Stand Back! Here Comes Charley Musselwhite's Southside Band
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Stand Back! Here Comes Charley Musselwhite's Southside Band
''Stand Back! Here Comes Charley Musselwhite's South Side Band'' is the 1967 debut album of American blues-harp musician Charlie Musselwhite, leading Charlie Musselwhite's Southside Band.There is discrepancy in sources as to the year of initial release, with many sources including Allmusic citing 1967 and various books and newspapers citing 1966. The artist's own website cites 1967 on its discography page, while also reproducing various press articles that variously list both years. See Musselwhite's press pageanMusselwhite's music page The Vanguard Records release brought Musselwhite to notability among blues musicians and also helped bridge the gap between blues and rock and roll, musically and in marketing. With rough vocals and notable performances on harmonica, guitar and bass guitar, the album was critically well received. It introduced Musselwhite's signature song, his cover of Duke Pearson's "Cristo Redemptor". Critical reception and influence The album has been critical ...
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Charlie Musselwhite
Charles Douglas Musselwhite (born January 31, 1944) is an American electric blues harmonica player and bandleader, one of the white bluesmen who came to prominence, along with Mike Bloomfield, Paul Butterfield, and Elvin Bishop, as a pivotal figure in helping to revive the Chicago Blues movement of the 1960s. He has often been identified as a "white bluesman". Musselwhite was reportedly the inspiration for Elwood Blues; the character played by Dan Aykroyd in the 1980 film, ''The Blues Brothers''. Biography Musselwhite was born in Kosciusko, Mississippi to white parents. Originally claiming to be of partly Choctaw descent, in a 2005 interview he said his mother had told him he was of distant Cherokee descent. His family considered it natural to play music. His father played guitar and harmonica, his mother played piano, and a relative was a one-man band. At the age of three, Musselwhite moved to Memphis, Tennessee. When he was a teenager, Memphis experienced the period when roc ...
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Fred Below
Frederick Below, Jr. (September 6, 1926 – August 13, 1988) was an American blues drummer, best known for his work with Little Walter and Chess Records in the 1950s. According to Tony Russell, Below was a creator of much of the rhythmic structure of Chicago blues, especially its backbeat. He was the drummer on Chuck Berry's song " Johnny B. Goode". Career Below was born in Chicago, and as he put it - "grew up around nothing ''but'' music". He started learning music and playing drums in the DuSable High School and at about the age of 14, formed a sort of a jazz band with two of his high school friends, Johnny Griffin and Eugene Wright. As a young man, Below served in the Army twice. The first time between 1945 - 1946, after being conscripted into the United States Army, he served in the infantry ("I practiced on helmet liners, helmets, boxes and things like that"). In 1946, When he was discharged from his service and came back home to Chicago, Below attended the reputable Ro ...
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Edward Ward (composer)
Edward Ward (April 3, 1900 – September 26, 1971) was an American film composer and music director who was nominated for seven Academy Awards. Academy Award nominations *1939 Best Original Song for "Always and Always" from ''Mannequin'' *1942 Best Scoring of a Dramatic Picture ('' Cheers for Miss Bishop'') *1942 Best Scoring of a Dramatic Picture ('' Tanks a Million'') *1942 Best Scoring of a Musical Picture ('' All-American Co-Ed'') *1943 Best Original Song for "Pennies for Peppino" from ''Flying with Music'' *1943 Best Scoring of a Musical Picture (''Flying with Music'') *1944 Best Scoring of a Musical Picture (''Phantom of the Opera'') Additional credits *''No No Nanette'' (1930) *'' Kismet'' (1930) *'' Great Expectations'' (1934) *'' The Bishop Misbehaves'' (1935) *''The Mystery of Edwin Drood'' (1935) *''San Francisco'' (1936) *'' Camille'' (1936) *''The Gorgeous Hussy'' (1936) *''Night Must Fall'' (1937) *'' Maytime'' (1937) *'' Saratoga'' (1937) *'' A Yank at Oxfor ...
