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St George's Canzona
St. George's Canzona is a British musical ensemble. The early years: Musica Reservata and the Harlow Ensemble In Britain at least, it may be said that the early-music movement was initiated by Arnold Dolmetsch (b. 1858) and his family who (it seems) are all but forgotten today, even though their influence lingered on until the 1960s. Following the Dolmetschs came a second wave, in which Michael Morrow's group, Musica Reservata (see ) was the foremost influence, and of which John Sothcott was a highly accomplished recorder player and founder member. Initially, Morrow's field of activity was medieval music, and possibly the first occasion upon which they came into prominence was whilst touring in Brian Trowell's production of ''The Raising of Lazarus'', a medieval miracle play (1962). Leading the procession of disciples, they leapt straight out of a Bruegel painting; the three virtuoso minstrels - Michael Morrow, John Beckett and John Sothcott - followed by the impressive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Ensemble
A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instrumentalists, such as the jazz quartet or the orchestra. Other music ensembles consist solely of singers, such as choirs and doo wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo (harpsichord and cello) and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families (such as piano, strings, and wind instruments) or group together instruments from the same instrument family, such as string ensembles (e.g., string quartet) or wind ensembles (e.g., wind quintet). Some ensembles blend the sounds of a variety of instrument families, such as the orchestra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Scofield
David Paul Scofield (21 January 1922 – 19 March 2008) was a British actor. During a six-decade career, Scofield achieved the US Triple Crown of Acting, winning an Academy Award, Emmy, and Tony for his work. He won the three awards in a seven-year span, the fastest of any performer to accomplish the feat. Scofield received Best Performance by a Leading Actor in a Play at the 1962 Tony Awards for portraying Sir Thomas More in the Broadway production of '' A Man for All Seasons''. Four years later, he won the Academy Award for Best Actor when he reprised the role in the 1966 film adaptation, making him one of nine to receive a Tony and Academy Award for the same role. His Emmy Award for Outstanding Lead Actor in a Miniseries or a Movie was achieved for the 1969 television film ''Male of the Species''. Preferring the stage to the screen and putting his family before his career, Scofield nonetheless established a reputation as one of the greatest Shakespearean performers. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanderson Miller
Sanderson Miller (1716 – 23 April 1780) was an English pioneer of Gothic revival architecture and landscape designer. He is noted for adding follies or other Picturesque garden buildings and features to the grounds of an estate. Early life Miller was the son of a wool merchant of the same name, High Sheriff of Warwickshire in 1728, who died in 1737. He was born, lived and died at Radway, on the Warwickshire estate bought by his father in 1712. At the age of 15, Miller was already interested in antiquarian subjects, and while studying at St Mary Hall, Oxford he continued to develop his interest in England's past, under the influence of William King. He inherited Radway Grange when he was 21, and a few years later started to redesign the Elizabethan house in a Gothic style. In the grounds he added a thatched cottage and octagonal tower based on Guy's Tower at Warwick Castle. The tower not only evoked the past visually through its medieval design but it also had strong his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Revival
Gothic Revival (also referred to as Victorian Gothic, neo-Gothic, or Gothick) is an architectural movement that began in the late 1740s in England. The movement gained momentum and expanded in the first half of the 19th century, as increasingly serious and learned admirers of the neo-Gothic styles sought to revive medieval Gothic architecture, intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic had become the preeminent architectural style in the Western world, only to fall out of fashion in the 1880s and early 1890s. The Gothic Revival movement's roots are intertwined with philosophical movements associated with Catholicism and a re-awakening of high church or Anglo-Catholic belief concerned by the growth of religious nonconformism. Ultimately, the "Anglo-Catholicism" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battle Of Edge Hill
The Battle of Edgehill (or Edge Hill) was a pitched battle of the First English Civil War. It was fought near Edge Hill and Kineton in southern Warwickshire on Sunday, 23 October 1642. All attempts at constitutional compromise between King Charles and Parliament broke down early in 1642. Both the King and Parliament raised large armies to gain their way by force of arms. In October, at his temporary base near Shrewsbury, the King decided to march to London in order to force a decisive confrontation with Parliament's main army, commanded by the Earl of Essex. Late on 22 October, both armies unexpectedly found the enemy to be close by. The next day, the Royalist army descended from Edge Hill to force battle. After the Parliamentarian artillery opened a cannonade, the Royalists attacked. Both armies consisted mostly of inexperienced and sometimes ill-equipped troops. Many men from both sides fled or fell out to loot enemy baggage, and neither army was able to gain a deci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hundred Years War
