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Spirituality And Distortion
''Spirituality and Distortion'' is the fourth album by Gautier Serre, under his alias Igorrr, released on Metal Blade Records on 27 March 2020. Track listing Personnel Igorrr * Gautier Serre – electric guitar, keyboards, programming, composition, recording, mixing, mastering, production Additional musicians * Laurent Lunoir – vocals * Laure Le Prunenec – vocals * Sylvain Bouvier – drums, percussion * Benjamin Baŕdiaux – harpsichord * Erlend Caspersen – bass * Mike Leon – bass * George Fisher – vocals * Diego Delgadillo – lyrics * Fotini-Asineth Kokkala – qanun * Alexandre Peronny – cello * Mehdi Haddab – oud * Pierre Mussi – accordion * Antony Miranda – sitar, percussion * Nils Cheville – classical guitar * Martyn Clément – electric guitar * Matt Lebofsky – piano * Benjamin Violet – strings * Timba Harris Timba Harris (born September 21, 1977) is a violinist, violist, trumpet player, and composer. He is an active touring and ...
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Igorrr
Gautier Serre (born June 5, 1984), better known by his stage name Igorrr, is a French musician. Under the Igorrr alias, he combines a variety of disparate genres, including black metal, baroque music, breakcore, and trip hop, into a singular sound. Serre is also part of the groups Whourkr and Corpo-Mente. The Igorrr project became a full band with the addition of vocalists Aphrodite Patoulidou and JB Le Bail, plus the drummer Sylvain Bouvier and the guitarist Martyn Clément. History Solo work (2005–2016) Serre plays piano, drums, and guitar and primarily uses Steinberg Cubase for recording. He named his band after a pet gerbil called Igorr that he had as a child, adding the extra "r" to "make it harder to pronounce." Serre claims to have synesthesia, in his case perceiving music as colors. In 2011 interview, he spoke of the origin of his solo project: Igorrr self-released a demo album, ''Poisson Soluble'' (2006) and ''Moisissure'' (2008, Acroplane Recordings), which gained t ...
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George Fisher (musician)
George Fisher (born July 8, 1970), better known by his stage name Corpsegrinder, is an American death metal vocalist who is the lead singer of Cannibal Corpse, Paths of Possession and the supergroup Serpentine Dominion. He recorded two albums with Florida's Monstrosity before leaving and joining Cannibal Corpse in late 1995, replacing vocalist Chris Barnes, who is now the vocalist for Six Feet Under. Fisher released his debut solo album ''Corpsegrinder'' on February 25, 2022. Fisher has also provided guest vocals for New York technical death metal band Suffocation on the songs "Reincremation" and "Mass Obliteration" from their debut album, '' Effigy of the Forgotten'' (1991), as well as guest vocals for California deathcore band Suicide Silence on the song "Control" from their fourth album, ''You Can't Stop Me''. Fisher also performed guest vocals on Job for a Cowboy's 2014 album '' Sun Eater'' on the song "The Synthetic Sea." In 2021, Fisher performed guest vocals fo ...
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Metal Blade Records Albums
A metal (from Greek μέταλλον ''métallon'', "mine, quarry, metal") is a material that, when freshly prepared, polished, or fractured, shows a lustrous appearance, and conducts electricity and heat relatively well. Metals are typically ductile (can be drawn into wires) and malleable (they can be hammered into thin sheets). These properties are the result of the ''metallic bond'' between the atoms or molecules of the metal. A metal may be a chemical element such as iron; an alloy such as stainless steel; or a molecular compound such as polymeric sulfur nitride. In physics, a metal is generally regarded as any substance capable of conducting electricity at a temperature of absolute zero. Many elements and compounds that are not normally classified as metals become metallic under high pressures. For example, the nonmetal iodine gradually becomes a metal at a pressure of between 40 and 170 thousand times atmospheric pressure. Equally, some materials regarded as metals ca ...
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Timba Harris
Timba Harris (born September 21, 1977) is a violinist, violist, trumpet player, and composer. He is an active touring and recording member of Trey Spruance's Secret Chiefs 3, a founding member of the band Estradasphere, and one half of the electroacoustic chamber duo Probosci. His large ensemble works have been recorded for John Zorn's Tzadik Records, and his playing and orchestral arrangements can be found on recordings throughout the experimental rock world and on video games and film. Harris has performed in theaters, halls, clubs, and festivals in over 45 countries throughout North America, South America, Europe, the Middle East, Asia, and Australia. He has been based in several locations during his career, including Los Angeles, Santa Cruz, Seattle, New York, England, and France. Biography Early life Timothy "Timba" Bruce Harris was born in 1977 in Burbank, California. During his childhood and teenage years, he studied and performed classical music, percussion, wind ...
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Matt Lebofsky
Matt Lebofsky is an Oakland, California-based multi-instrumentalist and composer. Growing up in New York he studied piano/composition with Arthur Cunningham from 1978-1988. As a performer/composer he is currently active in several bands such as miRthkon, MoeTar, Secret Chiefs 3, Bodies Floating Ashore, The Fuxedos, Three Piece Combo, Research & Development, Midline Errors, Fuzzy Cousins and JOB. He is also a long-time prolific member of the Immersion Composition Society Origin Lodge. He toured nationally in 2006 as a member of Faun Fables, and throughout 2000-2001 as a member of Species Being, and released three albums and toured internationally witMumble & Pegfrom 1995-2002. Matt is also a computer programmer, webmaster, and database/systems administrator at the Berkeley SETI Research Center, working with Breakthrough Listen since 2015, and as a core member of the small staff developing/maintaining the world's largest volunteer computing project SETI@home (since its inception ...
