Standing On A Beach
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Standing On A Beach
''Standing on a Beach'' (titled ''Staring at the Sea'' in CD format in some countries) is a singles compilation album released by English rock band The Cure in May 1986, marking a decade since the band's founding in 1976. The album's titles are both taken from the opening lyrics of the Cure's debut single, " Killing an Arab". The "New Voice - New Mix" of " Boys Don't Cry" (released as a single little over a fortnight before ''Standing on a Beach'') was not included on the album; thus the album's singles span only from 1978 to 1985. The version of "A Forest" here is neither the album version (which was also on the 12" single), nor is it the 7" single edit (which removes a few bars between verses and fades out part way through the guitar solo ending). The album was critically acclaimed. Stephen Thomas Erlewine of AllMusic called it "one of the finest albums of the '80s". Release formats The album was released in six formats: vinyl record, compact disc, audio cassette, laser di ...
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The Cure
The Cure are an English Rock music, rock band formed in 1978 in Crawley, Crawley, West Sussex. Throughout numerous lineup changes since the band's formation, guitarist, lead vocalist, and songwriter Robert Smith (musician), Robert Smith has remained the only constant member. The band's debut album, ''Three Imaginary Boys'' (1979), along with several early singles, placed the band in the post-punk and New wave music, new wave movements that had sprung up in the United Kingdom. Beginning with their second album, ''Seventeen Seconds'' (1980), the band adopted a new, increasingly dark and tormented style, which, together with Smith's stage look, had a strong influence on the emerging genre of gothic rock as well as gothic subculture, the subculture that eventually formed around the genre. After the release of the band's fourth album, ''Pornography (album), Pornography'' (1982), Smith introduced a greater Pop music, pop sensibility into the band's music, and they subsequently garner ...
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Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. In August 1982, the first compact disc was manufactured. It was then released in October 1982 in Japan and branded as ''Compact Disc Digital Audio, Digital Audio Compact Disc''. The format was later adapted (as CD-ROM) for general-purpose data storage. Several other formats were further derived, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video CD (VCD), Super Video CD (SVCD), Photo CD, Picture CD, Compact Disc-Interactive (CD-i) and Enhanced Music CD. Standard CDs have a diameter of and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650 mebibyte, MiB of data. Capacity is routinely extended to 80 minutes and 700 mebibyte, MiB by arranging data more closely on the same sized disc. The Mini CD has various diameters ranging from ; t ...
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Laserdisc
The LaserDisc (LD) is a home video format and the first commercial optical disc storage medium, initially licensed, sold and marketed as DiscoVision, MCA DiscoVision (also known simply as "DiscoVision") in the United States in 1978. Its diameter typically spans . Unlike most optical disc standards, LaserDisc is not fully Digital data, digital, and instead requires the use of analog video signals. Although the format was capable of offering higher-quality video and audio than its consumer rivals—VHS and Betamax videotape—LaserDisc never managed to gain widespread use in North America, largely due to high costs for the players and the inability to record TV programmes. It eventually did gain some traction in that region and became somewhat popular in the 1990s. It was not a popular format in Europe and Australia. By contrast, the format was much more popular in Japan and in the more affluent regions of Southeast Asia, such as Hong Kong, Singapore and Malaysia, and was the ...
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Japanese Whispers
''Japanese Whispers'' is the second compilation album by British group The Cure. It was released in late 1983 by Fiction Records. It includes the singles "Let's Go to Bed", "The Walk" and "The Lovecats". The other tracks are the B-sides of these singles, although "Mr. Pink Eyes" (the second B-side for "The Lovecats") was not included. The songs were recorded when the band was in a transitional phase after bassist Simon Gallup left following a tour to promote the previous album, ''Pornography''. Beginning with these singles, Lol Tolhurst switched from drums to keyboards, a role he kept until his departure in 1989. For the tracks from the "Let's Go to Bed" and "The Walk" singles, the Cure was a duo consisting of Tolhurst and Robert Smith, with the addition of session drummer Steve Goulding (a member of Graham Parker and the Rumour) for the tracks from "Let's Go to Bed". For "The Lovecats" single, a full band was assembled with the addition of bassist/producer Phil Thornalley, wh ...
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The Love Cats (song)
"The Love Cats" (sometimes rendered as "The Lovecats") is a song by English rock band the Cure, released as a stand-alone single in October 1983. It was the band's first Top 10 hit in the UK, peaking at number 7. It also reached number 6 on the Australian chart in early 1984. The single later appeared on the compilation album ''Japanese Whispers'', released in December 1983. Inspiration and recording At the time the song was written, Robert Smith was very interested in the work of Australian author Patrick White. According to a number of his fans, Smith was inspired to write "The Love Cats" after reading White's novel '' The Vivisector'' (1970), although this claim is difficult to verify. In the novel, the protagonist, Hurtle, is appalled when his lover's husband drowns a sack of stray cats. White draws a parallel between the way in which the cats are discarded, and the treatment of certain characters in the book; by extension, the cats symbolise the most innocent and vulnera ...
