St Andrew's Church, Tarvin
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St Andrew's Church, Tarvin
St Andrew's Church is in the village of Tarvin, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade I Listed building#England and Wales, listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Chester and the deanery of Chester. Its benefice is united with that of St Peter, Duddon. History The original church on the site was built in the 12th century. It was remodelled in the 14th century and the south wall and south arcade (architecture), arcade date from this time. The remainder of the church was rebuilt in the 15th century and the chancel was restored in the 18th century. The tower was built in the 15th century and the north aisle was added after this. Further restorations took place in the 18th and 19th centuries, followed by one in 1908 by F. P. Oakley. Architecture Exterior The church is built in red sandstone with a ...
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Tarvin
Tarvin is a village in the unitary authority of Cheshire West and Chester and the ceremonial county of Cheshire, England. It had a population of 2,693 people at the 2001 UK census, rising to 2,728 at the 2011 Census, and the ward covers about . Location and context Tarvin is about east of Chester. The current parish covers Tarvin, Duddon, Clotton, Stapleford, Burton, Hoofield and Oscroft. There are currently 28 listed buildings in Tarvin (one Grade I Listed, two Grade II* Listed, and twenty-five Grade II Listed). The centre of the village is a Conservation Area that was created in 1972, and much of the land surrounding the village is designated Green Belt. Geology The Cheshire Plain (sometimes known as the Cheshire Gap) is a relatively flat expanse of lowland, which supports agricultural use for dairy farming on the medium-scale pastoral fields that surround the village. Tarvin is west of a sandstone ridge that divides the Cheshire Plain. The River Gowy passes to the so ...
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Arcade (architecture)
An arcade is a succession of contiguous arches, with each arch supported by a colonnade of columns or piers. Exterior arcades are designed to provide a sheltered walkway for pedestrians. The walkway may be lined with retail stores. An arcade may feature arches on both sides of the walkway. Alternatively, a blind arcade superimposes arcading against a solid wall. Blind arcades are a feature of Romanesque architecture that influenced Gothic architecture. In the Gothic architectural tradition, the arcade can be located in the interior, in the lowest part of the wall of the nave, supporting the triforium and the clerestory in a cathedral, or on the exterior, in which they are usually part of the walkways that surround the courtyard and cloisters. Many medieval arcades housed shops or stalls, either in the arcaded space itself, or set into the main wall behind. From this, "arcade" has become a general word for a group of shops in a single building, regardless of the architectural f ...
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Charles Eamer Kempe
Charles Eamer Kempe (29 June 1837 – 29 April 1907) was a British Victorian era designer and manufacturer of stained glass. His studios produced over 4,000 windows and also designs for altars and altar frontals, furniture and furnishings, lichgates and memorials that helped to define a later nineteenth-century Anglican style. The list of English cathedrals containing examples of his work includes: Chester, Gloucester, Hereford, Lichfield, Wells, Winchester and York. Kempe's networks of patrons and influence stretched from the Royal Family and the Church of England hierarchy to the literary and artistic beau monde. Early life Charles Kempe was born at Ovingdean Hall, near Brighton, East Sussex in 1837. He was the youngest son of Nathaniel Kemp (1759–1843), a cousin of Thomas Read Kemp, a politician and property developer responsible for the Kemptown area of BrightonKempe added the 'e' to his name in adult life and the maternal grandson of Sir John Eamer, who served as Lord ...
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Reredos
A reredos ( , , ) is a large altarpiece, a screen, or decoration placed behind the altar in a church. It often includes religious images. The term ''reredos'' may also be used for similar structures, if elaborate, in secular architecture, for example very grand carved chimneypieces. It also refers to a simple, low stone wall placed behind a hearth. Description A reredos can be made of stone, wood, metal, ivory, or a combination of materials. The images may be painted, carved, gilded, composed of mosaics, and/or embedded with niches for statues. Sometimes a tapestry or another fabric such as silk or velvet is used. Derivation and history of the term ''Reredos'' is derived through Middle English from the 14th-century Anglo-Norman ''areredos'', which in turn is from''arere'' 'behind' +''dos'' 'back', from Latin ''dorsum''. (Despite its appearance, the first part of the word is not formed by doubling the prefix "re-", but by an archaic spelling of "rear".) In the 14th and 15th cent ...
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Baptismal Font
A baptismal font is an article of church furniture used for baptism. Aspersion and affusion fonts The fonts of many Christian denominations are for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal (about tall) with a holder for a basin of water. The materials vary greatly consisting of carved and sculpted marble, wood, or metal. The shape can vary. Many are eight-sided as a reminder of the new creation and as a connection to the practice of circumcision, which traditionally occurs on the eighth day. Some are three-sided as a reminder of the Holy Trinity: Father, Son, and Holy Spirit. Fonts are often placed at or near the entrance to a church's nave to remind believers of their baptism as they enter the church to pray, since the rite of baptism served as their initiation into the Church. In many churches of the Middle Ages and Renaissance there was a special chapel or even a separate build ...
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Lath And Plaster
Lath and plaster is a building process used to finish mainly interior dividing walls and ceilings. It consists of narrow strips of wood ( laths) which are nailed horizontally across the wall studs or ceiling joists and then coated in plaster. The technique derives from an earlier, more primitive process called wattle and daub. Lath and plaster largely fell out of favour in the U.K. after the introduction of plasterboard in the 1930s.Jeff Howell''On the level: is the old plaster best?'' The Telegraph (London), May 10, 2006. Retrieved 2012-03-30. In Canada and the United States, wood lath and plaster remained in use until the process was replaced by transitional methods followed by drywall (the North American term for plasterboard) in the mid-twentieth century. Description The wall or ceiling finishing process begins with wood or metal laths. These are narrow strips of wood, extruded metal, or split boards, nailed horizontally across the wall studs or ceiling joists. Each wall fr ...
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Hammerbeam Roof
A hammerbeam roof is a decorative, open timber roof truss typical of English Gothic architecture and has been called "...the most spectacular endeavour of the English Medieval carpenter". They are traditionally timber framed, using short beams projecting from the wall on which the rafters land, essentially a tie beam which has the middle cut out. These short beams are called hammer-beams and give this truss its name. A hammerbeam roof can have a single, double or false hammerbeam truss. Design A hammer-beam is a form of timber roof truss, allowing a hammerbeam roof to span greater than the length of any individual piece of timber. In place of a normal tie beam spanning the entire width of the roof, short beams – the hammer beams – are supported by curved braces from the wall, and hammer posts or arch-braces are built on top to support the rafters and typically a collar beam. The hammerbeam truss exerts considerable thrust on the walls or posts that support it. Hamm ...
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Pinnacle
A pinnacle is an architectural element originally forming the cap or crown of a buttress or small turret, but afterwards used on parapets at the corners of towers and in many other situations. The pinnacle looks like a small spire. It was mainly used in Gothic architecture. The pinnacle had two purposes: # Ornamental – adding to the loftiness and verticity of the structure. They sometimes ended with statues, such as in Milan Cathedral. # Structural – the pinnacles were very heavy and often rectified with lead, in order to enable the flying buttresses to contain the stress of the structure vaults and roof. This was done by adding compressive stress (a result of the pinnacle weight) to the thrust vector and thus shifting it downwards rather than sideways. History The accounts of Jesus' temptations in Matthew's and Luke's gospels both suggest that the Second Temple in Jerusalem had one or more pinnacles ( gr, το πτερυγιον του ιερου): :Then he (Satan) br ...
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Battlement
A battlement in defensive architecture, such as that of city walls or castles, comprises a parapet (i.e., a defensive low wall between chest-height and head-height), in which gaps or indentations, which are often rectangular, occur at intervals to allow for the launch of arrows or other projectiles from within the defences. These gaps are termed " crenels" (also known as ''carnels'', or ''embrasures''), and a wall or building with them is called crenellated; alternative (older) terms are castellated and embattled. The act of adding crenels to a previously unbroken parapet is termed crenellation. The function of battlements in war is to protect the defenders by giving them something to hide behind, from which they can pop out to launch their own missiles. A defensive building might be designed and built with battlements, or a manor house might be fortified by adding battlements, where no parapet previously existed, or cutting crenellations into its existing parapet wall. A d ...
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Quatrefoil
A quatrefoil (anciently caterfoil) is a decorative element consisting of a symmetrical shape which forms the overall outline of four partially overlapping circles of the same diameter. It is found in art, architecture, heraldry and traditional Christian symbolism. The word 'quatrefoil' means "four leaves", from the Latin , "four", plus , "leaf"; the term refers specifically to a four-leafed clover, but applies in general to four-lobed shapes in various contexts. In recent years, several luxury brands have attempted to fraudulently assert creative rights related to the symbol, which naturally predates any of those brands' creative development. A similar shape with three rings is called a trefoil. History The quatrefoil enjoyed its peak popularity during the Gothic and Renaissance eras. It is most commonly found as tracery, mainly in Gothic architecture, where a quatrefoil often may be seen at the top of a Gothic arch, sometimes filled with stained glass. Although the design is o ...
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Tudor Style Architecture
The Tudor architectural style is the final development of Medieval architecture in England and Wales, during the Tudor period (1485–1603) and even beyond, and also the tentative introduction of Renaissance architecture to Britain. It followed the Late Gothic Perpendicular style and, gradually, it evolved into an aesthetic more consistent with trends already in motion on the continent, evidenced by other nations already having the Northern Renaissance underway Italy, and especially France already well into its revolution in art, architecture, and thought. A subtype of Tudor architecture is Elizabethan architecture, from about 1560 to 1600, which has continuity with the subsequent Jacobean architecture in the early Stuart period. In the much more slow-moving styles of vernacular architecture, "Tudor" has become a designation for half-timbered buildings, although there are cruck and frame houses with half timbering that considerably predate 1485 and others well after 1603; ...
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Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. ...
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