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Soul Rock (music)
Soul rock may refer to: * Psychedelic soul, a music genre where black soul musicians embrace elements of psychedelic rock * Brown-eyed soul, a subgenre performed in the United States mainly by Latinos in Southern California * Cinematic soul, a music genre combining traditional rock/soul arrangements with orchestral instruments * Plastic soul, soul music that is believed to lack authenticity * Progressive soul, soul music that takes inspiration from progressive rock bands/artists. See also * Rock and Soul (other) * Soul Rocker, a Mexican luchador * " Soul Rock", a song by Billy Ocean * '' Rubber Soul'', a 1965 album by the Beatles * ''Let's Dance'' (David Bowie album), a 1983 album by David Bowie * ''Young Americans'', 1975 album by David Bowie * Blue-eyed soul Blue-eyed soul (also called white soul) is rhythm and blues (R&B) and soul music performed by white artists. The term was coined in the mid-1960s, to describe white artists whose sound was similar to that of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Soul
Psychedelic soul (originally called black rock or conflated with psychedelic funk) is a music genre that emerged in the late 1960s and saw Black soul musicians embrace elements of psychedelic rock, including its production techniques, instrumentation, effects units (wah-wah pedal, phaser, etc.) and drug influences. It came to prominence in the late 1960s and continued into the 1970s, playing a major role in the development of funk and disco. Pioneering acts working in the genre included Sly and the Family Stone, Jimi Hendrix, Isaac Hayes, and the Temptations. Mainstream acts that developed a psychedelic sound included the Supremes, Stevie Wonder, the Chambers Brothers, the 5th Dimension, Edwin Starr, Rare Earth, Arthur Brown and George Clinton's Parliament-Funkadelic ensemble. History Origins Following the lead of Jimi Hendrix in psychedelic rock, in the late 1960s psychedelia began to have a widespread impact on Afro American musicians, particularly the stars of the Moto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brown-eyed Soul
Brown-eyed soul, also referred to as Chicano soul, is soul music performed in the United States mainly by Latinos in Southern California, East Los Angeles, and San Antonio (Texas) during the 1960s, continuing through to the early 1980s. AllMusic: Brown-eyed Soul All Media Guide, LLC. Retrieved on 2008-12-30. The trend of Latinos started with Latino rock and roll and rock musicians. "Brown eyed soul" contrasts with blue-eyed soul, soul music performed by non-Latino white artists. History Critic Ruben Molina said roots of chicano soul music was from the 1950s jazz, blues, doo wop, jump blues, latin jazz, rock, ranchera, norteno, and conjunto music in the West Coast, Texas Latino communities. Latino artists began to draw inspiration from African American R&B hits, and as a result, Latino soul began sounding very similar to African American soul music. Early artists owed little to traditional Latin and rarely performed in Spanish. Latin rock singer Ritchie Valens, also became one of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinematic Soul
Cinematic soul is a genre of soul music with a "cinematic" style, combining traditional rock / soul arrangements with orchestral instruments. Style Cinematic soul builds on the foundations of soul music. The backing track can include drum kit, drums, bass guitar, Hohner Clavinet, clavinet and electric guitar played with a wah-wah pedal. On top of this are orchestral instruments including a string section and brass instrument, brass, similar to that heard on a movie soundtrack. History During their psychedelic soul period of 1968-73, The Temptations created what is described as "cinematic soul", songs, often long in length, with longer instrumental introductions and detailed orchestration. Two such examples are the Temptations' 1972 recording of "Papa Was a Rollin' Stone", and their follow-up single, "Masterpiece (The Temptations song), Masterpiece". Isaac Hayes' "Theme from Shaft, Theme from ''Shaft''" was considered another good example of cinematic soul, and subsequently influen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plastic Soul
Plastic soul is described as soul music that is believed to lack authenticity. Usages Paul McCartney referenced the phrase as the name of the Beatles 1965 album ''Rubber Soul'', which was inspired by the term "plastic soul". In a studio conversation recorded in June 1965 after recording the first take of "I'm Down", McCartney says "Plastic soul, man. Plastic soul." David Bowie also described his own funky, soulful songs released in the early to mid-1970s as "plastic soul". These singles sold well, and Bowie became one of the few white performers to be invited to perform on ''Soul Train''. In a 1976 ''Playboy'' interview, Bowie described his recent album ''Young Americans'' as "the definitive plastic soul record. It's the squashed remains of ethnic music as it survives in the age of Muzak, written and sung by a white limey." Bowie's most commercially successful album, '' Let's Dance'', has also been described as plastic soul. See also *Selling out *Commercialism *Artistic int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Soul
Progressive soul (often shortened to prog-soul; also called black prog, black rock, and progressive R&B) is a type of African-American music that uses a progressive approach, particularly in the context of the soul and funk genres. It developed in the late 1960s and early 1970s through the recordings of innovative black musicians who pushed the structural and stylistic boundaries of those genres. Among their influences were musical forms that arose from rhythm and blues music's transformation into rock, such as Motown, progressive rock, psychedelic soul, and jazz fusion. Progressive soul music can feature an eclectic range of influences, from both African and European sources. Musical characteristics commonly found in works of the genre are traditional R&B melodies, complex vocal patterns, rhythmically-unified extended composition, ambitious rock guitar, and instrumental techniques borrowed from jazz. Prog-soul artists often write songs around album-oriented concepts and socially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock And Soul (other)
Rock and Soul may refer to: * ''Rock'n Soul'' (Everly Brothers album), a 1965 album by the Everly Brothers * ''Rock 'n Soul'' (Solomon Burke album), a 1964 album by Solomon Burke *'' Rock 'n Soul Part 1'', 1983 compilation album by Hall & Oates {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Rocker
Ignacio Patiño (born February 11, 1986), better known under the ring names Soul Rocker and Tito Santana is a Mexican ''professional wrestling, luchador'', or professional wrestler, currently working for Lucha Libre AAA Worldwide (AAA). He is the son of retired ''luchador'' Kendor and actually worked as Kendor II early in his career. From 2005 through 2012, he used the name Tito Santana, although he is not related to the better-known Tito Santana. He began using the name again in 2017 after losing his mask. As Soul Rocker he wore wrestling gear reminiscent of the elaborate stage costumes of the rock group Kiss (band), Kiss. The Soul Rocker character was originally introduced as part of a group called ''Los Inferno Rockers'' (with Black Taurus, Machine Rocker, Devil Rocker, Último Gladiador, Demon Rocker and Uru Rocker). Tito Santana is currently part of a trio known as ''El Poder del Norte'' (formerly ''El Nuevo Poder del Norte'') along with Carta Brava Jr. and Mocho Cota Jr. tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Rock
Soul rock may refer to: * Psychedelic soul, a music genre where black soul musicians embrace elements of psychedelic rock * