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St. Rhipsime's Church
Saint Hripsime Church ( hy, Սուրբ Հռիփսիմե եկեղեցի, ''Surb Hřip’simē yekeghetsi''; sometimes ''Hripsimeh'') is a seventh century Armenian Apostolic church in the city of Vagharshapat (Etchmiadzin), Armenia. It is one of the oldest surviving churches in the country. The church was erected by Catholicos Komitas to replace the original mausoleum built by Catholicos Sahak the Great in 395 AD that contained the remains of the martyred Saint Hripsime to whom the church is dedicated. The current structure was completed in 618 AD. It is known for its fine Armenian-style architecture of the classical period, which has influenced many other Armenian churches since. It was listed as a UNESCO World Heritage Site along with other nearby churches, including Etchmiadzin Cathedral, Armenia's mother church, in 2000. History A Hellenistic temple, similar to the Temple of Garni and dedicated to a pagan goddess, stood in the place of the church prior to the fourth century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vagharshapat
Vagharshapat ( hy, Վաղարշապատ ) is the 4th-largest city in Armenia and the most populous municipal community of Armavir Province, located about west of the capital Yerevan, and north of the closed Turkish-Armenian border. It is commonly known as Ejmiatsin (also spelled Echmiadzin or Etchmiadzin, , ), which was its official name between 1945 and 1995. It is still commonly used colloquially and in official bureaucracy (dual naming). The city is best known as the location of Etchmiadzin Cathedral and Mother See of Holy Etchmiadzin, the center of the Armenian Apostolic Church. It is thus unofficially known in Western sources as a "holy city" and in Armenia as the country's "spiritual capital" (). It was one of the major cities and a capital of the ancient Kingdom of Greater Armenia. Reduced to a small town by the early 20th century, it experienced large expansion during the Soviet period becoming, effectively, a suburb of Yerevan. Its population stands just over 37,000 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregory The Illuminator
Gregory the Illuminator ( Classical hy, Գրիգոր Լուսաւորիչ, reformed: Գրիգոր Լուսավորիչ, ''Grigor Lusavorich'';, ''Gregorios Phoster'' or , ''Gregorios Photistes''; la, Gregorius Armeniae Illuminator, cu, Svyashchennomuchenik Grigory Armyansky, prosvetitel’ Velikoy Armenii, episkop Священномученик Григорий Армянский, просветитель Великой Армении, эпископ – ) was the 12th Catholicos-Patriarch and the first official head of the Armenian Apostolic Church. He was a religious leader who converted Armenia from paganism to Christianity in 301. He is also the patron saint of the church. Early life Gregory was the son of the Armenian Parthian nobles Anak the Parthian and Okohe. His father, Anak, was a Prince said to be related to the Arsacid Kings of Armenia or was from the House of Suren, one of the seven branches of the ruling Arsacid dynasty of Sakastan. Anak was char ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Lübke
Wilhelm Lübke (17 January 1826 – 5 April 1893) was a German people, German art historian, born in Dortmund. He studied at University of Bonn, Bonn and Humboldt University of Berlin, Berlin; was a professor of architecture at the Berlin Bauakademie (1857–61) and a professor of art history at the ETH Zurich, Polytechnic in Zurich (1861–66), the University of Stuttgart, Polytechnic in Stuttgart (1866–85), and the Karlsruhe Institute of Technology, Technische Hochschule in Karlsruhe (1885–93). In: Allgemeine Deutsche Biographie (ADB). Band 52, Duncker & Humblot, Leipzig 1906, S. 106–111. Previous to his work in art, he gave instruction in vocal and pianoforte music. Lübke was one of the pioneer writers on art history in Germany. His works were for their day both scholarly and appreciative, and correlat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niche (architecture)
A niche (CanE, or ) in Classical architecture is an exedra or an apse that has been reduced in size, retaining the half-dome heading usual for an apse. Nero's Domus Aurea (AD 64–69) was the first semi-private dwelling that possessed rooms that were given richly varied floor plans, shaped with niches and exedrae; sheathed in dazzling polished white marble, such curved surfaces concentrated or dispersed the daylight. A is a very shallow niche, usually too shallow to contain statues, and may resemble a blind window (a window without openings) or sealed door. (Compare: blind arcade) The word derives from the Latin (), via the French . The Italian '' nicchio'' () may also be involved,OED, "Niche" as the traditional decoration for the top of a niche is a scallop shell, as in the illustration, hence also the alternative term of "conch" for a semi-dome, usually reserved for larger exedra. In Gothic architecture, a niche may be set within a tabernacle framing, like a richly de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetraconch
A tetraconch, from the Greek for "four shells", is a building, usually a church or other religious building, with four apses, one in each direction, usually of equal size. The basic ground plan of the building is therefore a Greek cross. They are most common in Byzantine, and related schools such as Armenian and Georgian architecture. It has been argued that they were developed in these areas or Syria, and the issue is a matter of contention between the two nations in the Caucasus. Apart from churches, the form is suitable for a mausoleum or baptistery. Normally, there will be a higher central dome over the central space. Overview The Basilica of San Lorenzo, Milan (370) is possibly the first example of a grander type, the "aisled tetraconch", with an outer ambulatory. In middle Byzantine architecture, the cross-in-square plan was developed, essentially filling out the tetraconch to form a square-ish exterior. Either of these types may also be described less precisely as "cros ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simeon I Of Yerevan
