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Staffordshire Figures
Staffordshire figures are a type of popular pottery figurine made in England from the 18th century onward. Most Staffordshire figures made from 1740 to 1900 were produced by small potteries and makers' marks are generally absent. Most Victorian figures (1837 to 1900) were designed to stand on a shelf or mantlepiece and are therefore only modelled and decorated where visible from the front and sides. These are known as 'flatbacks'. Figures were mainly made in Staffordshire but also in other counties and Scotland; all these may loosely be termed "Staffordshire figures". The figures described by the term are normally in earthenware, though early ones may be in stoneware, and the more expensive porcelain figures by the larger potteries in Staffordshire and elsewhere in England are not normally included under the term. These reflected metropolitan and international styles, and were more carefully modelled and painted. For a period at the end of the 18th century the finest Stafford ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staffordshire Figures - Winterthur Museum - DSC01474 (cropped)
Staffordshire (; postal abbreviation Staffs.) is a landlocked county in the West Midlands region of England. It borders Cheshire to the northwest, Derbyshire and Leicestershire to the east, Warwickshire to the southeast, the West Midlands County and Worcestershire to the south and Shropshire to the west. The largest settlement in Staffordshire is Stoke-on-Trent, which is administered as an independent unitary authority, separately from the rest of the county. Lichfield is a cathedral city. Other major settlements include Stafford, Burton upon Trent, Cannock, Newcastle-under-Lyme, Rugeley, Leek, and Tamworth. Other towns include Stone, Cheadle, Uttoxeter, Hednesford, Brewood, Burntwood/Chasetown, Kidsgrove, Eccleshall, Biddulph and the large villages of Penkridge, Wombourne, Perton, Kinver, Codsall, Tutbury, Alrewas, Barton-under-Needwood, Shenstone, Featherstone, Essington, Stretton and Abbots Bromley. Cannock Chase AONB is within the county as well as parts of the Natio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biscuit
A biscuit is a flour-based baked and shaped food product. In most countries biscuits are typically hard, flat, and unleavened. They are usually sweet and may be made with sugar, chocolate, icing, jam, ginger, or cinnamon. They can also be savoury, similar to crackers. Types of biscuit include sandwich biscuits, digestive biscuits, ginger biscuits, shortbread biscuits, chocolate chip cookies, chocolate-coated marshmallow treats, Anzac biscuits, '' biscotti'', and ''speculaas''. In most of North America, nearly all hard sweet biscuits are called " cookies", while the term " biscuit" is used for a soft, leavened quick bread similar to a less sweet version of a ''scone''. "Biscuit" may also refer to hard flour-based baked animal feed, as with dog biscuit. Variations in meaning * In most of the world outside North America, a biscuit is a small baked product that would be called either a " cookie" or a " cracker" in the United States and sometimes in Canada. Biscuits in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molding (process)
Molding (American English) or moulding (British and Commonwealth English; see spelling differences) is the process of manufacturing by shaping liquid or pliable raw material using a rigid frame called a mold or matrix. This itself may have been made using a pattern or model of the final object. A mold or mould is a hollowed-out block that is filled with a liquid or pliable material such as plastic, glass, metal, or ceramic raw material. The liquid hardens or sets inside the mold, adopting its shape. A mold is a counterpart to a cast. The very common bi-valve molding process uses two molds, one for each half of the object. Articulated molds have multiple pieces that come together to form the complete mold, and then disassemble to release the finished casting; they are expensive, but necessary when the casting shape has complex overhangs. Piece-molding uses a number of different molds, each creating a section of a complicated object. This is generally only used for larger a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fitzwilliam Museum
The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge. It is located on Trumpington Street opposite Fitzwilliam Street in central Cambridge. It was founded in 1816 under the will of Richard FitzWilliam, 7th Viscount FitzWilliam (1745–1816), and comprises one of the best collections of antiquities and modern art in western Europe. With over half a million objects and artworks in its collections, the displays in the museum explore world history and art from antiquity to the present. The treasures of the museum include artworks by Monet, Picasso, Rubens, Vincent van Gogh, Rembrandt, Cézanne, Van Dyck, and Canaletto, as well as a winged bas-relief from Nimrud. Admission to the public is always free. The museum is a partner in the University of Cambridge Museums consortium, one of 16 Major Partner Museum services funded by Arts Council England to lead the development of the museums sector. Foundation and buildings The museum was founded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marbleizing
Marbleizing or faux marbling is the preparation and finishing of a surface to imitate the appearance of polished marble. It is typically used in buildings where the cost or weight of genuine marble would be prohibitive. Faux marbling is a special case of faux painting used to create the distinctive and varied patterns of marble - the most imitated stone by far. History Faux stone painting was widely used in Pompeii, but it really took off in Europe during the Renaissance with two schools of faux painting developing. The Italian school was loose and artistic, the French school was formal and realistic. It typically took an apprentice 10 years or more to fully master the art. The sophistication of the techniques are such that visitors are frequently unable to distinguish between false and real marble in many churches, palaces and public buildings in Europe. The techniques were perfected by the 17th century and have been used in all styles of construction well into the 20th centur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agateware
