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Soul Of An Angel
''Soul of An Angel'' is an album by saxophonist Billy Harper recorded in 1999 and released on the Metropolitan label. Reception In his review for AllMusic, Michael G. Nastos states "This is a Rock of Gibraltar solid CD, ranking amongst Harper's very best efforts, leaving nothing on the table, and cementing his status as an admirable figure and one of the very best performers, improvisers, and pure players in the idiom. Highly recommended without reservation, and a strong candidate for Jazz CD of Y2K". Writing in ''JazzTimes'' Larry Appelbaum noted "the 57-year-old Texas tenor makes the most of every opportunity to sharpen his playing, composing and band leading skills on ''Soul of an Angel''".Appelbaum, L.JazzTimes Review December 2000 Track listing All compositions by Billy Harper except where noted. # "Thine Is the Glory" – 13:40 # "Credence" – 6:58 # "It Came Upon a Midnight Clear" (Edmund Sears, Richard Storrs Willis) – 8:49 # "Let All the Voices Sing" – 8:44 # "Sou ...
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Billy Harper
Billy Harper (born January 17, 1943) is an American jazz saxophonist, "one of a generation of John Coltrane, Coltrane-influenced tenor saxophonists" with a distinctively stern, hard-as-nails sound on his instrument.Chris KelseyBilly Harper Biography ''AllMusic'' Biography He was born in Houston, Texas, United States. In 1965, Harper earned a Bachelor of Music degree from the University of North Texas College of Music, University of North Texas. Harper has played with some of jazz's greatest drummers; he served with Art Blakey's The Jazz Messengers, Messengers for two years (1968–1970); he played very briefly with Elvin Jones (1970), he played with the Thad Jones/ Mel Lewis Orchestra in the 1970s, and was a member of Max Roach's quartet from 1971–1978. In 1979, Harper formed his own group, touring with it and documenting its music on the recording ''Billy Harper Quintet in Europe'', and he was featured as a soloist on a 1983 recording, ''Such Great Friends'', with virtuoso, v ...
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Edmund Sears
Edmund Hamilton Sears (April 6, 1810 – January 14, 1876) was an American Unitarian parish minister and author who wrote a number of theological works influencing 19th-century liberal Protestants. Today, Sears is primarily known as the man who penned the words to "It Came Upon the Midnight Clear" in 1849. It has been sung to two tunes, one by Richard Storrs Willis and another adapted by Arthur Sullivan from a traditional English air. Sears originally wrote the song as a melancholy reflection on his times while a minister in Wayland, Massachusetts, US. However, "It Came Upon the Midnight Clear" has since become a popular Christmas carol. Biography Born on April 6, 1810, the youngest of three sons of Joseph and Lucy (Smith) Sears, Edmund grew up on a farm within sight of the Berkshire Hills, in Sandisfield, Massachusetts. Sears attended Union College, in Schenectady, New York, where he was a member of the Delta Phi fraternity. Following graduation from Union in 1834, Sears s ...
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Newman Taylor Baker
Newman Taylor Baker (born February 4, 1943) is a jazz drummer and a washboard player. Early life Newman Taylor Baker's paternal grandfather, Thomas Nelson Baker Sr., was the only former slave to receive a PhD from Yale University (1906). His father (chemistry) and siblings graduated from Oberlin College and Conservatory. Edith Baker (voice and piano), Ruth B. Baker (voice and piano), and Harry B. Baker (piano and organ), his aunts and uncle, were graduates of Oberlin Conservatory of Music. His maternal grandfather, Reverend Newman D. Taylor, known as the "Roland Hayes" of Mississippi, gave vocal recitals throughout the state and his uncle, Newman C. Taylor, accompanied him on piano. His aunt, India Taylor Johnson (a classmate of Dr. Billy Taylor at Virginia State University), was a vocal music and piano teacher in the Norfolk, VA public school system. His parents were Ruth Taylor Baker, born Yazoo City, Mississippi, and Dr. T. Nelson Baker, Jr, born Pittsfield, Massachusetts. N ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Clarence Seay
Clarence Seay (born January 7, 1957, Washington, DC) is a jazz bassist and composer. He has been an acoustic bassist with the Wallace Roney Quintet for over 15 years. Seay, also known as "Big C", is a disciple of the Paul Chambers school of jazz bass playing which features a style of walking harmonically inventive bass lines in a robust manner by positioning strings relatively high from the fingerboard – a practice mostly abandoned by modern bass players because of its physical difficulty. In addition to Roney, Seay has recorded and/or toured domestically and internationally with several renowned jazz artists and groups including Art Blakey and the Jazz Messengers, Wynton Marsalis, Yanow, Scott. allmusic/ref> Billy Harper, Chico Freeman, Lou Donaldson and the Smithsonian Jazz Works Orchestra. Seay attended Duke Ellington School of the Arts in Washington, DC, with Wallace Roney and Gregory Charles Royal in the 1970s and attended Howard University with them and pianist Geri ...