The Hundred Years' War (; 1337–1453) was a series of armed conflicts between the kingdoms of England and France during the Late Middle Ages. It originated from disputed claims to the French throne between the English House of Plantagenet and the French royal House of Valois. Over time, the war grew into a broader power struggle involving factions from across Western Europe, fuelled by emerging nationalism on both sides. The Hundred Years' War was one of the most significant conflicts of the Middle Ages. For 116 years, interrupted by several truces, five generations of kings from two rival dynasties fought for the throne of the dominant kingdom in Western Europe. The war's effect on European history was lasting. Both sides produced innovations in military technology and tactics, including professional standing armies and artillery, that permanently changed warfare in Europe; chivalry, which had reached its height during the conflict, subsequently declined. Stronger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classics For Pleasure
Music for Pleasure (or MFP) and Classics for Pleasure (CFP) were British record labels that issued budget-priced albums of popular and classical music respectively. Albums were subsequently released under the MFP label in Australia (MFP-A) and South Africa. MFP was set up in 1965 as a joint venture between EMI, which provided the source material, and the publisher Paul Hamlyn, which handled distribution in so-called non-traditional outlets, such as W.H. Smith, the booksellers. The MFP catalogue consisted of both original material and reissues of existing EMI recordings, including records by "name" artists such as Kenny Rogers, the Beach Boys, Blondie, Pink Floyd, Jimi Hendrix, the Animals and the Beatles. Original material included studio recordings of successful West End musicals, the first of which were recorded secretly for EMI by the young independent producer David Gooch (later producing Alma Cogan and Vera Lynn) who was given carte blanche to select three productions: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drone String
In music, a drone is a harmonic or monophonic effect or accompaniment where a note or chord is continuously sounded throughout most or all of a piece. A drone may also be any part of a musical instrument used to produce this effect; an archaic term for this is ''burden'' (''bourdon'' or ''burdon'') such as a "drone ipeof a bagpipe", the pedal point in an organ, or the lowest course of a lute. Α ''burden'' is also part of a song that is repeated at the end of each stanza, such as the chorus or refrain.Brabner, John H F., ed. (1884). The national encyclopædia', Vol. V, p.99. Libr. ed. William McKenzie. . Musical effect "Of all harmonic devices, it droneis not only the simplest, but probably also the most fertile." A drone effect can be achieved through a sustained sound or through repetition of a note. It most often establishes a tonality upon which the rest of the piece is built. A drone can be instrumental, vocal or both. Drone (both instrumental and vocal) can be p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grocheo
Johannes de Grocheio (or Grocheo) (Ecclesiastical Latin: ɔˈan.nɛs dɛ ɡrɔˈkɛj.jɔ c. 1255 – c. 1320) was a Parisian musical theorist of the early 14th century. His French name was Jean de Grouchy, but he is best known by his Latinized name. He was the author of the treatise ''Ars musicae'' ("The Art of Music") (c. 1300), which describes the functions of sacred and secular music in and around Paris during his lifetime. Biography Johannes de Grocheio, originally named Jean de Grouchy, likely grew up in a wealthy family that controlled a fiefdom in Normandy. Grocheio studied music and philosophy in Paris, but there is no evidence that he received a degree. Despite the lack of such evidence, he is credited as ''magister'' (master) and ''regens Parisius'' (resident teacher in Paris in the Darmstadt manuscript, although the latter title was added to the manuscript after it was copied. Grocheio may also have taught at the Basilica of St. Denis based on the plainsong he descr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vielle
The vielle is a European bowed stringed instrument used in the medieval period, similar to a modern violin but with a somewhat longer and deeper body, three to five gut strings, and a leaf-shaped pegbox with frontal tuning pegs, sometimes with a figure-8 shaped body. Whatever external form they had, the box-soundchest consisted of back and belly joined by ribs, which experience has shown to be the construction for bowed instruments. The most common shape given to the earliest vielles in France was an oval, which with its modifications remained in favour until the Italian lira da braccio asserted itself as the better type, leading to the violin. The instrument was also known as a ''fidel'' or a ''viuola'', although the French name for the instrument, ''vielle'', is generally used; the word comes from the same root as ''fiddle''. It was one of the most popular instruments of the medieval period, and was used by troubadours and jongleurs from the 13th through the 15th centuries. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebec
The rebec (sometimes rebecha, rebeckha, and other spellings, pronounced or ) is a bowed stringed instrument of the Medieval era and the early Renaissance. In its most common form, it has a narrow boat-shaped body and one to five strings. Origins Popular from the 13th to 16th centuries, the introduction of the rebec into Western Europe coincided with the Arabic conquest of the Iberian Peninsula. There is, however, evidence of the existence of bowed instruments in the 9th century in Eastern Europe. The Persian geographer of the 9th century Ibn Khurradadhbih cited the bowed Byzantine lira (or ''lūrā'') as a typical bowed instrument of the Byzantines and equivalent to the pear-shaped Arab ''rebab''. The rebec was adopted as a key instrument in Arab classical music and in Morocco it was used in the tradition of Arabo-Andalusian music, which had been kept alive by descendants of Muslims who left Spain as refugees following the Reconquista. The rebec also became a favorite inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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