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St Michael's Church, Buslingthorpe
St Michael's Church is a redundant Anglican church in the hamlet of Buslingthorpe, Lincolnshire, England. It is recorded in the National Heritage List for England as a designated Grade II* listed building, and is under the care of the Churches Conservation Trust. It stands in an isolated position adjacent to a partly moated farm to the east of the A46 road. The church is notable for two mediaeval monuments to members of the Buslingthorpe family. History The church dates from the 13th century, with alterations and additions in the following century. In 1835 it was restored and, other than the tower, was rebuilt in brick by Edward James Willson. The church stands on the site of a deserted mediaeval village. It was declared redundant in 1984. Architecture Exterior St Michael's is constructed in coursed limestone rubble and yellow brick, with ashlar dressings. The roofs are in slate, with stone coped gables. Its plan is simple, and consists of a nave, a chanc ...
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Buslingthorpe, Lincolnshire
Buslingthorpe is a hamlet and civil parish in the West Lindsey Non-metropolitan district, district of Lincolnshire, England. It is situated half a mile east from the A46 road, A46 at Faldingworth and south-west from Market Rasen. The hamlet is approximately in area, and comprises a moat, 1 farm, St Michael's Church, Buslingthorpe, St Michael's Church (now disused, but open to the public) and approximately 20 houses. A large manor house was constructed in approximately 2010 on the land of 2 demolished houses. A writer in ''Notes and queries'' in 1932 noted that the Buslingthorpe (shared with Buslingthorpe, West Yorkshire, Buslingthorpe, Leeds and Buckfastleigh, Devon) contains 13 different letters, exactly half the alphabet, none repeated and with no hyphenation, and wondered whether that was unique. In 2007 David Crystal noted that Bricklehampton surpasses this with 14 unique letters. Notable people * Roger Scruton, Sir Roger Scruton (1944-2020), English philosopher and writ ...
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GENUKI
GENUKI is a genealogy web portal, run as a charitable trust. It "provides a virtual reference library of genealogical information of particular relevance to the UK and Ireland". It gives access to a large collection of information, with the emphasis on primary sources, or means to access them, rather than on existing genealogical research. Name The name derives from "GENealogy of the UK and Ireland", although its coverage is wider than this. From the GENUKI website: Structure The website has a well defined structure at four levels. * The first level is information that is common to all "the United Kingdom and Ireland". * The next level has information for each of England (see example) Ireland, Scotland, Wales, the Channel Islands and the Isle of Man. * The third level has information on each pre-1974 county of England and Wales, each of the pre-1975 counties of Scotland, each of the 32 counties of Ireland and each island of the Channel Islands (e.g. Cheshire, County Kerry and G ...
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Baptismal Font
A baptismal font is an article of church furniture used for baptism. Aspersion and affusion fonts The fonts of many Christian denominations are for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal (about tall) with a holder for a basin of water. The materials vary greatly consisting of carved and sculpted marble, wood, or metal. The shape can vary. Many are eight-sided as a reminder of the new creation and as a connection to the practice of circumcision, which traditionally occurs on the eighth day. Some are three-sided as a reminder of the Holy Trinity: Father, Son, and Holy Spirit. Fonts are often placed at or near the entrance to a church's nave to remind believers of their baptism as they enter the church to pray, since the rite of baptism served as their initiation into the Church. In many churches of the Middle Ages and Renaissance there was a special chapel or even a separate build ...
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Ogee
An ogee ( ) is the name given to objects, elements, and curves—often seen in architecture and building trades—that have been variously described as serpentine-, extended S-, or sigmoid-shaped. Ogees consist of a "double curve", the combination of two semicircular curves or arcs that, as a result of a point of inflection from concave to convex or ''vice versa'', have ends of the overall curve that point in opposite directions (and have tangents that are approximately parallel). First seen in textiles in the 12th century, the use of ogee elements—in particular, in the design of arches—has been said to characterise various Gothic and Gothic Revival architectural styles. The shape has many such uses in architecture from those periods to the present day, including in the ogee arch in these architectural styles, where two ogees oriented as mirror images compose the sides of the arch, and in decorative molding designs, where single ogees are common profiles (see opening image) ...