Agateware is pottery decorated with a combination of contrasting colored clays. The name agateware is derived from the agate stone, which when sliced shows multicolored layers. This pottery technique allows for both precise and thought out patterns, and free random effects. Technique In order to avoid cracking and breaking which come along with mixing a variety of different kinds of clay, potters generally use one white or very light clay as a base. They then add colors in the form of stains or oxides. Colorant is added to the clay when it is in powder form in order to avoid blistering. 1–10% of colorant is generally applied, however it is up to the individual taste of the potter. The drying process is the most crucial part of this technique. In Japan it is called ''nerikomi is an artistic technique for creating Japanese pottery in multiple colors of clay. The technique is also called , although this term also refers to the throwing of multiple colored clays on a wheel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Settle (furniture)
A settle is a wooden Bench (furniture), bench, usually with arms and a high back, long enough to accommodate three or four sitters. Description Settles are commonly movable, but occasionally fixed. The settle shares with the chest and the chair the distinction of great antiquity. Its high back was a protection from the draughts of medieval buildings, protection which was sometimes increased by the addition of winged ends or a wooden canopy. It was most frequently placed near the fire in the common sitting-room. According to historian Claudia Kinmonth, in early furniture inventories the use of the terms bench and settle were interchangeable, but that generally a settle was understood to have arms. Constructed of oak or other hardwood, it was extremely heavy, solid, and durable. Few English examples of earlier date than the middle of the 16th century are extant; survivals from the Jacobean Era, Jacobean period are more numerous. Settles of the more expensive type were often elabora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
20170120 133058 V&A
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Underglaze
Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze and fired in a kiln. Because the glaze subsequently covers it, such decoration is completely durable, and it also allows the production of pottery with a surface that has a uniform sheen. Underglaze decoration uses pigments derived from oxides which fuse with the glaze when the piece is fired in a kiln. It is also a cheaper method, as only a single firing is needed, whereas overglaze decoration requires a second firing at a lower temperature. Many historical styles, for example Persian mina'i ware, Japanese Imari ware, Chinese doucai and wucai, combine the two types of decoration. In such cases the first firing for the body, underglaze decoration and glaze is followed by the second firing after the overglaze enamels have been applied. However, because the main or glost firing is at a higher temperature than used in overglaze deco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bocage
Bocage (, ) is a terrain of mixed woodland and pasture characteristic of parts of Northern France, Southern England, Ireland, the Netherlands and Northern Germany, in regions where pastoral farming is the dominant land use. ''Bocage'' may also refer to a small forest, a decorative element of leaves, or a type of rubble-work, comparable with the English use of "rustic" in relation to garden ornamentation. In the decorative arts, especially porcelain, it refers to a leafy screen spreading above and behind figures. Though found on continental figures, it is something of an English speciality, beginning in the mid-18th century, especially in Chelsea porcelain, and later spreading to more downmarket Staffordshire pottery figures. In English, ''bocage'' refers to a terrain of mixed woodland and pasture, with fields and winding country lanes sunken between narrow low ridges and banks surmounted by tall thick hedgerows that break the wind but also limit visibility. It is the sort o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prattware
Creamware is a cream-coloured refined earthenware with a lead glaze over a pale body, known in France as '' faïence fine'', in the Netherlands as ''Engels porselein'', and in Italy as ''terraglia inglese''.Osborne, 140 It was created about 1750 by the potters of Staffordshire, England, who refined the materials and techniques of salt-glazed earthenware towards a finer, thinner, whiter body with a brilliant glassy lead glaze, which proved so ideal for domestic ware that it supplanted white salt-glaze wares by about 1780. It was popular until the 1840s. Variations of creamware were known as "tortoiseshell ware" or "Whieldon ware" were developed by the master potter Thomas Whieldon with coloured stains under the glaze. It served as an inexpensive substitute for the soft-paste porcelains being developed by contemporary English manufactories, initially in competition with Chinese export porcelains. It was often made in the same fashionable and refined styles as porcelain. The m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lead-glazed Earthenware
Lead-glazed earthenware is one of the traditional types of earthenware with a ceramic glaze, which coats the ceramic biscuit body and renders it impervious to liquids, as terracotta itself is not. Plain lead glaze is shiny and transparent after firing. Coloured lead glazes are shiny and either translucent or opaque after firing. Three other traditional techniques are tin-glazed (in fact this is lead glaze with a small amount of tin added), which coats the ware with an opaque white glaze suited for overglaze brush-painted colored enamel designs; salt glaze pottery, also often stoneware; and the feldspathic glazes of Asian porcelain. Modern materials technology has invented new vitreous glazes that do not fall into these traditional categories. In lead glazes, tints provided by impurities render greenish to brownish casts, with aesthetic possibilities that are not easily controlled in the kiln. The Romans used lead glazes for high-quality oil lamps and drinking cups. At the same ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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