Julesz in his book '' Foundations of Cyclopean Perception'' of 1971, is a translational motion of figure boundaries defined by changes in binocular disparity over time in a real-life 3D scene, a 3D film or other stereoscopic scene. This translational motion gives rise to a mental representation of three dimensional motion created in the brain on the basis of the binocular motion stimuli. Whereas the motion stimuli as presented to the eyes have a different direction for each eye, the stereoscopic motion is perceived as yet another direction on the basis of the views of both eyes taken together. Stereoscopic motion, as it is perceived by the brain, is also referred to as ''cyclopean motion'', and the processing of visual input that takes place in the visual system relating to stereoscopic motion is called ''stereoscopic motion processing''. Provided the binocular motion stimuli correspond to a physical object moving in 3D space, the stere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Béla Julesz
Béla Julesz (also Bela Julesz in English; February 19, 1928 – December 31, 2003) was a Hungarian-born American visual neuroscientist and experimental psychologist in the fields of visual and auditory perception. Julesz was the originator of random dot stereograms which led to the creation of autostereograms. He also was the first to study texture discrimination by constraining second-order statistics. Biography Béla Julesz was born in Budapest, Hungary, on February 19, 1928. He immigrated to the United States with his wife Margit after receiving his Ph.D. from the Hungarian Academy of Sciences in 1956. Although Béla is the Hungarian name with the accent, Julesz always used the non-accented version. In 1956, Julesz joined the renowned Bell Laboratories, where he headed the Sensory and Perceptual Processes Department (1964–1982), then the Visual Perception Research Department (1983–1989). Much of his research focused on physiological psychology topics including depth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stereoblind
Stereoblindness (also stereo blindness) is the inability to see in 3D using stereopsis, or stereo vision, resulting in an inability to perceive stereoscopic depth by combining and comparing images from the two eyes. Individuals with only one functioning eye always have this condition; the condition also results when two eyes do not function together properly. Most stereoblind persons with two healthy eyes do employ binocular vision to some extent, albeit less than persons with normally developed eyesight. This was shown in a study in which stereoblind subjects were posed with the task of judging the direction of rotation of a simulated transparent cylinder: the subjects performed better when using two eyes than when using their preferred eye. They appeared to judge the direction of rotation from the images in each eye separately and then to combine these judgments, rather than relying on differences between the images in the two eyes. Also, purely binocular motion stimuli appear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stereoscopy
Stereoscopy (also called stereoscopics, or stereo imaging) is a technique for creating or enhancing the illusion of depth in an image by means of stereopsis for binocular vision. The word ''stereoscopy'' derives . Any stereoscopic image is called a stereogram. Originally, stereogram referred to a pair of stereo images which could be viewed using a stereoscope. Most stereoscopic methods present a pair of two-dimensional images to the viewer. The left image is presented to the left eye and the right image is presented to the right eye. When viewed, the human brain perceives the images as a single 3D view, giving the viewer the perception of 3D depth. However, the 3D effect lacks proper focal depth, which gives rise to the Vergence-Accommodation Conflict. Stereoscopy is distinguished from other types of 3D displays that display an image in three full dimensions, allowing the observer to increase information about the 3-dimensional objects being displayed by head and eye mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visual Space
Visual space is the experience of space by an aware observer. It is the subjective counterpart of the space of physical objects. There is a long history in philosophy, and later psychology of writings describing visual space, and its relationship to the space of physical objects. A partial list would include René Descartes, Immanuel Kant, Hermann von Helmholtz, William James, to name just a few. Object Space and Visual Space. Space of physical objects The location and shape of physical objects can be accurately described with the tools of geometry. For practical purposes the space we occupy is Euclidean. It is three-dimensional and measurable using tools such as rulers. It can be quantified using co-ordinate systems like the Cartesian x,y,z, or polar coordinates with angles of elevation, azimuth and distance from an arbitrary origin. Space of visual percepts Percepts, the counterparts in the aware observer's conscious experience of objects in physical space, constitute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vision Science
Vision science is the scientific study of visual perception. Researchers in vision science can be called vision scientists, especially if their research spans some of the science's many disciplines. Vision science encompasses all studies of vision, such as how human and non-human organisms process visual information, how conscious visual perception works in humans, how to exploit visual perception for effective communication, and how artificial systems can do the same tasks. Vision science overlaps with or encompasses disciplines such as ophthalmology and optometry, neuroscience(s), psychology (particularly sensation and perception psychology, cognitive psychology, linguistics, biopsychology, psychophysics, and neuropsychology), physics (particularly optics), ethology, and computer science (particularly computer vision, artificial intelligence, and computer graphics), as well as other engineering related areas such as data visualization, user interface design, and human factors and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monocular Depth Cues
Depth perception is the ability to perceive distance to objects in the world using the visual system and visual perception. It is a major factor in perceiving the world in three dimensions. Depth perception happens primarily due to stereopsis and accommodation of the eye. Depth sensation is the corresponding term for non-human animals, since although it is known that they can sense the distance of an object, it is not known whether they perceive it in the same way that humans do. Depth perception arises from a variety of depth cues. These are typically classified into binocular cues and monocular cues. Binocular cues are based on the receipt of sensory information in three dimensions from both eyes and monocular cues can be observed with just one eye. Binocular cues include retinal disparity, which exploits parallax and vergence. Stereopsis is made possible with binocular vision. Monocular cues include relative size (distant objects subtend smaller visual angles than near obje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vergence
