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Steel (1933 Film)
''Steel'' (Italian: ''Acciaio'') is a 1933 Italian drama film directed by Walter Ruttmann and starring Piero Pastore, Isa Pola and Vittorio Bellaccini. The film was shot on location at the steel mills in Terni in Umbria. It was based on the novel ''Giuoca, Pietro!'' by Luigi Pirandello. With its semi-documentary style it was one of a number of films made in the Fascist era that serve as a precursor to Italian neorealism which emerged in the mid-1940s.Bondanella p.26-27 Synopsis Two steelworkers engage in a violent rivalry over a woman. Cast * Piero Pastore as Mario Velini * Isa Pola as Gina * Vittorio Bellaccini as Pietro Ricci * Alfredo Polveroni as Pietro's father * Olga Capri as Pietro's mother * Romano Calò * Romolo Costa * Domenico Serra Domenico Serra (1899–1965) was an Italian stage and film actor. He made more than sixty films, many of them during the silent era including Mario Bonnard's historical film '' The Betrothed'' (1923).Goble p.305 In the sound era ...
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Walter Ruttmann
Walter Ruttmann (28 December 1887 – 15 July 1941) was a German cinematographer and film director, an important German abstract experimental film maker, along with Hans Richter, Viking Eggeling and Oskar Fischinger. He is best known for directing the semi- documentary 'city symphony' silent film, with orchestral score by Edmund Meisel, in 1927, '' Berlin: Symphony of a Metropolis''. His audio montage ''Wochenende (Weekend)'' (1930) is considered a major contribution in the development of audio plays. Biography Ruttmann was born in Frankfurt am Main, the son of a wealthy mercantilist. He graduated "high school" in 1905, then began in 1907, architectural studies in Zürich, later, in 1909, painting in Munich (later in Marburg) where he befriended Paul Klee and Lyonel Feininger. Ruttmann was conscripted into the army in 1913, first serving in Darmstadt, and shortly after the outbreak of the World War I was he sent to the Eastern Front, where he served as an artillery lieutena ...
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Drama Film
In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject-matter, or else they qualify the otherwise serious tone of a drama with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline. All forms of cinema or television that involve fictional stories are forms of drama in the broader sense if their storytelling is achieved by means of actors who represent ( mimesis) characters. In this broader sense, drama ...
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Italian Drama Films
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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1933 Films
The following is an overview of 1933 in film, including significant events, a list of films released, and notable births and deaths. Top-grossing films (U.S.) The top ten 1933 released films by box office gross in North America are as follows: Events The Film Daily Yearbook listed the following as the ten leading news events of the year in North America. * Motion picture industry goes under National Recovery Administration code. * Receivers appointed for Paramount Publix, RKO and Fox Theatres. * Film industry takes eight week salary cut. * Sirovich bill for sweeping probe of film industry is defeated. * John D. Hertz withdraws as Paramount Publix finance chairman and Adolph Zukor appoints George J. Schaefer as general manager. * Sidney Kent effects financial reorganization of Fox Film Corp., averting receivership, and company shows first profit since 1930. * Ruling of the United States District Court for the District of Delaware creates "open market" for sound equipment. * ...
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Domenico Serra
Domenico Serra (1899–1965) was an Italian stage and film actor. He made more than sixty films, many of them during the silent era including Mario Bonnard's historical film '' The Betrothed'' (1923).Goble p.305 In the sound era, he largely played supporting or minor roles. Partial filmography * ''Il tesoro della cattedrale'' (1915) * ''Il diamante azzurro'' (1916) * ''Il germoglio della morte'' (1916) * ''La trovata del brasiliano'' (1916) * ''L'apostolo'' (1916) * '' The Cavalcade of Dreams'' (1917) * '' Wanda Warenine'' (1917) * ''Sorrisi e spasimi della menzogna'' (1917) * ''Maternità'' (1917) * ''Le due orfanelle di Torino'' (1917) * ''I raggi 'Z (1917) * ''Il rifugio dell'alba'' (1918) * ''Il marito dell'amica'' (1919) * ''Le labbra e il cuore'' (1919) * ''La maestrina'' (1919) * ''Il buon Samaritano'' (1919) * ''Il mistero della casa di fronte'' (1919) * ''Federica d'Illiria'' (1919) * ''Il ventriloquo'' (1920) * ''Il marito in campagna'' (1920) * ''The Shadow'' (1920) ...
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Romolo Costa
Romolo Costa (26 February 1897 - 1 January 1965) was an Italian actor and voice actor. Biography Costa appeared in more than seventy films and television series between 1934 and 1964 and he was a character actor who generally appeared in supporting roles. Occasionally he played a more prominent role as in '' Il destino in tasca''.Goble p.88 He also worked extensively as a voice actor, dubbing foreign films for release in Italy. He served as a substitute for Emilio Cigoli as the Italian voice of Gary Cooper. Selected filmography * ''Pergolesi'' (1932) * ''Steel'' (1933) * ''Together in the Dark'' (1933) * ''Loyalty of Love'' (1934) * '' Like the Leaves'' (1935) * ''Aldebaran'' (1935) * ''The Joker King'' (1935) * ''Bayonet'' (1936) * '' The Ambassador'' (1936) * ''I've Lost My Husband!'' (1937) * ''Il signor Max'' (1937) * '' Doctor Antonio'' (1937) * '' Il destino in tasca'' (1938) * ''They've Kidnapped a Man'' (1938) * ''The Two Mothers'' (1938) * '' Departure'' (1938) * ''The K ...
