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Stage Show (TV Series)
''Stage Show'' is a popular music variety series broadcast in the United States on the CBS Television Network and originally hosted on alternate weeks by big band leaders and brothers Tommy and Jimmy Dorsey. Produced by Jackie Gleason, it included the first national television appearances by rock music icon Elvis Presley. The series began as a one-hour show on July 3, 1954, as a summer replacement for ''The Jackie Gleason Show''. In the fall of 1955 it debuted from 8–8:30 p.m. ET, on Saturdays in the time slot prior to ''The Honeymooners'', his own series. In 1956, Jack Carter, a frequent guest, became the permanent host. The June Taylor Dancers made regular appearances. Bobby Darin made his national TV debut on the program in early 1956, singing "Rock Island Line". Placed against the popular ''The Perry Como Show'' on NBC, ''Stage Shows ratings declined. The final telecast, September 18, 1956, came only two months before the death of Tommy Dorsey. Brother Jimmy l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multi-camera
The multiple-camera setup, multiple-camera mode of production, multi-camera or simply multicam is a method of filmmaking and video production. Several cameras—either film or professional video cameras—are employed on the set and simultaneously record or broadcast a scene. It is often contrasted with a single-camera setup, which uses one camera. Description Generally, the two outer cameras shoot close-up shots or "crosses" of the two most active characters on the set at any given time, while the central camera or cameras shoot a wider master shot to capture the overall action and establish the geography of the room. In this way, multiple shots are obtained in a single take without having to start and stop the action. This is more efficient for programs that are to be shown a short time after being shot as it reduces the time spent in film or video editing. It is also a virtual necessity for regular, high-output shows like daily soap operas. Apart from saving editing time, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Island Line (song)
"Rock Island Line" is an American folk song. Ostensibly about the Chicago, Rock Island and Pacific Railroad, it appeared as a folk song as early as 1929. The first recorded performance of "Rock Island Line" was by inmates of the Arkansas Cummins State Farm prison in 1934. The beginning of the most popular version of the song tells the story of a train operator who smuggles pig iron through a toll gate by claiming all he had on board was livestock, but this episode was a later addition not present in the traditional, 1929 version. The song's chorus includes: Many artists subsequently recorded it, often changing the verses and adjusting the lyrics. History The earliest known version of "Rock Island Line" was written in 1929 by Clarence Wilson, a member of the Rock Island Colored Booster Quartet, a singing group made up of employees of the Chicago, Rock Island and Pacific Railroad at the Biddle Shops freight yard in Little Rock, Arkansas. The lyrics to this version are largely d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Home Video
Home video is prerecorded media sold or rented for home viewing. The term originates from the VHS and Betamax era, when the predominant medium was videotapes, but has carried over to optical disc formats such as DVD, Blu-ray and streaming media. In a different usage, "home video" refers to amateur video recordings, also known as home movies. The home-video business distributes films, television series, telefilms and other audiovisual media in the form of videos in various formats to the public. These are either bought or rented, and then watched privately in purchasers' homes. Most theatrically released films are now released on digital media, both optical and download-based, replacing the largely obsolete videotape medium. the Video CD format remained popular in Asia. DVDs are gradually losing popularity since the late 2010s and early 2020s, when streaming media became mainstream. History As early as 1906, various film entrepreneurs began to discuss the potential of home ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinescope
Kinescope , shortened to kine , also known as telerecording in Britain, is a recording of a television program on motion picture film, directly through a lens focused on the screen of a video monitor. The process was pioneered during the 1940s for the preservation, re-broadcasting and sale of television programmes before the introduction of quadruplex videotape, which from 1956 eventually superseded the use of kinescopes for all of these purposes. Kinescopes were the only practical way to preserve live television broadcasts prior to videotape. Typically, the term Kinescope can refer to the process itself, the equipment used for the procedure (a movie camera mounted in front of a video monitor, and synchronized to the monitor's scanning rate), or a film made using the process. The term originally referred to the cathode ray tube used in television receivers, as named by inventor Vladimir K. Zworykin in 1929. Hence, the recordings were known in full as kinescope films or kines ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heartbreak Hotel
"Heartbreak Hotel" is a song recorded by American singer Elvis Presley. It was released as a single on January 27, 1956, Presley's first on his new record label RCA Victor. It was written by Mae Boren Axton and Tommy Durden, with credit being given also to Presley. A newspaper article about the suicide of a lonely man who jumped from a hotel window inspired the song. Axton presented the song to Presley in November 1955 at a country music convention in Nashville. Presley agreed to record it, and did so on January 10, 1956, in a session with his band, The Blue Moon Boys, the guitarist Chet Atkins, and the pianist Floyd Cramer. "Heartbreak Hotel" comprises an eight-bar blues progression, with heavy Reverb#Creating reverberation effects, reverberation throughout the track, to imitate the character of Elvis Presley's Sun recordings, Presley's Sun recordings. The single topped the Billboard (magazine), ''Billboard'' Top 100 for seven weeks, ''Cashbox (magazine), Cashbox''s Pop single ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Suede Shoes