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The Walk (The Cure Song)
"The Walk" is a song by English rock band The Cure, released as a stand-alone single in July 1983. It later appeared on the compilation album ''Japanese Whispers''. It was recorded when the band was briefly reduced to the two founding members Robert Smith and Lol Tolhurst following the departure of bassist Simon Gallup following the end of the band's previous tour in support of the album Pornography. in May 1982. According to Lol Tolhurst, they chose producer Steve Nye at the time due to his work on the album ''Tin Drum'' by Japan. Tolhurst later commented: "It was the first time we had worked with a 'proper' producer, as opposed to doing production with an engineer that we really liked. €¦He was able to make electronic instruments sound more natural, and that's what we wanted." Content One of the three B-sides to the single is "Lament", which is a re-recording of a promo single released in late 1982 for the ''Flexipop'' magazine. Unlike the earlier version, which was garbled ...
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Let's Go To Bed (The Cure Song)
"Let's Go to Bed" is a song by English rock band the Cure, released as a stand-alone single by Fiction Records in November 1982. In the aftermath of the dark ''Pornography'', Robert Smith returned from a month-long detox in the Lake District to write the song, the antithesis to what the Cure currently represented. It was later included on the album ''Japanese Whispers'', which compiles the band's three singles from 1982-83 and their five B-sides. The single was only a minor success in the UK, peaking at No. 44, but became a Top 20 hit in Australasia in 1983, reaching No. 15 in Australia (for two weeks) and No. 17 in New Zealand. History The origins of "Let's Go to Bed" lie in "Temptation", one of the demos for ''Pornography''. The song is a relatively upbeat, guitar-driven instrumental. In August 1982, soon after Simon Gallup's departure from the band, Smith demoed a vocal version of the track, entitled "Temptation Two", a psychedelic piece not far removed from the ''Pornography ...
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Boys Don't Cry (The Cure Album)
''Boys Don't Cry'' is The Cure's first compilation album. Released in February 1980, this album is composed of several tracks from the band's May 1979 debut album ''Three Imaginary Boys'' (which had yet to see a U.S. release) with material from the band's 1978–1979 era. Release ''Boys Don't Cry'' was released on 5 February 1980 by record label Fiction. According to AllMusic, the album " allssomewhere between nofficial release and compilation", and was released "in hopes of increasing the band's exposure outside of the U.K." A new version of the title track was released in April 1986. Reception ''Boys Don't Cry'' has been generally well received by critics. Debra Rae Cohen of ''Rolling Stone'' wrote that the album "proves they can transcend their Comp. Lit. 201 (Elementary Angst) scenarios." Robert Christgau of ''The Village Voice'' called the band's sound "dry post-punk, never pretty but treated with a properly mnemonic pop overlay", and was more reserved in his prais ...
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Three Imaginary Boys
''Three Imaginary Boys'' is the debut studio album by English rock band The Cure, released on 11 May 1979 by Fiction Records. It was later released in the United States, Canada, and Australia with a different track listing as a compilation album titled '' Boys Don't Cry''. Release ''Three Imaginary Boys'' was released on 11 May 1979 by record label Fiction. The record company decided which songs were put on the album, as well as the cover artwork, without Robert Smith's consent. For all Cure albums since, Smith has ensured that he is given complete creative control over the final product before it goes on sale. The "Foxy Lady" soundcheck, with vocals sung by Michael Dempsey, was not supposed to be on the album, and was removed for the American release. Smith has stated that "songs like 'Object' and 'World War' and our cover of 'Foxy Lady' were Chris Parry's choice". The album was reissued on 29 November 2004 and featured a second disc of unreleased material, including songs ...
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A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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15 Saturday Night
Fifteen or 15 may refer to: *15 (number), the natural number following 14 and preceding 16 *one of the years 15 BC, AD 15, 1915, 2015 Music *Fifteen (band), a punk rock band Albums * ''15'' (Buckcherry album), 2005 * ''15'' (Ani Lorak album), 2007 * ''15'' (Phatfish album), 2008 * ''15'' (mixtape), a 2018 mixtape by Bhad Bhabie * ''Fifteen'' (Green River Ordinance album), 2016 * ''Fifteen'' (The Wailin' Jennys album), 2017 * ''Fifteen'', a 2012 album by Colin James Songs * "Fifteen" (song), a 2008 song by Taylor Swift *"Fifteen", a song by Harry Belafonte from the album '' Love Is a Gentle Thing'' *"15", a song by Rilo Kiley from the album ''Under the Blacklight'' *"15", a song by Marilyn Manson from the album ''The High End of Low'' *"The 15th", a 1979 song by Wire Other uses *Fifteen, Ohio, a community in the United States * ''15'' (film), a 2003 Singaporean film * ''Fifteen'' (TV series), international release name of ''Hillside'', a Canadian-American teen drama *Fi ...
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Video High Density
Video High Density (VHD) is an analog videodisc format which was marketed predominantly in Japan by JVC. There was also a digital audio-only variant, Audio High Density (AHD; not released/canceled). Technology VHD discs are in diameter, and store up to 60 minutes of video per side. Each disc is stored in a caddy—like the CED system from RCA, also known as SelectaVision VideoDisc, the user never handled the disc directly. The entire caddy is inserted into the player, and then withdrawn, leaving the disc inside where it will be loaded and start playing. At the end of the side the disc must be removed, turned over and re-inserted. Like the RCA system, the signal is recorded on the discs as variations in capacitance, a conductive coating on the disc itself forming part of a resonant circuit. A diamond stylus reads the signal, though unlike CED there are no actual grooves—the stylus follows the tracks electronically, like a compact disc. This means less wear, though there ...
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