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Lancet Window
A lancet window is a tall, narrow window with a pointed arch at its top. It acquired the "lancet" name from its resemblance to a lance. Instances of this architectural element are typical of Gothic church edifices of the earliest period. Lancet windows may occur singly, or paired under a single moulding, or grouped in an odd number with the tallest window at the centre. The lancet window first appeared in the early French Gothic period (c. 1140–1200), and later in the English period of Gothic architecture (1200–1275). So common was the lancet window feature that this era is sometimes known as the "Lancet Period".Gothic Architecture in England
Retrieved 24 October 2006 The term ''lancet window'' is properly applied to windows of austere form, without

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Plinth
A pedestal (from French ''piédestal'', Italian ''piedistallo'' 'foot of a stall') or plinth is a support at the bottom of a statue, vase, column, or certain altars. Smaller pedestals, especially if round in shape, may be called socles. In civil engineering, it is also called ''basement''. The minimum height of the plinth is usually kept as 45 cm (for buildings). It transmits loads from superstructure to the substructure and acts as the retaining wall for the filling inside the plinth or raised floor. In sculpting, the terms base, plinth, and pedestal are defined according to their subtle differences. A base is defined as a large mass that supports the sculpture from below. A plinth is defined as a flat and planar support which separates the sculpture from the environment. A pedestal, on the other hand, is defined as a shaft-like form that raises the sculpture and separates it from the base. An elevated pedestal or plinth that bears a statue, and which is raised from ...
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Chancel
In church architecture, the chancel is the space around the altar, including the choir and the sanctuary (sometimes called the presbytery), at the liturgical east end of a traditional Christian church building. It may terminate in an apse. Overview The chancel is generally the area used by the clergy and choir during worship, while the congregation is in the nave. Direct access may be provided by a priest's door, usually on the south side of the church. This is one definition, sometimes called the "strict" one; in practice in churches where the eastern end contains other elements such as an ambulatory and side chapels, these are also often counted as part of the chancel, especially when discussing architecture. In smaller churches, where the altar is backed by the outside east wall and there is no distinct choir, the chancel and sanctuary may be the same area. In churches with a retroquire area behind the altar, this may only be included in the broader definition of chancel. I ...
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Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. ...
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Gable
A gable is the generally triangular portion of a wall between the edges of intersecting roof pitches. The shape of the gable and how it is detailed depends on the structural system used, which reflects climate, material availability, and aesthetic concerns. The term gable wall or gable end more commonly refers to the entire wall, including the gable and the wall below it. Some types of roof do not have a gable (for example hip roofs do not). One common type of roof with gables, the gable roof, is named after its prominent gables. A parapet made of a series of curves (Dutch gable) or horizontal steps (crow-stepped gable) may hide the diagonal lines of the roof. Gable ends of more recent buildings are often treated in the same way as the Classic pediment form. But unlike Classical structures, which operate through trabeation, the gable ends of many buildings are actually bearing-wall structures. Gable style is also used in the design of fabric structures, with varying degree ...
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Coping (architecture)
Coping (from ''cope'', Latin ''capa'') is the capping or covering of a wall. A splayed or wedge coping is one that slopes in a single direction; a saddle coping slopes to either side of a central high point. A coping may be made of stone (capstone), brick, clay or terracotta, concrete or cast stone, tile, slate, wood, thatch, or various metals, including aluminum, copper, stainless steel, steel, and zinc. In all cases it should be weathered (have a slanted or curved top surface) to throw off the water. In Romanesque work, copings appeared plain and flat, and projected over the wall with a throating to form a drip. In later work a steep slope was given to the weathering (mainly on the outer side), and began at the top with an astragal; in the Decorated Gothic style there were two or three sets off; and in the later Perpendicular Gothic these assumed a wavy section, and the coping mouldings continued round the sides, as well as at top and bottom, mitring at the angles, as ...
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Slate
Slate is a fine-grained, foliated, homogeneous metamorphic rock derived from an original shale-type sedimentary rock composed of clay or volcanic ash through low-grade regional metamorphism. It is the finest grained foliated metamorphic rock. Foliation may not correspond to the original sedimentary layering, but instead is in planes perpendicular to the direction of metamorphic compression. The foliation in slate is called "slaty cleavage". It is caused by strong compression causing fine grained clay flakes to regrow in planes perpendicular to the compression. When expertly "cut" by striking parallel to the foliation, with a specialized tool in the quarry, many slates will display a property called fissility, forming smooth flat sheets of stone which have long been used for roofing, floor tiles, and other purposes. Slate is frequently grey in color, especially when seen, en masse, covering roofs. However, slate occurs in a variety of colors even from a single locality; for ex ...
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Ashlar
Ashlar () is finely dressed (cut, worked) stone, either an individual stone that has been worked until squared, or a structure built from such stones. Ashlar is the finest stone masonry unit, generally rectangular cuboid, mentioned by Vitruvius as opus isodomum, or less frequently trapezoidal. Precisely cut "on all faces adjacent to those of other stones", ashlar is capable of very thin joints between blocks, and the visible face of the stone may be quarry-faced or feature a variety of treatments: tooled, smoothly polished or rendered with another material for decorative effect. One such decorative treatment consists of small grooves achieved by the application of a metal comb. Generally used only on softer stone ashlar, this decoration is known as "mason's drag". Ashlar is in contrast to rubble masonry, which employs irregularly shaped stones, sometimes minimally worked or selected for similar size, or both. Ashlar is related but distinct from other stone masonry that is ...
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