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Speak To Me
"Speak to Me" is the first track on British progressive rock band Pink Floyd's 1973 album, ''The Dark Side of the Moon'', on which it forms an overture. Nick Mason receives a rare solo writing credit for the track, though recollections differ as to the reasons for this. Mason states that he created the track himself, whereas Richard Wright and Roger Waters stated the credit was a "gift" to Mason to give him some publishing income (subsequently regretted by the latter, following his acrimonious departure from the band). Live versions are included on ''Pulse'' (1995) and ''The Dark Side of the Moon Live at Wembley 1974'' (2023). Recording On 23 June 1972 a brief sound collage had been pieced together featuring parts recorded from completed songs by that date; not much work would continue. Waters later began to compile a series of questions that tied to the concept of the album; he wrote the questions on cards and paced them in the recording booth where sat those who were to answer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pink Floyd
Pink Floyd are an English rock band formed in London in 1965. Gaining an early following as one of the first British psychedelic music, psychedelic groups, they were distinguished by their extended compositions, sonic experimentation, philosophical lyrics and elaborate Pink Floyd live performances, live shows. They became a leading band of the progressive rock genre, cited by some as the greatest progressive rock band of all time. Pink Floyd were founded in 1965 by Syd Barrett (guitar, lead vocals), Nick Mason (drums), Roger Waters (bass guitar, vocals), and Richard Wright (musician), Richard Wright (keyboards, vocals). Under Barrett's leadership, they released two charting singles and the successful debut album ''The Piper at the Gates of Dawn'' (1967). Guitarist and vocalist David Gilmour joined in December 1967; Barrett left in April 1968 due to deteriorating mental health. Waters became the primary lyricist and thematic leader, devising the concept album, concepts behind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Collage
In music, montage (literally "putting together") or sound collage ("gluing together") is a technique where newly branded sound objects or compositions, including songs, are created from collage, also known as montage. This is often done through the use of sampling, while some playable sound collages were produced by gluing together sectors of different vinyl records. In any case, it may be achieved through the use of previous sound recordings or musical scores. Like its visual cousin, the collage work may have a completely different effect than that of the component parts, even if the original parts are completely recognizable or from only one source. History The origin of sound collage can be traced back to the works of Biber's programmatic sonata ''Battalia'' (1673) and Mozart's ''Don Giovanni'' (1789), and some critics have described certain passages in Mahler symphonies as collage, but the first fully developed collages occur in a few works by Charles Ives, whose piece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Backmasking
Backmasking is a recording technique in which a message is recorded backward onto a track that is meant to be played forward. It is a deliberate process, whereas a message found through phonetic reversal may be unintentional. Artists have since used backmasking for artistic, comedic and satiric effect, on both analogue and digital recordings. It has also been used to censor words or phrases for "clean" releases of explicit songs. In 1969, rumors of a backmasked message in the Beatles song "Revolution 9" sparked the Paul is dead urban legend. Since at least the early 1980s, Christian groups in the United States alleged that backmasking was being used by prominent rock musicians for Satanic purposes, leading to record-burning protests and proposed anti-backmasking legislation by state and federal governments during the 1980s, as part of the Satanic panic movement of the time. Many popular musicians were accused of including backmasked messages in their music. However, appare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tape Loop
In music, tape loops are loops of magnetic tape used to create repetitive, rhythmic musical patterns or dense layers of sound when played on a tape recorder. Originating in the 1940s with the work of Pierre Schaeffer, they were used among contemporary composers of 1950s and 1960s, such as Éliane Radigue, Steve Reich, Terry Riley, and Karlheinz Stockhausen, who used them to create phase patterns, rhythms, textures, and timbres. Popular music authors of 1960s and 1970s, particularly in psychedelic, progressive and ambient genres, used tape loops to accompany their music with innovative sound effects. In the 1980s, analog audio and tape loops with it gave way to digital audio and application of computers to generate and process sound. Description In a tape loop, a section of magnetic tape is cut and spliced end-to-end, creating a circle or loop which can be played continuously, usually on a reel-to-reel tape recorder, making the sound repeat endlessly. Simultaneous playing o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reel-to-reel Audio Tape Recording
Reel-to-reel audio tape recording, also called open-reel recording, is magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the ''supply reel'' (or ''feed reel'') containing the tape is placed on a spindle or hub. The end of the tape is manually pulled from the reel, threaded through mechanical guides and over a tape head assembly, and attached by friction to the hub of the second, initially empty ''takeup reel''. Reel-to-reel systems use tape that is wide, which normally moves at . All standard tape speeds are derived as a binary submultiple of 30 inches per second. Reel-to-reel preceded the development of the compact cassette with tape wide moving at . By writing the same audio signal across more tape, reel-to-reel systems give much greater fidelity at the cost of much larger tapes. In spite of the relative inconvenience and generally more expensive media, reel-to-reel systems developed in the early 1940s remained popular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
On The Run (instrumental)