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Romano Calò
Romano Calò (6 May 1883 – 17 August 1952) was an Italian film actor. He appeared in 30 films between 1913 and 1945. Selected filmography * ''Il bacio di Cirano'' (1913) * '' But It Isn't Serious'' (1921) * '' Queen of the Night'' (1931) * '' Steel'' (1933) * ''The Anonymous Roylott'' (1936) * ''The Last Days of Pompeo'' (1937) * ''The Count of Brechard ''The Count of Brechard'' (Italian: ''Il conte di Brechard'') is a 1938 Italian historical drama film directed by Mario Bonnard and starring Amedeo Nazzari, Luisa Ferida, and Ugo Ceseri.Klossner p.83 It was adapted from the Giovacchino Forzano ...'' (1938) * '' The Hero of Venice'' (1941) * '' The Last Chance'' (1945) References External links * * 1883 births 1952 deaths Italian male film actors Italian male silent film actors Male actors from Rome 20th-century Italian male actors {{Italy-actor-stub ...
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Olga Capri
Olga Capri (18 May 1883 – 18 December 1961) was a stage and film actress from Italy. She appeared in more than 40 films during her career, generally in supporting roles. She appeared in several of Alessandro Blasetti's early sound films, such as ''Mother Earth'' (1931). Selected filmography * '' The Betrothed'' (1923) * ''The Song of Love'' (1930) * ''Mother Earth'' (1931) * ''Figaro and His Great Day'' (1931) * ''Resurrection'' (1931) * ''Palio'' (1932) * '' Zaganella and the Cavalier'' (1932) * ''The Gift of the Morning'' (1932) * ''Venus'' (1932) * ''Paradise'' (1932) * '' Fanny'' (1933) * ''Steel'' (1933) * '' The Three Wishes'' (1937) * ''The Castiglioni Brothers'' (1937) * ''The Night of Tricks'' (1939) * ''Before the Postman'' (1942) * ''The Peddler and the Lady'' (1943) * ''Daniele Cortis ''Daniele Cortis'' (also known as ''Elena'') is a 1947 Italian drama film directed by Mario Soldati and starring Vittorio Gassman, Sarah Churchill and Gino Cervi. The film (set in ni ...
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Italian Neorealism
Italian neorealism ( it, Neorealismo), also known as the Golden Age, is a national film movement characterized by stories set amongst the poor and the working class. They are filmed on location, frequently with non-professional actors. They primarily address the difficult economic and moral conditions of post-World War II Italy, representing changes in the Italian psyche and conditions of everyday life, including poverty, oppression, injustice and desperation. History Italian neorealism came about as World War II ended and Benito Mussolini's government fell, causing the Italian film industry to lose its centre. Neorealism was a sign of cultural and social change in Italy. Its films presented contemporary stories and ideas and were often shot on location as the Cinecittà film studios had been damaged significantly during the war. The neorealist style was developed by a circle of film critics that revolved around the magazine ''Cinema'', including: * Luchino Visconti * Gia ...
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Semi-documentary
A semidocumentary is a form of book, film, or television program presenting a fictional story that incorporates many factual details or actual events, or which is presented in a manner similar to a documentary. Characteristics Stylistically, it has certain similarities to Italian Neorealism, such as the use of location shooting and employing non-actors in secondary roles. However, the viewer is not intended to mistake a semidocumentary for a real documentary; the fictional elements are too prominent. Background One of the first films of this kind was Henry Hathaway's ''The House on 92nd Street'' (1945). In the late 1940s, semidocumentary films were often associated with film noir thrillers, sharing a commitment to on-location shooting, gritty realism, and understated performances. Decline In the 1960s and 1970s, the semidocumentary style declined in feature films. The standard documentary had blurred the difference between itself and fiction so much that there was viewer conf ...
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Umbria
it, Umbro (man) it, Umbra (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = , demographics1_footnotes = , demographics1_title1 = , demographics1_info1 = , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +1 , timezone1_DST = CEST , utc_offset1_DST = +2 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-55 , blank_name_sec1 = GDP (nominal) , blank_info_sec1 = €22.5 billion (2018) , blank1_name_sec1 = GDP per capita , blank1_info_sec1 = €25,400 (2018) , blank2_name_sec1 = HDI (2018) , blank2_info_sec1 = 0.884 · 12th of 21 , blank_name_sec2 = NUTS Region , blank_info_sec2 = ITE , web ...
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