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St Teilo's Church, Llandeloy
St Teilo's Church, Llandeloy, is a redundant church in the village of Llandeloy, Pembrokeshire, Wales, dedicated to Saint Teilo. It has been designated by Cadw as a Grade II listed building, and is under the care of the Friends of Friendless Churches. History The church probably originated in the 12th century, and later served as the village school. However, by the 1840s it was a ruin. It was rebuilt in 1926–27 from the ruins, and was designed by the architect John Coates Carter. The design followed Arts and Crafts principles, that is, to use the simplest available local materials, without attempting to copy the style of any particular period. After the church was closed in 2002, it was taken into the care of the Friends of Friendless Churches. Architecture Exterior St Teilo's is constructed in stone rubble with a slate roof. It has a "humble exterior". At the west end is a double-arched gabled bellcote. Its plan consists of a nave and a chancel, with a south ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Llandeloy
Llandeloy ( cy, Llan-lwy) is a small village and parish in Pembrokeshire, South West Wales. Together with the parishes of Brawdy and Llanreithan, it constitutes the community of Brawdy, which had a census population of 611 in 2001. Location Llandeloy is approximately northeast of the city of St Davids, comprising a few dwellings in a rural setting.Ordnance Survey Name There is no firm evidence for the origin of the name of the religious site from which stemmed the present parish. B. G. Charles, in his ''Place-names of Pembrokeshire'' says: Melville Richards in ''Enwau Tir a Gwlad'' opts for "...Ty + Llwyf giving Llandylwyf and a contracted Llan-lwy". Some toponymists agree, but Tylwyf is not a recognised saint. History Recorded history begins in 1307, but signs of occupation from the bronze age and iron age indicate much longer history. The Royal Commission recorded the place name existing as early as 1291. The parish's population in the early 1800s was 217, in a few scatter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chancel
In church architecture, the chancel is the space around the altar, including the choir and the sanctuary (sometimes called the presbytery), at the liturgical east end of a traditional Christian church building. It may terminate in an apse. Overview The chancel is generally the area used by the clergy and choir during worship, while the congregation is in the nave. Direct access may be provided by a priest's door, usually on the south side of the church. This is one definition, sometimes called the "strict" one; in practice in churches where the eastern end contains other elements such as an ambulatory and side chapels, these are also often counted as part of the chancel, especially when discussing architecture. In smaller churches, where the altar is backed by the outside east wall and there is no distinct choir, the chancel and sanctuary may be the same area. In churches with a retroquire area behind the altar, this may only be included in the broader definition of chancel. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piscina
A piscina is a shallow basin placed near the altar of a church, or else in the vestry or sacristy, used for washing the communion vessels. The sacrarium is the drain itself. Anglicans usually refer to the basin, calling it a piscina. For Roman Catholics, a sacrarium is “special sink used for the reverent disposal of sacred substances. This sink has a cover, a basin, and a special pipe and drain that empty directly into the earth, rather than into the sewer system” (USCCB, Built of Living Stones, 236). Precious or sacred items are disposed of, when possible, by returning them to the ground. They are in some cases used to dispose of materials used in the sacraments and water from liturgical ablutions. They are found in Roman Catholic, Anglican, and Lutheran churches, and a similar vessel is used in Eastern Orthodox churches. History The ''piscina'' is a Latin word originally applied to a fish pond, and later used for natural or artificial pools for bathing, and also for a wat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holy Water Font
A holy water font or stoup is a vessel containing holy water which is generally placed near the entrance of a church. It is often placed at the base of a crucifix or religious representation. It is used in the Catholic Church, Anglican Churches, and some Lutheran churches to make the Sign of the Cross using the holy water upon entrance of the church. Holy water is blessed by a priest or a deacon, and many Christians believe it to be a reminder of the baptismal promises. See also * Baptismal font *''Nipson anomemata me monan opsin'' *Home stoup A home stoup is a small stoup with a small bowl and a decorated plaque that Christians in the Roman Catholic, Anglican and Lutheran traditions, hang inside homes, either at the house's entrance or, more commonly, on a bedroom wall at the head of ..., for usage and blessing at home References External links"Holy Water Fonts" Catholic Encyclopedia article [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempera
Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first century AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by oil painting. A paint consisting of pigment and binder commonly used in the United States as poster paint is also often referred to as "tempera paint", although the binders in this paint are different from traditional tempera paint. Etymology The term ''tempera'' is derived from the Italian ''dipingere a tempera'' ("paint in distemper"), from the Late Latin ''distemperare'' ("mix thoroughly"). History Tempera painting has been found on early Egyptian sarcophagus decorations. Many of the Fayum mummy portraits use tempera, sometimes in combina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gesso
Gesso (; "chalk", from the la, gypsum, from el, γύψος) is a white paint mixture consisting of a binder mixed with chalk, gypsum, pigment, or any combination of these. It is used in painting as a preparation for any number of substrates such as wood panels, canvas and sculpture as a base for paint and other materials that are applied over it. Description "''Gesso''", also known "glue gesso" or "Italian gesso", is a traditional mix of an animal glue binder (usually rabbit-skin glue), chalk, and white pigment, used to coat rigid surfaces such as wooden painting panels or masonite as a permanent absorbent primer substrate for painting. The colour of gesso is usually white or off-white. Its absorbency makes it work with all painting media, including water-based media, different types of tempera and oil paint. It is also used as a base on three-dimensional surfaces for the application of paint or gold leaf. Mixing and applying it is a craft in itself, as it is usually applie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reredos
