Stamping Ground (Bill Bruford's Earthworks Album)
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Stamping Ground (Bill Bruford's Earthworks Album)
''Stamping Ground'' is a live album by Bill Bruford's Earthworks, released on EG Records in 1994. It was the final Earthworks album to feature Django Bates, Iain Ballamy and Tim Harries. Four years later, Bruford would form a new version of Earthworks in a more traditional acoustic jazz vein. Reception The AllMusic review by Bill Meredith awards this album with 4.5 stars and states: "Bruford's chordal patterns sound practically symphonic amid his epic starts and stops — further proof of the originality of one of the most musical drummers of all-time. Like all great live releases, Stamping Ground makes you wish you had been there." Writing for All About Jazz, John Kelman called the album "in some ways the most surprising record of Bruford's career to date," and noted that it "demonstrated what those fortunate enough to have caught the group in performance already knew—that despite Bruford's reputation for rigid structure in earlier projects within and outside his leadership, ...
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Earthworks (band)
Bill Bruford's Earthworks were a British jazz band led by drummer Bill Bruford. The band recorded several albums for Editions EG, Discipline Global Mobile and Summerfold Records. Earthworks went through several line-ups: in addition to the band's accomplishments as a unit, Earthworks was a training ground for Django Bates, Iain Ballamy, Patrick Clahar, Mark Hodgson, Steve Hamilton and Gwilym Simcock. The final band line-up featured previously established jazz musicians in the form of Chick Corea sideman Tim Garland and veteran bass player Laurence Cottle. In interviews during the band's earlier years, Bruford sometimes compared his responsibilities within it as being similar to those of Art Blakey with the Jazz Messengers, in that he was providing an environment for young British jazz players to gain attention and experience before going on to become well-known players and bandleaders in their own right. The initial version of Earthworks strongly stressed an acoustic/electroni ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Earthworks (band) Live Albums
Earthworks may refer to: Construction * Earthworks (archaeology), human-made constructions that modify the land contour *Earthworks (engineering), civil engineering works created by moving or processing quantities of soil *Earthworks (military), military fortifications built in the field during a campaign or siege Arts and media * ''Earthworks'' (novel), a novel by Brian Aldiss * Earthworks (band), a jazz band led by drummer Bill Bruford * ''Earthworks'' (album), the band's self-titled debut album * "Earthworks" (song), a 1993 song by Kerbdog *Land art or Earth art Other uses *Earthworks (company) David E. Blackmer (January 11, 1927 – March 21, 2002) was an American audio electronics engineer, most famous as the inventor of the DBX noise reduction system and founder of dbx. As well as audio noise reduction, Blackmer worked on extending ..., an audio equipment company * Earthworks High School, an experimental school in Ann Arbor, Michigan {{disambiguation ...
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Bill Bruford Live Albums
Bill(s) may refer to: Common meanings * Banknote, paper cash (especially in the United States) * Bill (law), a proposed law put before a legislature * Invoice, commercial document issued by a seller to a buyer * Bill, a bird or animal's beak Places * Bill, Wyoming, an unincorporated community, United States * Billstown, Arkansas, an unincorporated community, United States * Billville, Indiana, an unincorporated community, United States People * Bill (given name) * Bill (surname) * Bill (footballer, born 1978), ''Alessandro Faria'', Togolese football forward * Bill (footballer, born 1984), ''Rosimar Amâncio'', a Brazilian football forward * Bill (footballer, born 1999), ''Fabricio Rodrigues da Silva Ferreira'', a Brazilian forward Arts, media, and entertainment Characters * Bill (''Kill Bill''), a character in the ''Kill Bill'' films * William “Bill“ S. Preston, Esquire, The first of the titular duo of the Bill & Ted film series * A lizard in Lewis Carroll's '' Alice's Adve ...
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Tenor Horn
The tenor horn (British English; alto horn in American English, Althorn in Germany; occasionally referred to as E horn) is a brass instrument in the saxhorn family and is usually pitched in E. It has a bore that is mostly conical, like the flugelhorn and euphonium, and normally uses a deep, cornet-like mouthpiece. It is most commonly used in British brass bands, and Mexican banda music whereas the French horn tends to take the corresponding parts in concert bands and orchestras. However, the tenor horn has occasionally been used as an alternative to the French horn in concert bands. Description The tenor horn is a valved brass instrument (in E) which has a predominantly conical bore like that of the euphonium and flugelhorn. It uses a deep funnel- or cup-shaped mouthpiece. The tenor horn's conical bore and deep mouthpiece produce a mellow, rounded tone that is often used as a middle voice, supporting the melodies of the trumpets, cornets, or flugelhorns, and fills the gap ...