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Help Me (Cuatro Vidas)
Help Me may refer to: *Mayday (distress signal), the English pronunciation of the French phrase "" ("Come help me") * "Help Me" (''House''), the sixth-season finale of ''House'' Songs * "Help Me" (Sonny Boy Williamson II song), a 1963 blues standard first recorded by Sonny Boy Williamson II * "Help Me" (Johnny Northern, Ralph Bailey song), a Northern Soul song written by Johnny Northern and Ralph Bailey * "Help Me" (Larry Gatlin song), a song covered by Kris Kristofferson in 1972 and Elvis Presley in 1974 * "Help Me" (Joni Mitchell song), a 1974 song from the album ''Court and Spark'' * "Help Me" (Nick Carter song), a 2002 single from the album ''Now or Never'' * "Help Me" (Alkaline Trio song), a 2008 single from the album ''Agony and Irony'' * "Help Me" (Tinchy Stryder song), a 2012 single from the album ''Full Tank'' * "Help Me", a song by Chris Brown from his 2007 album '' Exclusive'' * "Help Me", a song by Demi Lovato featuring Dead Sara from the album ''Holy Fvck'' * " ...
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Ace Records (US)
Ace Records was a record label that was started in August 1955 in Jackson, Mississippi by Johnny Vincent, with Teem Records as its budget subsidiary. History Ace also had the Vin label. Its records were distributed independently until 1962 when a distribution arrangement was set up with Vee-Jay Records. Ace Records stopped when Vee-Jay ran out of funds and went out of business. The label was relaunched in 1971 and sold in 1997 to the Demon Music Group in the UK. Ace recorded such artists as Earl King, Frankie Ford, Jimmy Clanton, Huey "Piano" Smith, Joe Tex, Scotty McKay, and Bobby Marchan. Ace Records received a marker on the Mississippi Blues Trail. Notable songs * "Rockin' Pneumonia and the Boogie Woogie Flu" by Huey "Piano" Smith and The Clowns (1957) * " Don't You Just Know It" by Huey "Piano" Smith and The Clowns (1958) * " Just a Dream" by Jimmy Clanton (1958) * "Sea Cruise" by Frankie Ford (1958) * "Go, Jimmy, Go" by Jimmy Clanton (1959) * "Gee Baby" by Joe and An ...
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Stereophonic Sound
Stereophonic sound, or more commonly stereo, is a method of sound reproduction that recreates a multi-directional, 3-dimensional audible perspective. This is usually achieved by using two independent audio channels through a configuration of two loudspeakers (or stereo headphones) in such a way as to create the impression of sound heard from various directions, as in natural hearing. Because the multi-dimensional perspective is the crucial aspect, the term ''stereophonic'' also applies to systems with more than two channels or speakers such as quadraphonic and surround sound. Binaural recording, Binaural sound systems are also ''stereophonic''. Stereo sound has been in common use since the 1970s in entertainment media such as broadcast radio, recorded music, television, video cameras, cinema, computer audio, and internet. Etymology The word ''stereophonic'' derives from the Greek language, Greek (''stereós'', "firm, solid") + (''phōnḗ'', "sound, tone, voice") and i ...