A reredos ( , , ) is a large altarpiece, a screen, or decoration placed behind the altar in a church. It often includes religious images. The term ''reredos'' may also be used for similar structures, if elaborate, in secular architecture, for example very grand carved chimneypieces. It also refers to a simple, low stone wall placed behind a hearth. Description A reredos can be made of stone, wood, metal, ivory, or a combination of materials. The images may be painted, carved, gilded, composed of mosaics, and/or embedded with niches for statues. Sometimes a tapestry or another fabric such as silk or velvet is used. Derivation and history of the term ''Reredos'' is derived through Middle English from the 14th-century Anglo-Norman ''areredos'', which in turn is from''arere'' 'behind' +''dos'' 'back', from Latin ''dorsum''. (Despite its appearance, the first part of the word is not formed by doubling the prefix "re-", but by an archaic spelling of "rear".) In the 14th and 15th cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baptismal Font
A baptismal font is an article of church furniture used for baptism. Aspersion and affusion fonts The fonts of many Christian denominations are for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal (about tall) with a holder for a basin of water. The materials vary greatly consisting of carved and sculpted marble, wood, or metal. The shape can vary. Many are eight-sided as a reminder of the new creation and as a connection to the practice of circumcision, which traditionally occurs on the eighth day. Some are three-sided as a reminder of the Holy Trinity: Father, Son, and Holy Spirit. Fonts are often placed at or near the entrance to a church's nave to remind believers of their baptism as they enter the church to pray, since the rite of baptism served as their initiation into the Church. In many churches of the Middle Ages and Renaissance there was a special chapel or even a separate build ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulpit
A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin ''pulpitum'' (platform or staging). The traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height. From the late medieval period onwards, pulpits have often had a canopy known as the sounding board, ''tester'' or ''abat-voix'' above and sometimes also behind the speaker, normally in wood. Though sometimes highly decorated, this is not purely decorative, but can have a useful acoustic effect in projecting the preacher's voice to the congregation below. Most pulpits have one or more book-stands for the preacher to rest his or her bible, notes or texts upon. The pulpit is generally reserved for clergy. This is mandated in the regulations of the Catholic Church, and several others (though not always strictly observed). Even in Welsh Nonconformism, this was felt appropriate, and in some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crucifixion
Crucifixion is a method of capital punishment in which the victim is tied or nailed to a large wooden cross or beam and left to hang until eventual death from exhaustion and asphyxiation. It was used as a punishment by the Persians, Carthaginians and Romans, among others. Crucifixion has been used in parts of the world as recently as the twentieth century. The crucifixion of Jesus of Nazareth is central to Christianity, and the cross (sometimes depicting Jesus nailed to it) is the main religious symbol for many Christian churches. Terminology Ancient Greek has two verbs for crucify: (), from (which in today's Greek only means "cross" but which in antiquity was used of any kind of wooden pole, pointed or blunt, bare or with attachments) and () "crucify on a plank", together with ( "impale"). In earlier pre-Roman Greek texts usually means "impale". The Greek used in the Christian New Testament uses four verbs, three of them based upon (), usually translated "cross". T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rood Screen
The rood screen (also choir screen, chancel screen, or jubé) is a common feature in late medieval church architecture. It is typically an ornate partition between the chancel and nave, of more or less open tracery constructed of wood, stone, or wrought iron. The rood screen would originally have been surmounted by a rood loft carrying the Great Rood, a sculptural representation of the Crucifixion. In English, Scottish, and Welsh cathedrals, monastic, and collegiate churches, there were commonly two transverse screens, with a rood screen or rood beam located one bay west of the pulpitum screen, but this double arrangement nowhere survives complete, and accordingly the preserved pulpitum in such churches is sometimes referred to as a rood screen. At Wells Cathedral the medieval arrangement was restored in the 20th century, with the medieval strainer arch supporting a rood, placed in front of the pulpitum and organ. Rood screens can be found in churches in many parts of Europe, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Door Jamb
A jamb (from French ''jambe'', "leg"), in architecture, is the side-post or lining of a doorway or other aperture. The jambs of a window outside the frame are called “reveals.” Small shafts to doors and windows with caps and bases are known as “jamb-shafts”; when in the inside arris of the jamb of a window, they are sometimes called "scoinsons." A doorjamb, door jamb (also sometimes doorpost) is the vertical portion of the door frame onto which a door is secured. The jamb bears the weight of the door through its hinges, and most types of door latches and deadbolts extend into a recess in the doorjamb when engaged, making the accuracy of the plumb (i.e. true vertical) and strength of the doorjambs vitally important to the overall operational durability and security of the door. The word ''jamb'' is also used to describe a wing of a building, perhaps just in Scottish architecture. John Adam added a 'jamb' to the old Leith Customs house in the Citadel of Leith in 1754 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