"Blue Suede Shoes" is a rock and roll standard written and first recorded by American singer, songwriter and guitarist Carl Perkins in 1955. It is considered one of the first rockabilly records, incorporating elements of blues, country and pop music of the time. Perkins' original version of the song appeared on the '' Cashbox'' Best Selling Singles list for 16 weeks and spent two weeks at the number two position. Elvis Presley recorded "Blue Suede Shoes" in 1956 and it appears as the opening track of his eponymous debut album ''Elvis Presley''. Presley performed his version of the song three different times on national television. It was also recorded by Buddy Holly and Eddie Cochran, among many others. Background There are differing accounts about the origin of the song. In his second autobiography '' Cash: The Autobiography'', Johnny Cash recalled planting the seed for the song in the fall of 1955, while Perkins, Cash, Elvis Presley and other ''Louisiana Hayride'' acts t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tutti Frutti (song)
Tutti Frutti is a song written by Little Richard and Dorothy LaBostrie, recorded in 1955, which was his first major hit. With its energetic refrain, often transcribed as "A-wop-bop-a-loo-mop-a-lop-bam-boom!" (a verbal rendition of a drum pattern that Little Richard had imagined),White, Charles (2003), pp. 49–51 ''The Life and Times of Little Richard: The Authorised Biography.'' Omnibus Press. and its hard-driving sound and wild lyrics, it became not only a model for many future Little Richard songs, but also for rock and roll itself. The song introduced several of rock music's most characteristic musical features, including its loud volume, powerful vocal style, and distinctive beat and rhythm. In 2007, an eclectic panel of renowned recording artists ranked "Tutti Frutti" at No. 1 on ''Mojos "The Top 100 Records That Changed The World" and hailed the recording as "the sound of the birth of rock and roll". In 2010, the U.S. Library of Congress National Recording Registry added t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baby Let's Play House
"Baby Let's Play House" is a song written by Arthur Gunter and recorded by him in 1954 on the Excello Records label and covered by Elvis Presley the following year on Sun Records. A line from the song ("I'd rather see you dead, little girl, than to be with another man") was borrowed by John Lennon for his Beatles song '' Run for Your Life'', released on ''Rubber Soul'' in 1965. Elvis Presley version Elvis' version differs greatly from the original: Elvis started the song with the chorus, where Gunter began with the first verse, and he replaced Gunter's line "You may get religion" with the words "You may have a Pink Cadillac", referring to his custom-painted '55 Cadillac auto that had also been serving as the band's transportation at the time. ''Baby Let's Play House'' was on the fourth issue of a Presley record by Sun, and became the first song recorded by Elvis to appear on a national chart when it made #5 on the Billboard Country Singles chart in July 1955. Elvis's version also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flip, Flop And Fly
"Flip, Flop and Fly" is a song recorded by Big Joe Turner in 1955. Called a "prototypical rocker", it was recorded by several early rock and roll performers. In 1973, a version by the Downchild Blues Band reached the record singles chart in Canada. Original song "Flip, Flop and Fly" has an arrangement similar to Big Joe Turner's 1954 number 1 R&B chart hit "Shake, Rattle and Roll". Music critic Cub Koda suggests that "leftover verses rom the 'Shake, Rattle and Roll' recording sessionwere then recycled into Turner's follow-up hit, 'Flip, Flop and Fly. Both are up-tempo twelve-bar blues with a strong backbeat. "Flip, Flop and Fly" reached number 2 on ''Billboard'' magazine's R&B chart in 1955, less than one year after "Shake, Rattle and Roll". Accompanying Turner on vocals are the song's writer Jesse Stone on piano, Al Sears on tenor sax, Connie Kay on drums, and unidentified trumpet, alto sax, baritone sax, guitar, and bass players. Turner subsequently recorded several live v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shake, Rattle And Roll
"Shake, Rattle and Roll" is a song, written in 1954 by Jesse Stone (usually credited as Charles Calhoun, his songwriting name). The original recording by Big Joe Turner is ranked number 127 on the ''Rolling Stone'' magazine's list of The 500 Greatest Songs of All Time. Background In early 1954, Ahmet Ertegun of Atlantic Records suggested to Jesse Stone that he write an up-tempo blues for Big Joe Turner, a blues shouter whose career had begun in Kansas City before World War II. Stone played around with various phrases before coming up with "shake, rattle and roll".Nick Tosches, ''Unsung Heroes of Rock 'n' Roll'' (2nd ed. 1991), page 12-21. (Stone used his real name for ASCAP songs, while using the pseudonym "Charles Calhoun" for BMI-registered songs, such as "Shake, Rattle and Roll"). However, the phrase had been used in earlier songs. In 1910, vaudeville performer "Baby" Franklin Seals published "You Got to Shake, Rattle and Roll", a ragtime tune about gambling with dice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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