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Classical Guitar
The classical guitar (also known as the nylon-string guitar or Spanish guitar) is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern acoustic and electric guitars, both of which use metal strings. Classical guitars derive from the Spanish vihuela and gittern of the fifteenth and sixteenth century. Those instruments evolved into the seventeenth and eighteenth-century baroque guitar—and by the mid-nineteenth century, early forms of the modern classical guitar. For a right-handed player, the traditional classical guitar has twelve frets clear of the body and is properly held up by the left leg, so that the hand that plucks or strums the strings does so near the back of the sound hole (this is called the classical position). However, the right-hand may move closer to the fretboard to achieve different tonal qualities. The player typically holds the left leg ...
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Accordion
Accordions (from 19th-century German ''Akkordeon'', from ''Akkord''—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free-reed aerophone type (producing sound as air flows past a reed in a frame), colloquially referred to as a squeezebox. A person who plays the accordion is called an accordionist. The concertina , harmoneon and bandoneón are related. The harmonium and American reed organ are in the same family, but are typically larger than an accordion and sit on a surface or the floor. The accordion is played by compressing or expanding the bellows while pressing buttons or keys, causing ''pallets'' to open, which allow air to flow across strips of brass or steel, called '' reeds''. These vibrate to produce sound inside the body. Valves on opposing reeds of each note are used to make the instrument's reeds sound louder without air leaking from each reed block.For the accordion's place among the families of musical ...
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Qanun (instrument)
The qanun, kanun, ganoun or kanoon ( ar, قانون, qānūn; hy, քանոն, k’anon; ckb, قانون, qānūn; el, κανονάκι, kanonáki; he, קָאנוּן, ''qanun''; fa, , ''qānūn''; tr, kanun; az, qanun; ) is a string instrument played either solo, or more often as part of an ensemble, in much of the Middle East, North Africa, West Africa, Central Asia, Armenia, and Greece. The name derives ultimately from Ancient Greek: κανών kanōn, meaning "rule, law, norm, principle". The qanun traces one of its origins to a stringed Assyrian instrument from the Old Assyrian Empire, specifically from the nineteenth century BC in Mesopotamia. This instrument came inscribed on a box of elephant ivory found in the old Assyrian capital Nimrud (ancient name: ''Caleh''). The instrument is a type of large zither with a thin trapezoidal soundboard that is famous for its unique melodramatic sound. Regional variants and technical specifications Arabic qanuns are usually ...
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Erlend Caspersen
Erlend Caspersen (born 1982) is a Norwegian bassist who currently plays in Abhorrent and Igorrr. He also played for Deeds of Flesh, Spawn of Possession and Blood Red Throne. He is notable for his aggressive bass tone and highly technical playing, with a very varied range of techniques, including two-handed tapping, sweeping, and slapping. Biography Caspersen started playing bass when he was twelve; for his 12th birthday he bought his first bass (instead of a bicycle that he had originally intended) because a lot of his friends were in bands. He cited Victor Wooten, Les Claypool and Alex Webster as his biggest influences. Alex Webster cited him as the best death metal bass player of his generation. Caspersen is best known for his work with bands Spawn of Possession and Blood Red Throne. He also did a number of session jobs for bands like Vile, Decrepit Birth, and Incinerate. He also has a YouTube channel where he covers some Spawn of Possession songs like 'Dead and Grotesque' ...
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Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ...
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Loud TV
Loud most commonly refers to: * Loudness, the subjective quality of sound of great intensity Loud may also refer to: Music Albums * ''Loud'' (Half Japanese album), 1981 * ''Loud'' (Rihanna album), 2010 * ''Loud'' (Timo Maas album), 2001 * ''Loud'' (Wicked Tinkers album), 1999 * ''Loud'', a 2000 album by Lexy & K-Paul * ''Loud'' (EP), by American Pop-Rock band R5 * ''Loud'', a 2018 album by Marwa Loud Songs * "Loud" (Mac Miller song), 2012 * "Loud" (Shannon Noll song), 2007 * "Loud" (Stan Walker song), 2011 * "Loud" (R5 song), 2013 * "Loud" (Tim Hicks song), 2018 * "Loud", a song by Silk City, featuring GoldLink and Desiigner * "Loud", a 2007 single by Big & Rich from the album ''Between Raising Hell and Amazing Grace'' * "Loud", a song by Chocolate USA from the 1992 album ''All Jets Are Gonna Fall Today'' * "Loud", a song by Kutless from the 2008 album ''To Know That You're Alive'' * "Loud", a 2006 single by Masters at Work with Beto Cuevas * "Loud", a song by Matt N ...
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Breakcore
Breakcore is a style and microgenre of electronic dance music that emerged from jungle, hardcore, and drum and bass in the mid-to-late 1990s. It is characterized by very complex and intricate breakbeats and a wide palette of sampling sources played at high tempos. History As the early days of "hardcore techno" or just "hardcore" began to settle in Europe, breakcore as a genre began to take more concrete forms in other parts of the world. Inspired by new labels such as Addict, from Milwaukee, US; Peace Off from Rennes, France; Sonic Belligeranza from Bologna, Italy; and Planet Mu, from London, it began to take a new shape, adding in more elements of mashup and IDM to the hardcore sounds. Each of these labels began to draw in aspects of their own social and aesthetic scenes into their music, allowing for an even broader definition of what was possible in the music. In Europe, the breakcore genre was solidified by raves and club events such as Belgium's Breakcore Gives Me ...
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