A vergence is the simultaneous movement of both eyes in opposite directions to obtain or maintain single binocular vision. When a creature with binocular vision looks at an object, the eyes must rotate around a vertical axis so that the projection of the image is in the centre of the retina in both eyes. To look at an object closer by, the eyes rotate towards each other (convergence), while for an object farther away they rotate away from each other (divergence). Exaggerated convergence is called ''cross eyed viewing'' (focusing on the nose for example). When looking into the distance, the eyes diverge until parallel, effectively fixating the same point at infinity (or very far away). Vergence movements are closely connected to accommodation of the eye. Under normal visual conditions, looking at an object at a different distance will automatically cause changes in both vergence and accommodation, sometimes known as the '' accommodation-convergence reflex''. When under non-typi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stereopsis
Stereopsis () is the component of depth perception retrieved through binocular vision. Stereopsis is not the only contributor to depth perception, but it is a major one. Binocular vision happens because each eye receives a different image because they are in slightly different positions on one’s head (left and right eyes). These positional differences are referred to as "horizontal disparities" or, more generally, " binocular disparities". Disparities are processed in the visual cortex of the brain to yield depth perception. While binocular disparities are naturally present when viewing a real three-dimensional scene with two eyes, they can also be simulated by artificially presenting two different images separately to each eye using a method called stereoscopy. The perception of depth in such cases is also referred to as "stereoscopic depth". The perception of depth and three-dimensional structure is, however, possible with information visible from one eye alone, such as diffe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motion Aftereffect
The motion aftereffect (MAE) is a visual illusion experienced after viewing a moving visual stimulus for a time (tens of milliseconds to minutes) with stationary eyes, and then fixating a stationary stimulus. The stationary stimulus appears to move in the opposite direction to the original (physically moving) stimulus. The motion aftereffect is believed to be the result of motion adaptation. For example, if one looks at a waterfall for about a minute and then looks at the stationary rocks at the side of the waterfall, these rocks appear to be moving upwards slightly. The illusory upwards movement is the motion aftereffect. This particular motion aftereffect is also known as the ''waterfall illusion''. Another example can be seen when one looks at the center of a rotating spiral for several seconds. The spiral can exhibit outward or inward motion. When one then looks at any stationary pattern, it appears to be moving in the opposite direction. This form of the motion aftereffect i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Optical Flow
Optical flow or optic flow is the pattern of apparent motion of objects, surfaces, and edges in a visual scene caused by the relative motion between an observer and a scene. Optical flow can also be defined as the distribution of apparent velocities of movement of brightness pattern in an image. The concept of optical flow was introduced by the American psychologist James J. Gibson in the 1940s to describe the visual stimulus provided to animals moving through the world. Gibson stressed the importance of optic flow for affordance perception, the ability to discern possibilities for action within the environment. Followers of Gibson and his ecological approach to psychology have further demonstrated the role of the optical flow stimulus for the perception of movement by the observer in the world; perception of the shape, distance and movement of objects in the world; and the control of locomotion. The term optical flow is also used by roboticists, encompassing related techniq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motion Perception
Motion perception is the process of inferring the speed and direction of elements in a scene based on visual, vestibular and proprioceptive inputs. Although this process appears straightforward to most observers, it has proven to be a difficult problem from a computational perspective, and difficult to explain in terms of neural processing. Motion perception is studied by many disciplines, including psychology (i.e. visual perception), neurology, neurophysiology, engineering, and computer science. Neuropsychology The inability to perceive motion is called akinetopsia and it may be caused by a lesion to cortical area V5 in the extrastriate cortex. Neuropsychological studies of a patient who could not see motion, seeing the world in a series of static "frames" instead, suggested that visual area V5 in humans is homologous to motion processing area V5/MT in primates. First-order motion perception Two or more stimuli that are switched on and off in alternation can produce two di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Head-mounted Display
A head-mounted display (HMD) is a display device, worn on the head or as part of a helmet (see Helmet-mounted display for aviation applications), that has a small display optic in front of one (monocular HMD) or each eye ( binocular HMD). An HMD has many uses including gaming, aviation, engineering, and medicine. Virtual reality headsets are HMDs combined with IMUs. There is also an optical head-mounted display (OHMD), which is a wearable display that can reflect projected images and allows a user to see through it. Overview A typical HMD has one or two small displays, with lenses and semi-transparent mirrors embedded in eyeglasses (also termed data glasses), a visor, or a helmet. The display units are miniaturized and may include cathode ray tubes (CRT), liquid-crystal displays (LCDs), liquid crystal on silicon (LCos), or organic light-emitting diodes (OLED). Some vendors employ multiple micro-displays to increase total resolution and field of view. HMDs differ in whethe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