"On the Run" is the third track from British progressive rock band Pink Floyd's 1973 album, ''The Dark Side of the Moon''. It is an instrumental piece performed on an EMS synthesizer ( Synthi AKS). It deals with the pressures of travel, specifically air travel, which according to Richard Wright, would often bring fear of death. Composition This piece was created by entering an 8-note sequence into a Synthi AKS synthesiser made by the British synthesiser manufacturer EMS and speeding it up, with an added white noise generator creating the hi-hat sound. The band then added backwards guitar parts, created by dragging a microphone stand down the fretboard, reversing the tape, and panning left to right. There are also other Synthi and VCS 3 synthesizer parts, made to sound like a vehicle passing, giving a Doppler effect. The 8 note sequence is played at a tempo of 165 BPM, while both filter frequency and resonance are modulated. Near the end, the only guitar part is heard: a chord ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Money (Pink Floyd Song)
"Money" is a song by the English progressive rock band Pink Floyd from their 1973 album ''The Dark Side of the Moon''. Written by Roger Waters, it opened side two of the original album. Released as a single, it became the band's first hit in the United States, reaching number 10 in ''Cash Box'' magazine and number 13 on the ''Billboard'' Hot 100. "Money" is noted for its unusual – time signature, and the tape loop of money-related sound effects (such as a ringing cash register and a jingle of coins) that is heard periodically throughout the song, including on its own at the beginning. Composition "Money" has been described as a progressive rock, blues rock, and hard rock song. Although Roger Waters and David Gilmour have made recent comments stating that the song had been composed primarily in time,Classic Albums: ''Pink Floyd – The Making of The Dark Side of the Moon'' (DVD), 2003. Rick Wright stated in a 2000 US radio interview that "Money" was composed in as stated b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brain Damage (song)
"Brain Damage" is the ninth track from English rock band Pink Floyd's 1973 album ''The Dark Side of the Moon''. It was sung on record by Roger Waters (with harmonies by David Gilmour), who would continue to sing it on his solo tours. Gilmour sang the lead vocal when Pink Floyd performed it live on their 1994 tour (as can be heard on ''Pulse''). The band originally called this track "Lunatic" during live performances and recording sessions. Composition When the band reconvened after the American leg of the ''Meddle'' tour, Roger Waters brought with him a prototype version of "Brain Damage" along with other songs such as "Money". He had been playing the song during the recording of the ''Meddle'' album in 1971, when it was called "The Dark Side of the Moon". Eventually this title would be used for the album itself. The second verse includes the lyric "And if your head explodes with dark forebodings too, I'll see you on the dark side of the moon." Eclipse seems to be partially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Watts (road Manager)
Peter Anthony Watts (16 January 1946 – 2 August 1976) was an English road manager and sound engineer who worked with Pink Floyd. Early life Watts was born on 16 January 1946, in Bedford, the son of Jane Patricia Grace (''née'' Rolt; in Naivasha, Kenya Colony; 1923–) and Anthony Watts. Watts had one older brother, Michael, and one younger sister, Patricia. Watts' mother remarried Anthony Daniells in 1989. Career Watts was the road manager for The Pretty Things before joining Pink Floyd as their first experienced road manager. Alongside fellow roadie Alan Styles, he appears on the rear cover of Pink Floyd's 1969 album ''Ummagumma'', shown with the band's van and equipment laid out on a runway at Biggin Hill Airport, with the intention of replicating the "exploded" drawings of military aircraft and their payloads, which were popular at the time. On the 1973 album ''The Dark Side of the Moon'', he contributed the repeated laughter during "Brain Damage", also heard in the albu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time (Pink Floyd Song)
"Time" is a song by the English progressive rock band Pink Floyd. It is included as the fourth track on their eighth album ''The Dark Side of the Moon'' (1973) and was released as a single in the United States. Bassist Roger Waters wrote the lyrics, and the music is credited to all four band members. Keyboardist Richard Wright shares lead vocals (his last until "Wearing the Inside Out" on ''The Division Bell'') alongside guitarist David Gilmour. The lyrics deal with the passage of time. Waters got the idea when he realised he was no longer preparing for anything in life, but was right in the middle of it. He has described this realisation taking place at ages 28 and 29 in various interviews. It is noted for its long introductory passage of clocks chiming and alarms ringing. The sounds were recorded in an antique store made as a quadrophonic test by engineer Alan Parsons, not specifically for the album. The album track also includes a reprise of the song " Breathe". It is the only ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eclipse (Pink Floyd Song)
"Eclipse" is the tenth and final track from British progressive rock band Pink Floyd's 1973 album, ''The Dark Side of the Moon''. It was written and sung by Roger Waters, with harmonies by David Gilmour and Rick Wright. After Waters left the band, Gilmour sang the lead vocal when performing live. On the album, the song transitions, without noticeable break, from the previous song, " Brain Damage", and the two are often played together as a single track on the radio (some DJs call the combined track "The Dark Side of the Moon"). The end of the track consists of a fading heartbeat, identical to the opening of the first track on the album, "Speak to Me". Composition This song serves as the album's end and features a loud, repetitive melody that builds up, then ends with a very quiet outro. When the main instrumentation ends at 1:30, the sound of a heartbeat from the first track, "Speak to Me", appears, which appears again in 9/8, and gradually fades to silence. Harmonically, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