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John Clark (musician)
John Clark is an American jazz horn player and composer. In Allmusic, Clark is described as "possibly the most fluent jazz French horn soloist since the great Julius Watkins in the 1950s."Scott YannoJohn Clark:Il Suono(review), accessed 2020-12-27 Biography John Clark was born in Brooklyn and grew up in Rochester, New York. In 1966 he received a B.A.from the University of Rochester, where he also studied horn with Verne Reynolds at the Eastman School of Music. From 1967 until 1971 he played in the United States Coast Guard Band. Clark received a M.M. degree (with honors) from the New England Conservatory of Music in 1973. He studied composition and improvisation with Jaki Byard, Ran Blake, and George Russell; and horn with James Stagliano, Thomas Newell, and Paul Ingraham. In 1991 he received a patent for the "hornette," an instrument with the same range as a French Horn but with a forward-facing bell for greater projection. He taught at the State University of New York at P ...
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Eddie Henderson (musician)
Eddie Henderson (born October 26, 1940) is an American jazz trumpet and flugelhorn player. He came to prominence in the early 1970s as a member of pianist Herbie Hancock's Mwandishi band, going on to lead his own electric/fusion groups through the decade. Henderson earned his medical degree and worked a parallel career as a psychiatrist and musician, turning back to acoustic jazz by the 1990s. Family influence and early music history Henderson was born in New York City on October 26, 1940. At the age of nine he was given an informal lesson by Louis Armstrong, and he continued to study the instrument as a teenager in San Francisco, where he grew up, after his family moved there in 1954, at the San Francisco Conservatory of Music. Henderson was influenced by the early fusion work of jazz musician Miles Davis, who was a friend of his parents.
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Richard Storrs Willis
Richard Storrs Willis (February 10, 1819 – May 10, 1900) was an American composer, mainly of hymn music. His best known melody is probably the one called, simply, '' Carol''. This is the standard tune, in the United States, though not in Great Britain, of the much-loved hymn "It Came Upon the Midnight Clear" (1850), with lyrics by Edmund Sears. He was also a music critic and journal editor. Biography Willis, whose siblings included Nathaniel Parker Willis and Fanny Fern, was born on February 10, 1819, in Boston, Massachusetts. He attended Chauncey Hall, the Boston Latin School, and Yale College where he was a member of Skull and Bones in 1841. Willis then went to Germany, where he studied six years under Xavier Schnyder and Moritz Hauptmann Moritz Hauptmann (13 October 1792, Dresden – 3 January 1868, Leipzig), was a German music theorist, teacher and composer. His principal theoretical work is the 1853 ''Die Natur der Harmonie und der Metrik'' explores numerous topics, part ...
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It Came Upon A Midnight Clear
"It Came Upon the Midnight Clear", sometimes rendered as "It Came Upon a Midnight Clear", is an 1849 poem and Christmas carol written by Edmund Sears, pastor of the Unitarian Church in Wayland, Massachusetts. In 1850, Sears' lyrics were set to "Carol", a tune written for the poem the same year at his request, by Richard Storrs Willis. This pairing remains the most popular in the United States, while in Commonwealth countries, the lyrics are set to "Noel", a later adaptation by Arthur Sullivan from an English melody. History Edmund Sears composed the five-stanza poem in common metre doubled during 1849. It first appeared on December 29, 1849, in ''The Christian Register'' in Boston, Massachusetts. Sears served the Unitarian congregation in Wayland, Massachusetts, before moving on to a larger congregation at First Church of Christ, Unitarian, in Lancaster, also known as The Bulfinch Church, for its design by Charles Bulfinch. After seven years, he suffered a breakdow ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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JazzTimes
''JazzTimes'' is an American magazine devoted to jazz. Published 10 times a year, it was founded in Washington, D.C. in 1970 by Ira Sabin as the newsletter ''Radio Free Jazz'' to complement his record store. Coverage After a decade of growth in subscriptions, deepening of writer pools, and internationalization, ''Radio Free Jazz'' expanded its focus and, at the suggestion of jazz critic Leonard Feather, changed its name to ''JazzTimes'' in 1980. Sabin's Glenn joined the magazine staff in 1984. In 1990, ''JazzTimes'' incorporated exclusive cover photography and higher quality art and graphic design. The magazine reviews audio and video releases concerts, instruments, music supplies, and books. It also includes a guide to musicians, events, record labels, and music schools. David Fricke, whose writing credits include ''Rolling Stone'', '' Melody Maker'' and ''Mojo'', also contributes to the magazine. Web traffic JazzTimes.com was redesigned in 2019. Among its most popular s ...
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