Standards (Bernie Worrell Album)
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Standards (Bernie Worrell Album)
''Standards'' is the ninth solo album by former Parliament-Funkadelic keyboardist Bernie Worrell. The album was released in 2011 by Scufflin' Records.http://www.scufflinrecords.com/web/page.asp This is a cover album, meaning none of these songs are originals written by Bernie, although he puts his signature funky twist on them, using a moog synthesizer on many of the songs. All of the songs are jazz standards Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list .... Track listing Personnel Bernie Worrell - Piano, Synthesizer, Rhodes, Organ, Clavinet, Melodica Ronny Drayton - Guitar Smokey Hormel - Nylon string guitar, Guitar, Acoustic guitar, Baritone guitar Andrew Kimball - Guitar Kyle Cadena - Guitar Tim Luntzel - Upright bass, Bass Melvin Gibbs - Bass Evan Taylor - Dr ...
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Bernie Worrell
George Bernard Worrell, Jr. (April 19, 1944 – June 24, 2016) was an American keyboardist and record producer best known as a founding member of Parliament-Funkadelic and for his work with Talking Heads. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic. Worrell was described by Jon Pareles of ''The New York Times'' as "the kind of sideman who is as influential as some bandleaders." Biography Early life Worrell was born in Long Branch, New Jersey, and grew up in Plainfield, New Jersey, where his family moved when he was eight. A musical prodigy, he began formal piano lessons by age three and wrote a concerto at age eight. He went on to study at the Juilliard School and received a degree from the New England Conservatory of Music in 1967. As a college student, Worrell played with a group called Chubby & The Turnpikes; this ensemble eventually evolved into Tavares. 1970s After meeting George Clinton, le ...
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All The Things You Are
"All the Things You Are" is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II. The song was written for the musical ''Very Warm for May'' (1939)"Jerome Kern"
. Songwriters Hall of Fame
and was introduced by , , , and Ralph Stuart. It appeared in the film ''

Henry Mancini
Henry Mancini ( ; born Enrico Nicola Mancini, ; April 16, 1924 – June 14, 1994) was an American composer, conductor, arranger, pianist and flautist. Often cited as one of the greatest composers in the history of film, he won four Academy Awards, a Golden Globe, and twenty Grammy Awards, plus a posthumous Grammy Lifetime Achievement Award in 1995. His works include the theme and soundtrack for the ''Peter Gunn'' television series as well as the music for ''The Pink Panther'' film series ("The Pink Panther Theme") and " Moon River" from '' Breakfast at Tiffany's''. ''The Music from Peter Gunn'' won the inaugural Grammy Award for Album of the Year. Mancini enjoyed a long collaboration in composing film scores for the film director Blake Edwards. Mancini also scored a No. 1 hit single during the rock era on the Hot 100: his arrangement and recording of the " Love Theme from ''Romeo and Juliet''" spent two weeks at the top, starting with the week ending June 28, 1969. Early ...
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Moon River
"Moon River" is a song composed by Henry Mancini with lyrics by Johnny Mercer. It was originally performed by Audrey Hepburn in the 1961 movie ''Breakfast at Tiffany's (film), Breakfast at Tiffany's'', winning an Academy Award for Best Original Song. The song also won the 1962 Grammy Awards for Grammy Award for Record of the Year, Record of the Year and Grammy Award for Song of the Year, Song of the Year. The song has been recorded by many other artists. It became the theme song for Andy Williams, who first recorded it in 1962 (and performed it at the Academy Awards ceremony that year). He sang the first eight bars of the song at the beginning of each episode of The Andy Williams Show, his eponymous television show and named his production company and venue in Branson, Missouri, after it; his autobiography is called ''"Moon River" and Me''. Williams' version was never released as a single, but it charted as an LP track that he recorded for Columbia on a hit album of 1962, ''Moon ...
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Benny Golson
Benny Golson (born January 25, 1929) is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982. In addition to " I Remember Clifford", many of Golson's compositions have become jazz standards including "Blues March", " Whisper Not", and "Killer Joe". Biography While in high school in Philadelphia, Golson played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. After graduating from Howard University, Golson joined Bull Moose Jackson's rhythm ...
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Ray Henderson
Ray Henderson (born Raymond Brost; December 1, 1896 – December 31, 1970) was an American songwriter. Early life Born in Buffalo, New York, United States, Henderson moved to New York City and became a popular composer in Tin Pan Alley. He was one third of a successful songwriting and music publishing team with Lew Brown and Buddy De Sylva from 1925 through 1930, responsible for several editions of the revue called ''George White's Scandals'' and such book musicals as ''Good News (musical), Good News'', ''Hold Everything!'', and ''Follow Thru (musical), Follow Thru''. After De Sylva's departure, Henderson continued to write with Brown through 1933. Then, he worked with other partners. In 1934, he composed the musical ''Say When (musical), Say When'' with lyricist Ted Koehler. Music Henderson's biggest hit songs included "Annabelle" (1923), "Bye Bye Blackbird", "Has Anybody Seen My Girl?" (a/k/a "Five Foot Two, Eyes of Blue"), "I'm Sitting on Top of the World", "Don't Bring Lulu" ...
