|
St. Augustine's Church, Norwich
St Augustine's Church is a redundant Anglican church building in the city of Norwich, Norfolk, England. It is recorded in the National Heritage List for England as a designated Grade I listed building. and is under the care of the Churches Conservation Trust. The church stands to the west of St Augustine's Street, the A1024 road, to the north of the Norwich inner ring road. History St Augustine's is the only pre-Reformation church in Norfolk with this dedication. The earliest documentary evidence of a church dedicated to St Augustine in Norwich dates from 1163 in a letter from the bishop of Norwich, William de Turbe, to the prior of Llanthony Secunda Priory in Gloucester. Nothing of this Norman church survives. The church was substantially rebuilt in the early 15th century. The tower was added in 1682–87 after the flint tower collapsed. The date 1687 was added, presumably on completion, to the east-facing parapet. In the 1880s R. M. Phipson restored pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norwich
Norwich () is a cathedral city and district of Norfolk, England, of which it is the county town. Norwich is by the River Wensum, about north-east of London, north of Ipswich and east of Peterborough. As the seat of the See of Norwich, with one of the country's largest medieval cathedrals, it is the largest settlement and has the largest urban area in East Anglia. The population of the Norwich City Council local authority area was estimated to be 144,000 in 2021, which was an increase from 143,135 in 2019. The wider built-up area had a population of 213,166 in 2019. Heritage and status Norwich claims to be the most complete medieval city in the United Kingdom. It includes cobbled streets such as Elm Hill, Timber Hill and Tombland; ancient buildings such as St Andrew's Hall; half-timbered houses such as Dragon Hall, The Guildhall and Strangers' Hall; the Art Nouveau of the 1899 Royal Arcade; many medieval lanes; and the winding River Wensum that flows through the city ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turret (architecture)
In architecture, a turret is a small tower that projects vertically from the wall of a building such as a medieval castle. Turrets were used to provide a projecting defensive position allowing covering fire to the adjacent wall in the days of military fortification. As their military use faded, turrets were used for decorative purposes, as in the Scottish baronial style. A turret can have a circular top with crenellations as seen in the picture at right, a pointed roof, or other kind of apex. It might contain a staircase if it projects higher than the building; however, a turret is not necessarily higher than the rest of the building; in this case, it is typically part of a room, that can be simply walked into – see the turret of Chateau de Chaumont on the collection of turrets, which also illustrates a turret on a modern skyscraper. A building may have both towers and turrets; towers might be smaller or higher, but turrets instead project from the edge of a building ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Newman (sexton)
Robert Newman (March 20, 1752 – May 26, 1804) was an American sexton at the Old North Church in Boston, Massachusetts. He is considered a Patriot in the American Revolution for hanging lanterns in his church's steeple on April 18, 1775, part of a warning signal devised by Paul Revere during the Battles of Lexington and Concord. Life and career Newman had become sexton of Christ Church, now known as Old North Church, in 1772. He lived with his mother in 1775, and she was renting part of their home to British officers. After pretending to go to bed on the night of April 18, Newman snuck out of his house undetected by the officers and joined vestryman John Pulling and Thomas Bernard, who assisted him with the signal. Bernard served as a lookout while Pulling and Newman went to the belfry, the tallest structure in the area. Using a code devised by Revere, Newman hung two lanterns in the church's belfry to warn Patriots that the British were about to descend upon Lexington via the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holkham Hall
Holkham Hall ( or ) is an 18th-century English country house, country house near the village of Holkham, Norfolk, England, constructed in the Neo-Palladian style for the Thomas Coke, 1st Earl of Leicester (fifth creation), 1st Earl of Leicester,The Earldom of Leicester has been, to date, created seven times. Thomas Coke, the builder of Holkham, was the 1st Earl of the fifth creation. His grand nephew Thomas Coke was the 1st Earl of the seventh creation. by the architect William Kent, aided by Richard Boyle, 3rd Earl of Burlington, Lord Burlington. Holkham Hall is one of England's finest examples of the Palladian revival style of architecture, and the severity of its design is closer to Palladio's ideals than many of the other numerous Palladian style houses of the period. The Holkham Estate was built up by Sir Edward Coke, the founder of his family's fortune. He bought Neales manor in 1609, though never lived there, and made many other purchases of land in Norfolk to endow to hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matthew Brettingham
Matthew Brettingham (1699 – 19 August 1769), sometimes called Matthew Brettingham the Elder, was an 18th-century Englishman who rose from humble origins to supervise the construction of Holkham Hall, and become one of the country's best-known architects of his generation. Much of his principal work has since been demolished, particularly his work in London, where he revolutionised the design of the grand townhouse. As a result, he is often overlooked today, remembered principally for his Palladian remodelling of numerous country houses, many of them situated in the East Anglia area of Britain. As Brettingham neared the pinnacle of his career, Palladianism began to fall out of fashion and neoclassicism was introduced, championed by the young Robert Adam. Early life Brettingham was born in 1699, the second son of Launcelot Brettingham (1664–1727), a bricklayer or stonemason from Norwich, the county town of Norfolk, England. He married Martha Bunn (c. 1697–1783) at St. Augus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulpit
A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin ''pulpitum'' (platform or staging). The traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height. From the late medieval period onwards, pulpits have often had a canopy known as the sounding board, ''tester'' or ''abat-voix'' above and sometimes also behind the speaker, normally in wood. Though sometimes highly decorated, this is not purely decorative, but can have a useful acoustic effect in projecting the preacher's voice to the congregation below. Most pulpits have one or more book-stands for the preacher to rest his or her bible, notes or texts upon. The pulpit is generally reserved for clergy. This is mandated in the regulations of the Catholic Church, and several others (though not always strictly observed). Even in Welsh Nonconformism, this was felt appropriate, and in some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reredos
A reredos ( , , ) is a large altarpiece, a screen, or decoration placed behind the altar in a church. It often includes religious images. The term ''reredos'' may also be used for similar structures, if elaborate, in secular architecture, for example very grand carved chimneypieces. It also refers to a simple, low stone wall placed behind a hearth. Description A reredos can be made of stone, wood, metal, ivory, or a combination of materials. The images may be painted, carved, gilded, composed of mosaics, and/or embedded with niches for statues. Sometimes a tapestry or another fabric such as silk or velvet is used. Derivation and history of the term ''Reredos'' is derived through Middle English from the 14th-century Anglo-Norman ''areredos'', which in turn is from''arere'' 'behind' +''dos'' 'back', from Latin ''dorsum''. (Despite its appearance, the first part of the word is not formed by doubling the prefix "re-", but by an archaic spelling of "rear".) In the 14th and 15th cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baptismal Font
A baptismal font is an article of church furniture used for baptism. Aspersion and affusion fonts The fonts of many Christian denominations are for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal (about tall) with a holder for a basin of water. The materials vary greatly consisting of carved and sculpted marble, wood, or metal. The shape can vary. Many are eight-sided as a reminder of the new creation and as a connection to the practice of circumcision, which traditionally occurs on the eighth day. Some are three-sided as a reminder of the Holy Trinity: Father, Son, and Holy Spirit. Fonts are often placed at or near the entrance to a church's nave to remind believers of their baptism as they enter the church to pray, since the rite of baptism served as their initiation into the Church. In many churches of the Middle Ages and Renaissance there was a special chapel or even a separate build ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pier (architecture)
A pier, in architecture, is an upright support for a structure or superstructure such as an arch or bridge. Sections of structural walls between openings (bays) can function as piers. External or free-standing walls may have piers at the ends or on corners. Description The simplest cross section of the pier is square, or rectangular, but other shapes are also common. In medieval architecture, massive circular supports called drum piers, cruciform (cross-shaped) piers, and compound piers are common architectural elements. Columns are a similar upright support, but stand on a round base. In buildings with a sequence of bays between piers, each opening (window or door) between two piers is considered a single bay. Bridge piers Single-span bridges have abutments at each end that support the weight of the bridge and serve as retaining walls to resist lateral movement of the earthen fill of the bridge approach. Multi-span bridges require piers to support the ends of spans betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcade (architecture)
An arcade is a succession of contiguous arches, with each arch supported by a colonnade of columns or piers. Exterior arcades are designed to provide a sheltered walkway for pedestrians. The walkway may be lined with retail stores. An arcade may feature arches on both sides of the walkway. Alternatively, a blind arcade superimposes arcading against a solid wall. Blind arcades are a feature of Romanesque architecture that influenced Gothic architecture. In the Gothic architectural tradition, the arcade can be located in the interior, in the lowest part of the wall of the nave, supporting the triforium and the clerestory in a cathedral, or on the exterior, in which they are usually part of the walkways that surround the courtyard and cloisters. Many medieval arcades housed shops or stalls, either in the arcaded space itself, or set into the main wall behind. From this, "arcade" has become a general word for a group of shops in a single building, regardless of the architectural f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tracery
Tracery is an architecture, architectural device by which windows (or screens, panels, and vaults) are divided into sections of various proportions by stone ''bars'' or ''ribs'' of Molding (decorative), moulding. Most commonly, it refers to the stonework elements that support the glass in a window. The term probably derives from the tracing floors on which the complex patterns of windows were laid out in late Gothic architecture. Tracery can also be found on the interior of buildings and the exterior. There are two main types: plate tracery and the later bar tracery.Hugh Honour, Honour, H. and J. Fleming, (2009) ''A World History of Art''. 7th edn. London: Laurence King Publishing, p. 948. The evolving style from Romanesque architecture, Romanesque to Gothic architecture and changing features, such as the thinning of lateral walls and enlarging of windows, led to the innovation of tracery. The earliest form of tracery, called plate tracery, began as openings that were pierced fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bay (architecture)
In architecture, a bay is the space between architectural elements, or a recess or compartment. The term ''bay'' comes from Old French ''baie'', meaning an opening or hole."Bay" ''Online Etymology Dictionary''. http://www.etymonline.com/index.php?allowed_in_frame=0&search=bay&searchmode=none accessed 3/10/2014 __NOTOC__ Examples # The spaces between posts, columns, or buttresses in the length of a building, the division in the widths being called aisles. This meaning also applies to overhead vaults (between ribs), in a building using a vaulted structural system. For example, the Gothic architecture period's Chartres Cathedral has a nave (main interior space) that is '' "seven bays long." '' Similarly in timber framing a bay is the space between posts in the transverse direction of the building and aisles run longitudinally."Bay", n.3. def. 1-6 and "Bay", n.5 def 2. ''Oxford English Dictionary'' Second Edition on CD-ROM (v. 4.0) © Oxford University Press 2009 # Where there a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
