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Sound Of Impact
''Sound of Impact'' is a live album by the post-hardcore band Big Black. It was released in limited edition in 1987. The band did not include its name anywhere on the album. Critical reception ''Alternative Rock'' wrote that the album captured a "typically brutal" live performance. Track listing #"Ready Men" #"Big Money" #"Pigeon Kill" #"Passing Complexion" #"Crack Up" #"RIP" #"Jordan, Minnesota" #"Steelworker (Short Fragment)" #"Cables" #"Pigeon Kill" #"Kerosene" #"Bad Penny" #"Deep Six" #"RIP" #"Rema Rema" Personnel *Dave Riley: Bass Guitar *Santiago Durango: Guitar, Backing Vocals *Steve Albini: Guitar, Vocals *Roland Roland (; frk, *Hrōþiland; lat-med, Hruodlandus or ''Rotholandus''; it, Orlando or ''Rolando''; died 15 August 778) was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the ...: Drums References Big Black albums 1987 live albums Blast First albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Black
Big Black was an American punk rock band from Evanston, Illinois, active from 1981 to 1987. Founded by singer and guitarist Steve Albini, the band's initial lineup also included guitarist Santiago Durango and bassist Jeff Pezzati, both of Naked Raygun. In 1985, Pezzati was replaced by Dave Riley, who played on Big Black's two full-length studio albums, '' Atomizer'' (1986) and ''Songs About Fucking'' (1987). Big Black's aggressive and abrasive music was characterized by distinctively clanky guitars and the use of a drum machine rather than a drum kit, elements that foreshadowed industrial rock. The band's lyrics flouted commonly held taboos and dealt frankly—and often explicitly—with politically and culturally loaded topics including murder, rape, child sexual abuse, arson, racism, and misogyny. Though the band's lyrics contained controversial material, the lyrics were meant to serve as a commentary or a display of distaste for the subject matter. They were staunchly c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noise Rock
Noise rock (sometimes called noise punk) is a noise music, noise-oriented style of experimental rock that spun off from punk rock in the 1980s. Drawing on movements such as minimal music, minimalism, industrial music, and New York hardcore, artists indulge in extreme levels of distortion through the use of electric guitars and, less frequently, electronic instrumentation, either to provide percussive sounds or to contribute to the overall arrangement. Some groups are tied to song structures, such as Sonic Youth. Although they are not representative of the entire genre, they helped popularize noise rock among alternative rock audiences by incorporating melodies into their droning textures of sound, which set a template that numerous other groups followed. Other early noise rock bands were Big Black and Swans (band), Swans. Characteristics Noise rock fuses Rock music, rock to noise, usually with recognizable "rock" instrumentation, but with greater use of distortion and elect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-hardcore
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. It was initially inspired by post-punk and noise rock. Like post-punk, the term has been applied to a broad constellation of groups. Post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen (band), Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black and Jawbox that stuck closer to post-hardcore's noise rock roots. In the early- and mid-2000s, achieved mainstream success with the popularity of bands like My Chemical Romance, Dance Gavin Dance, AFI (band), AFI, Underoath, Hawthorne Heights, Silverstein (band), Silverstein, The Used, At the Drive-In, Saosin, Alexisonfire, and Senses Fail. In the 2010s, bands like Sleeping with Sirens and Pierce the Veil achieved main ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blast First
Blast First is a sub label of one-time independent record label Mute Records, founded in approximately 1985. It was named after a phrase taken from the first number of the radical Vorticist journal ''Blast'', published by Wyndham Lewis in 1914. Lewis's "Manifesto" begins with the words "BLAST First (from politeness) ENGLAND". History The label was founded by Paul Smith to give UK release to albums by Sonic Youth, a US band with which he was then working closely. It went on to feature more hardcore rock bands than the master label of its synthpop-oriented parent company. Before Mute Records was sold to the EMI group, Blast First fit into the company's profile, which included labels such as the Fine Line and the Grey Area. The labels employees included the sisters Pat and Liz Naylor, and the novelist Alistair Fruish. The label released a range of alternative music from Butthole Surfers and Labradford through Suicide and Sonic Youth to the William Fairey Band's '' Acid Bra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hammer Party