Simeon I of Yerevan or Simeon Yerevantsi ( hy, Սիմէոն Ա Երեւանցի; 1710 – July 26, 1780) was the Catholicos of All Armenians from 1763 to 1780. In 1771, he founded a printing press at the Etchmiadzin Cathedral, the first in Armenia. According to Rouben Paul Adalian, the pontificate of Simeon I of Yerevan marked the reemergence of Etchmiadzin as a "truly important center of Armenian national affairs". Biography Simeon I was born in 1710 in Yerevan, then under Safavid Iranian rule. According to his contemporaries and 19th-century sources, his family was of noble origin. He received his education at the monastic school in Etchmiadzin, where he studied with his predecessor as catholicos, Hakob Shamakhetsi, and eventually joined the teaching staff. As a legate of the Holy See of Etchmiadzin, he travelled to Istanbul, New Julfa and Madras, the last of which was an important center of Armenian intellectual activity at the time. He was elected catholicos at Etchmiadzi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gavit
A ''gavit'' (Armenian ) or ''zhamatun'' (Armenian: ) is often contiguous to the west of a church in a Medieval Armenian monastery. It served as narthex (entrance to the church), mausoleum and assembly room. History The ''gavit'', the distinctive Armenian style of narthex, appeared in the tenth and eleventh centuries. The first were located in the south of the Armenia in the region of Syunik. The type of construction changed during the twelfth and fourteenth centuries, as found in the monasteries of Saghmosavank of Haritchavank, or Hovhannavank Monastery. They changed again in the late thirteenth century as can be seen in monasteries such as Gandzasar, and gradually ceased to be built in the late Middle Ages. Structure The earliest style of ''gavit'' consists of an oblong vault supported by double arches, with an '' erdik'' (lantern) center. This form was replaced by a square room with four columns, divided into nine sections with a dome in the center. The last evolution consists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebeos
Sebeos () was a 7th-century Armenian bishop and historian. Little is known about the author, though a signature on the resolution of the Ecclesiastical Council of Dvin in 645 reads 'Bishop Sebeos of Bagratunis.' His writings are valuable as one of the few intact surviving sources that chronicle 6th-century Armenia and its surrounding territories. The history of Sebeos contains detailed descriptions from the period of Sassanid supremacy in Armenia up to the Islamic conquest in 661. His history was published for the first time in 1851 in Istanbul. Writings To him has been attributed the ''A History of Heraclius'', chronicling events from the end of the 5th century to 661. The first section begins with the mythical foundation of Armenia with the Legend of Hyke and Bel, moving to contemporary history with the ascent of Vardan II Mamikonian in 570. From there, he relates the struggles and alliances between Persia and Byzantium. The second section narrates the ascent of a new politic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sasanian Empire
The Sasanian () or Sassanid Empire, officially known as the Empire of Iranians (, ) and also referred to by historians as the Neo-Persian Empire, was the History of Iran, last Iranian empire before the early Muslim conquests of the 7th-8th centuries AD. Named after the Sasanian dynasty, House of Sasan, it endured for over four centuries, from 224 to 651 AD, making it the longest-lived List of monarchs of Persia, Persian imperial dynasty. The Sasanian Empire succeeded the Parthian Empire, and re-established the Persians as a major power in late antiquity alongside its neighbouring arch-rival, the Roman Empire (after 395 the Byzantine Empire).Norman A. Stillman ''The Jews of Arab Lands'' pp 22 Jewish Publication Society, 1979 International Congress of Byzantine Studies ''Proceedings of the 21st International Congress of Byzantine Studies, London, 21–26 August 2006, Volumes 1–3'' pp 29. Ashgate Pub Co, 2006 The empire was founded by Ardashir I, an Iranian ruler who rose to po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shapur II
Shapur II ( pal, 𐭱𐭧𐭯𐭥𐭧𐭥𐭩 ; New Persian: , ''Šāpur'', 309 – 379), also known as Shapur the Great, was the tenth Sasanian King of Kings (Shahanshah) of Iran. The longest-reigning monarch in Iranian history, he reigned for the entirety of his 70-year life, from 309 to 379. He was the son of Hormizd II (r. 302–309). His reign saw the military resurgence of the country, and the expansion of its territory, which marked the start of the first Sasanian golden era. He is thus along with Shapur I, Kavad I and Khosrow I, regarded as one of the most illustrious Sasanian kings. His three direct successors, on the other hand, were less successful. At the age of 16, he launched enormously successful military campaigns against Arab insurrections and tribes who knew him as 'Dhū'l-Aktāf'' ("he who pierces shoulders"). Shapur II pursued a harsh religious policy. Under his reign, the collection of the Avesta, the sacred texts of Zoroastrianism, was completed, heresy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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