Stay (Maurice Williams Song)
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Stay (Maurice Williams Song)
"Stay" is a doo-wop song written by Maurice Williams and first recorded in 1960 by Williams with his group the Zodiacs. Commercially successful versions were later also issued by the Hollies, the Four Seasons and Jackson Browne. Maurice Williams original version The song was written by Williams in 1953 when he was 15 years old. He had been trying to convince his date not to go home at 10 o'clock as she was supposed to. He lost the argument, but as he was to relate years later, "Like a flood, the words just came to me." In 1960, the song was put on a demo by Williams and his band, the Zodiacs, but it attracted no interest until a ten-year-old heard it and impressed the band members with her positive reaction to the tune. The band's producer, Phil Gernhard, took it along with some other demos to New York City and played them for all the major record producers that they could access. Finally, Al Silver of Herald Records became interested, but insisted that the song be re-recorde ...
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Maurice Williams And The Zodiacs
Maurice Williams and the Zodiacs were an American doo-wop/ R&B vocal group in the late 1950s and early 1960s. Originally the (Royal) Charms, the band changed its name to the Gladiolas in 1957 and the Excellos in 1958, before finally settling on the Zodiacs in 1959. Early history Maurice Williams was born 26 April 1938 in Lancaster, South Carolina. His first experience with music was in the church, where his mother and sister both performed. By the time he was six, Williams was performing regularly there. With his childhood friend Earl Gainey, Williams formed the gospel group the Junior Harmonizers. As rock and roll and doo-wop became their primary interest, the Junior Harmonizers changed their name to the Royal Charms. The Royal Charms and the Gladiolas In addition to Williams and Gainey, the Royal Charms were made up of Willie Jones (baritone), William Massey (tenor, baritone, trumpet), and Norman Wade ( bass). In the winter of 1956, while still in high school, Williams an ...
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Cash Box (magazine)
''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1952–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were '' Billboard'' and '' Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 19 ...
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Merriweather Post Pavilion
Merriweather Post Pavilion is an outdoor concert venue located within Symphony Woods, a lot of preserved land in the heart of the planned community of Columbia, Maryland. In 2010, Merriweather was named the second best amphitheater in the United States by ''Billboard (magazine), Billboard'' magazine. The venue was also ranked as the fourth best amphitheater in the United States by ''Rolling Stone'' in 2013. It was again ranked by ''Consequence of Sound'' at number 29 of all music venues in the nation out of 100 in 2016. History 20th century Merriweather Post Pavilion was commissioned by the Rouse Company for its Howard County development project Columbia. The first design was rejected and the theatre was redesigned by award-winning architect Frank Gehry and N. David O'Malley with the firm of Gehry, Walsh and O'Malley. It opened in 1967 on the former grounds of the Oakland Manor slave plantation. It is named for the Americans, American Post Foods heiress Marjorie Merriweather Po ...
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Running On Empty (album)
''Running on Empty'' is the fifth album by American singer-songwriter Jackson Browne. Featuring songs themed around life on the road, the entire album was recorded on tour, either live on stage, or in locations associated with touring, such as backstage, on tour buses, or in hotel rooms. Released in 1977, the album reached No. 3 on the Billboard Pop Albums chart in 1978 and stayed on the charts for 65 weeks. The single for the title track, " Running on Empty", peaked at No. 11 and the follow-up single, "The Load-Out"/"Stay", reached No. 20 on the Billboard Pop Singles chart. The album received two Grammy Award nominations in 1979: one for Album of the Year and the other for Pop Male Vocal Performance for the song "Running on Empty". History In addition to tracks recorded on-stage during concerts, it also contains songs recorded in hotel rooms, on the tour bus, and backstage. It is unusual among live albums in that none of the tracks had ever appeared on a previous studio album ...
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Goodnight My Love (1956 Song)
"Goodnight My Love" is a popular song written by George Motola and John Marascalco in 1956. Background The song was originally recorded by Jesse Belvin and released in 1956. John Marascalco produced the recording for Modern Records. Some sources claim that Barry White - who would have been 11 years old at the time - played piano on this recording. However, in an interview in 1995 White denied this. Charts The Jesse Belvin recording reached #7 on the US ''Billboard'' R&B chart in 1956. The McGuire Sisters cover, also released in 1956, reached #32 on ''Billboard's'' pop chart. The Paul Anka 1968 recording reached #27 on the ''Billboard'' singles chart in a 10-week chart run in 1969. The single peaked at #18 on the ''Record World'' chart and #13 in Canada. Recorded versions *Amy Lee Feat. John Lee *Dee Dee Sharp 1963 *The Honeys 1969 *Jerry Vale 1969 *Jane Morgan 1969 *El DeBarge *Paul Anka 1968 *Paula Abdul 1992 *Jesse Belvin 1956 *Brook Benton 1968 *Barry Biggs 1976 *James ...