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Monaural
Monaural or monophonic sound reproduction (often shortened to mono) is sound intended to be heard as if it were emanating from one position. This contrasts with stereophonic sound or ''stereo'', which uses two separate audio channels to reproduce sound from two microphones on the right and left side, which is reproduced with two separate loudspeakers to give a sense of the direction of sound sources. In mono, only one loudspeaker is necessary, but, when played through multiple loudspeakers or headphones, identical signals are fed to each speaker, resulting in the perception of one-channel sound "imaging" in one sonic space between the speakers (provided that the speakers are set up in a proper symmetrical critical-listening placement). Monaural recordings, like stereo ones, typically use multiple microphones fed into multiple channels on a recording console, but each channel is " panned" to the center. In the final stage, the various center-panned signal paths are usually mixed d ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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INXS
INXS (a word play, phonetic play on "in excess") were an Australian Rock music, rock band, formed as The Farriss Brothers in 1977 in Sydney, New South Wales. The band's founding members were bassist Garry Gary Beers, main composer and keyboardist Andrew Farriss, drummer Jon Farriss, guitarist Tim Farriss, lead singer and main lyricist Michael Hutchence, and guitarist and saxophonist Kirk Pengilly. For 20 years, INXS was fronted by Hutchence, whose magnetic stage presence made him the focal point of the band. Initially known for their New wave music, new wave/pop music, pop style, the band later developed a harder Pub rock (Australia), pub rock style that included funk and dance music, dance elements. In 1984, INXS had their first number-one hit in Australia with "Original Sin (INXS song), Original Sin". The band would later achieve international success in the mid-to-late 1980s and early 1990s with the hit albums ''Listen Like Thieves'', ''Kick (INXS album), Kick'', and ' ...
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Cyndi Lauper
Cynthia Ann Stephanie Lauper Thornton (born June 22, 1953) is an American singer, songwriter, actress, and activist. Her career has spanned over 40 years. Her album ''She's So Unusual'' (1983) was the first debut album by a female artist to achieve four top-five hits on the Billboard Hot 100, ''Billboard'' Hot 100—"Girls Just Want to Have Fun", "Time After Time (Cyndi Lauper song), Time After Time", "She Bop", and "All Through the Night (Cyndi Lauper song), All Through the Night"—earned Lauper the Grammy Award for Best New Artist, Best New Artist award at the 27th Annual Grammy Awards in 1985. Her success continued with the The Goonies: Original Motion Picture Soundtrack, soundtrack for the motion picture ''The Goonies'' and her second record ''True Colors (Cyndi Lauper album), True Colors'' (1986). This album included the number one single "True Colors (Cyndi Lauper song), True Colors" and "Change of Heart (Cyndi Lauper song), Change of Heart", which peaked at number three. I ...
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Ben Harper
Benjamin Chase Harper (born October 28, 1969) is an American singer-songwriter and multi-instrumentalist. Harper plays an eclectic mix of blues, folk, soul, reggae, and rock music and is known for his guitar-playing skills, vocals, live performances, and activism. He has released twelve regular studio albums, mostly through Virgin Records, and has toured internationally. Harper is a three-time Grammy Award winner and seven-time nominee, with awards for Best Pop Instrumental Performance and Best Traditional Soul Gospel Album in 2004 and Best Blues Album in 2013. At the 40th Blues Music Awards ceremony, Harper's joint composition with Charlie Musselwhite, "No Mercy in This Land", was named Song of the Year. Early life Harper was born in Pomona, California. His late father, Leonard Harper, was of African-American and Cherokee ancestry, and his mother, Ellen Harper Verdries ( Chase), is Jewish. His maternal great-grandmother was a Russian- Lithuanian Jew. His parents divorce ...
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Tom Waits
Thomas Alan Waits (born December 7, 1949) is an American musician, composer, songwriter, and actor. His lyrics often focus on the underbelly of society and are delivered in his trademark deep, gravelly voice. He worked primarily in jazz during the 1970s, but his music since the 1980s has reflected greater influence from blues, rock, vaudeville, and experimental genres. Waits was born and raised in a middle-class family in California. Inspired by the work of Bob Dylan and the Beat Generation, he began singing on the San Diego folk music circuit as a young man. He relocated to Los Angeles in 1972, where he worked as a songwriter before signing a recording contract with Asylum Records. His first albums were the jazz-oriented '' Closing Time'' (1973) and ''The Heart of Saturday Night'' (1974), which reflected his lyrical interest in nightlife, poverty, and criminality. He repeatedly toured the United States, Europe, and Japan, and attracted greater critical recognition and commerci ...
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