''The Hammer Party'' is a 1986 release of Big Black's early EPs made between 1982 and 1984. Originally released by Homestead Records, and later rereleased by Touch and Go, the LP came out at the same time as Big Black's '' Atomizer'' album, and featured the six songs from ''Lungs'' one side and the six songs from '' Bulldozer''. The CD version was expanded to include Big Black's third record, '' Racer-X''. Track listing #"Steelworker" 1 #"Live in a Hole" 1 #"Dead Billy" 1 #"I Can Be Killed" 1 #"Crack" 1 #"RIP" 1 #"Cables" 2 #"Pigeon Kill" 2 #"I'm a Mess" 2 #"Texas" 2 #"Seth" 2 #"Jump the Climb" 2 #"Racer X" 3 #"Shotgun" 3 #"The Ugly American" 3 #"Deep Six" 3 #"Sleep!" 3 #"The Big Payback" ( James Brown)3 1 ''Lungs'' 2 '' Bulldozer'' 3 '' Racer-X'' (CD Only) Personnel *Steve Albini: guitar and vocals on all tracks *Santiago Durango: guitar on tracks 7-11 and 13-18 * Jeff Pezzati: bass on tracks 7-11 and 13-18 * Roland TR-606 The Roland TR-606 Drumatix is a drum machine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Headache (EP)
''Headache'' is a 1987 EP by American post-hardcore band Big Black. The record generated some controversy due to a cover photograph of a shotgun suicide victim whose head was split in half; it only appeared on a very limited edition of the record and was later replaced with a drawing by Savage Pencil. The identity of the dead man in the original album cover remains unknown. Original pressings bore a sticker reading, "Warning! Not as good as '' Atomizer'', so don't get your hopes up, cheese!" as a frank communication from the members of Big Black to their fans that they did not regard the ''Headache'' EP to be as strong as the band's previous release. This also came at a time when major labels were first starting to warn parents that albums contained "explicit lyrics", and while all of Big Black's records contained such lyrics, ''Headache's'' sticker was an ironic Irony (), in its broadest sense, is the juxtaposition of what on the surface appears to be the case and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sounds (magazine)
''Sounds'' was a UK weekly pop/rock music newspaper, published from 10 October 1970 to 6 April 1991. It was known for giving away posters in the centre of the paper (initially black and white, then colour from late 1971) and later for covering heavy metal (especially the new wave of British heavy metal (NWOBHM)) and punk and Oi! music in its late 1970s–early 1980s heyday. History It was produced by Spotlight Publications (part of Morgan Grampian), which was set up by John Thompson and Jo Saul with Jack Hutton and Peter Wilkinson, who left ''Melody Maker'' to start their own company. ''Sounds'' was their first project, a weekly paper devoted to progressive rock and described by Hutton, to those he was attempting to recruit from his former publication, as "a leftwing ''Melody Maker''". ''Sounds'' was intended to be a weekly rival to titles such as ''Melody Maker'' and ''New Musical Express'' (''NME''). ''Sounds'' was one of the first music papers to cover punk. Mick Middles c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dave Riley
David Michael Riley (July 30, 1960 – December 24, 2019) was an American musician who was the bassist in the punk rock band Big Black from 1985 until the band's dissolution in 1987. Riley moved to Chicago in 1982 from Detroit, where he had worked as a recording engineer. He played on Big Black's two studio albums, '' Atomizer'' (1986) and ''Songs About Fucking'' (1987), as well as their ''Headache'' EP (1987), several singles, and two live albums. After Big Black, Riley recorded tracks with several other artists before being incapacitated by a stroke in 1993, losing the ability to walk. He became a blogger, and published a book in 2006 titled ''Blurry and Disconnected: Tales of Sink-or-Swim Nihilism''. He died in late 2019 from squamous cell carcinoma. Early life Growing up, Riley was a misfit and often bullied, the target of what he later called "insidious crap perpetrated by imperceptive emotional retards." As a teenager he was in a car accident that permanently disfigured hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santiago Durango
Santiago Alonso Durango (born 1957) is a Colombian–American attorney and retired musician. He is best known for his work with the 1980s punk rock groups Naked Raygun and Big Black. Life and career Durango is the son of a Colombian doctor. His family moved to Chicago, Illinois in the US when he was ten years old. A graduate of the University of Illinois at Chicago, Durango was an original member of Naked Raygun, one of Chicago's first punk rock bands. Naked Raygun fan Steve Albini was forming a band called Big Black and asked both Durango and Raygun lead singer Jeff Pezzati to join. Durango remained a member until the group broke up in 1987. Critic Mark Deming of AllMusic describes Santiago and Albini as a good pairing musically; "his muscular guitar sound was the ideal match of Albini's jagged, metallic tone." After Big Black ended, Durango attended law school. During that time he formed a new band called Arsenal with bassist Malachi Ritscher. Together they released the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