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Disc Jockey
A disc jockey, more commonly abbreviated as DJ, is a person who plays recorded music for an audience. Types of DJs include Radio personality, radio DJs (who host programs on music radio stations), club DJs (who work at a nightclub or music festival), mobile DJs (who are hired to work at public and private events such as weddings, parties, or festivals), and turntablism, turntablists (who use record players, usually turntables, to manipulate sounds on phonograph records). Originally, the "disc" in "disc jockey" referred to shellac and later vinyl records, but nowadays DJ is used as an all-encompassing term to also describe persons who DJ mix, mix music from other recording media such as compact cassette, cassettes, CDs or digital audio files on a CDJ, controller, or even a laptop. DJs may adopt the title "DJ" in front of their real names, adopted pseudonyms, or stage names. DJs commonly use audio equipment that can play at least two sources of recorded music simultaneously. Th ...
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B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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Ronnie (Four Seasons Song)
"Ronnie" is a song by Bob Gaudio and Bob Crewe. The Four Seasons recorded and released the original version in 1964. The recording reached the #6 position on the ''Billboard'' Hot 100 singles chart. ''Cash Box ''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online ...'' said that it is "sparked by a hard-driving arrangement that deftly complements the 'Seasons' sound." References The Four Seasons (band) songs 1964 singles Songs written by Bob Crewe Songs written by Bob Gaudio Song recordings produced by Bob Crewe 1964 songs Philips Records singles {{1960s-single-stub ...
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Dawn (Go Away)
"Dawn (Go Away)" is a song written by Bob Gaudio and Sandy Linzer and recorded by The Four Seasons in November 1963. The song hit No. 3 in the early part of 1964. According to ''Billboard'', it was the 25th biggest hit single of the year, placing behind " Rag Doll", another Four Seasons hit, which was No. 24. Background It was recorded as the Four Seasons were involved in a royalty dispute with Vee-Jay Records. As the lawsuit proceeded, the group recorded "Dawn" and a handful of other songs and withheld the master tapes from Vee-Jay, which then claimed breach of contract. The dispute was not settled until 1965, a year after the Four Seasons officially left Vee-Jay. The group signed with Philips Records, a subsidiary of Mercury Records, shortly thereafter. "Dawn (Go Away)" was released in January 1964. It took four weeks to climb the ''Billboard'' Hot 100 chart to number 3 on February 29, 1964, prevented from going higher by The Beatles' "I Want to Hold Your Hand" and "She Lov ...
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Bob Crewe
Robert Stanley Crewe (November 12, 1930 – September 11, 2014) was an American songwriter, dancer, singer, manager, and record producer. He was known for producing, and co-writing with Bob Gaudio, a string of Top 10 singles for the Four Seasons. As a songwriter, his most successful songs include "Silhouettes" (co-written with Frank Slay); "Big Girls Don't Cry", " Walk Like a Man", " Rag Doll", " Silence Is Golden", "The Sun Ain't Gonna Shine (Anymore)", "Can't Take My Eyes Off You" and " Bye, Bye, Baby" (all co-written with Gaudio); "Let's Hang On!" (written with Sandy Linzer and Denny Randell); and "My Eyes Adored You" and "Lady Marmalade" (both co-written with Kenny Nolan). He also had hit recordings with the Rays, Diane Renay, Mitch Ryder and the Detroit Wheels, Freddy Cannon, Lesley Gore, Oliver, Michael Jackson, Bobby Darin, Roberta Flack, Peabo Bryson, Patti LaBelle, Barry Manilow, and his own Bob Crewe Generation. Early life Born in Newark in 1930 and raised in Bel ...
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Vee-Jay Records
Vee-Jay Records is an American record label founded in the 1950s, located in Chicago and specializing in blues, jazz, rhythm and blues and rock and roll. The label was founded in Gary, Indiana in 1953 by Vivian Carter and James C. Bracken, a husband-and-wife team who used their initials for the label's name.Thompson, Dave (2002). ''A Music Lover's Guide to Record Collecting'', pp. 286-89. San Francisco: Backbeat Books. . Vivian's brother, Calvin Carter, was the label's A&R man. Ewart Abner, formerly of Chance Records, joined the label in 1955, first as manager, then as vice president, and ultimately as president. One of the earliest African American-owned record companies, Vee-Jay quickly became a major R&B label, with the first song recorded, the Spaniels' "Baby It's You," making it to the top ten on the national R&B charts. Notable artists Major acts on the label in the 1950s included blues singers Jimmy Reed, Memphis Slim, and John Lee Hooker, and rhythm and blues vocal g ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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