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Simmons (electronic Drum Company)
Simmons is an electronic drum brand, which originally was a pioneering British manufacturer of electronic drums. Founded in 1978 by Dave Simmons, it supplied electronic kits from 1980 to 1994. The drums' distinctive, electronic sound can be found on countless albums from the 1980s. The company closed in 1999 and the Simmons name is currently owned by Guitar Center. The SDS 5 (or SDSV; notated as SDS-5) was developed in conjunction with Richard James Burgess of Landscape and released in 1981. The first recordings of the instrument were made by Burgess, on '' From the Tea-rooms of Mars ....'', " Chant No. 1" by Spandau Ballet, and "Angel Face" by Shock. After Landscape and Spandau Ballet appeared on ''Top of the Pops'' with the instrument, many other musicians began to use the new technology, including A Flock of Seagulls, Howard Jones, Jez Strode of Kajagoogoo, John Keeble of Spandau Ballet, Roger Taylor of Duran Duran, Darren Costin of Wang Chung, Steve Negus of Saga, Bob ...
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All About Jazz
''All About Jazz'' is a website established by Michael Ricci in 1995. A volunteer staff publishes news, album reviews, articles, videos, and listings of concerts and other events having to do with jazz. Ricci maintains a related site, ''Jazz Near You'', about local concerts and events. The Jazz Journalists Association voted ''All About Jazz'' Best Website Covering Jazz for thirteen consecutive years between 2003 and 2015, when the category was retired. In 2015, Ricci said the site received a peak of 1.3 million readers per month in 2007. Another source said that the site has over 500,000 readers around the world. Ricci was born in Philadelphia. He heard classical and jazz from his father's music collection. He played trumpet and went to his first jazz concert when he was eight. With a background in computer programming, he combined his interest in jazz and the internet by creating the ''All About Jazz'' website in 1995. The website publishes reviews, interviews, and articles pe ...
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The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ...
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Tim Harries
Tim Harries (born 1959) is a British bass player, who has played with various folk rock and jazz bands in his career. Biography Harries studied music at the University of York, graduating in 1981 before going on to study double bass with Tom Martin at the Guildhall School of Music. He was a member of Bill Bruford's Earthworks from 1989 to 1993, during his time with Bruford he performed with a band billed as Yes on TV program Kathy Lee and Regis, the musicians, consisting of Steve Howe (guitar, vocals), Bill Bruford (drums) and Harries (bass, backing vocals), performed the first two verses and chorus of Roundabout, this performance was later described as a "car-crash" by Loudersound in 2022. Harries was a member of folk rock band, Steeleye Span from 1989 to 2001, he contributed bass, keyboards and vocals and later guitar after the return of long time bassist, Rick Kemp. Since leaving Steeleye Span he has worked as a session musician for Brian Eno, Katie Melua, Film Composers D ...
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Jazz Fusion
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ...
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Iain Ballamy
Iain Ballamy (born 20 February 1964) is a British composer and saxophonist. He is considered one of the greatest modern jazz saxophonists. Career Ballamy was born in Guildford, Surrey, and educated at George Abbot School, Guildford, from 1975 to 1980. He then studied Musical Instrument Technology from 1980 to 1982 at Merton College. He took piano lessons from age of 6 to 14. He discovered saxophone in 1978 with three lessons and his first professional gig was in 1980. He played Ronnie Scotts as Iain Ballamy Quartet at age 20. He was a founding member of Loose Tubes in 1984. First recording with Billy Jenkins in 1985, his first solo album, '' Balloon Man'', was released in 1988. One of his closest musical collaborators is Django Bates. During his career he has performed or recorded with a wide range of musicians including Gil Evans, Hermeto Pascoal, New York Composers Orchestra, Carla Bley, Dewey Redman, George Coleman, London Sinfonietta, Françios Jeanneau, Daniel Humair, ...
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Django Bates
Django Bates (born Leon Bates, 2 October 1960) is a British jazz musician, composer, multi-instrumentalist, band leader and educator. He plays the piano, keyboards and the tenor horn. Bates has been described as "one of the most talented musicians Britain has produced... his work covers the entire spectrum of jazz, from early jazz through to bebop and free jazz to jazz-rock fusion." In additional to his jazz work, he is also a noted classical composer (writing both large- and small-scale compositions on commission), theatre composer, and has taught as a professor at various European music schools. As a leader, his bands have included Human Chain, Delightful Precipice, Quiet Nights, Powder Room Collapse Orchestra and Belovèd, and he was also a leading figure in Loose Tubes and Bill Bruford's Earthworks. Early life Bates was born in Beckenham, Kent, England, and attended Sedgehill School. While at this school, he also attended the Centre for Young Musicians in London (1971â ...
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