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Bye Bye Blackbird
"Bye Bye Blackbird" is a song published in 1926 by Jerome H. Remick and written by composer Ray Henderson and lyricist Mort Dixon. It is considered a popular standard and was first recorded by Sam Lanin's Dance Orchestra in March 1926. Song information Popular recordings in 1926 were by Nick Lucas, Gene Austin, Benny Krueger, and by Leo Reisman. It was the number 16 song of 1926 according to ''Pop Culture Madness''. In popular culture The song was featured in the 1955 movie musical '' Pete Kelly's Blues'', sung by Peggy Lee in the role of alcoholic jazz singer Rose Hopkins. In "Goodbye Nkrumah" (1966) Beat poet Diane Di Prima asks:And yet, where would we be without the American culture Bye bye blackbird, as Miles plays it, in the ’50s In 1982, the Recording Industry Association of America (RIAA) posthumously awarded John Coltrane a "Best Jazz Solo Performance" Grammy for the work on his album ''Bye Bye Blackbird''. Recordings of the song often include only the chorus; ...
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Herbie Hancock
Herbert Jeffrey Hancock (born April 12, 1940) is an American jazz pianist, keyboardist, bandleader, and composer. Hancock started his career with trumpeter Donald Byrd's group. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles, utilizing a wide array of synthesizers and electronics. It was during this period that he released perhaps his best-known and most influential album, ''Head Hunters''. Hancock's best-known compositions include " Cantaloupe Island", " Watermelon Man", " Maiden Voyage", and " Chameleon", all of which are jazz standards. During the 1980s, he enjoyed a hit single with the electronic instrumental " Rockit", a collaboration with bassist/producer Bill Laswell. Hancock has won an Academy Award and 14 Grammy Awards, including Album of the Year for his 200 ...
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Watermelon Man (composition)
"Watermelon Man" is a jazz standard written by Herbie Hancock for his debut album, '' Takin' Off'' (1962). Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.Strong, Martin Charles (2004). ''The Great Rock Discography: Complete Discographies Listing Every Track''. Canongate. pp. 652–653. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album ''Head Hunters'' (1973).Brackett, Nathan (2004). ''The New Rolling Stone Album Guide''. Simon & Schuster. p. 361. 1963 Herbie Hancock version Hancock wrote the piece to help sell his debut album as a leader, '' Takin' Off'' (1962), on Blue Note Records; it was the first pie ...
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Jay Gorney
Jay Gorney (December 12, 1896– June 14, 1990) was an Americans, American theater and film song writer. Life and career Gorney was born Abraham Jacob Gornetzsky on December 12, 1896, in Białystok, Russia (now part of Poland), the son of Frieda (Perlstein) and Jacob Gornetzsky. His family was Jewish. In 1906, he witnessed the Bialystok pogrom, which forced his family into hiding for nearly two weeks; they soon fled to the United States, arriving on 14 September 1906. The family settled in Detroit, Michigan, where Jacob Gornetzsky became an engineer at the newly formed Ford Motor Company. Frieda Gornetzsky bought a piano for her children. At age 14, after two years of lessons, Gorney was offered a job as a pianist at a local Nickelodeon (movie theater), Nickelodeon. He worked his way through the University of Michigan (Class of 1917) and the University of Michigan Law School (Class of 1919) as a pianist. His studies were interrupted by World War I, during which he enlisted in ...
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You're My Thrill (song)
"You're My Thrill" is a 1933 popular song, composed by Jay Gorney, with lyrics by Sidney Clare. It was introduced in the film ''Jimmy and Sally'' (1933). Recorded versions * Ward Silloway (1933) * Al Bowlly with Lew Stone and His Band (1934) * Lena Horne with Charlie Barnet and his Orchestra (1941) * Mary Ann McCall with orchestra directed by Phil Moore (1948) * Doris Day with John Rarig & Orchestra for her album '' You're My Thrill'' (1949). * Billie Holiday (1950) * Julie London arranged and conducted by Russ Garcia – '' Make Love to Me'' (1956) * Peggy Lee – '' Black Coffee'' (1956), ''Moments Like This'' (1993) * Wilbur Ware – ''This Is New'' (1957) * Harry James – arranged by J. Hill – ''Harry's Choice'' (1958) (Capitol Records – ST 1093) * Pepper Adams – ''10 to 4 at the Five Spot'' (1958) * Marti Barris (1959) * Max Roach with Abbey Lincoln (1959) (on ''The Complete Mercury Max Roach Plus Four Sessions'', released 2000) * Ella Fitzgerald – ''Clap Hands, ...
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Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ...
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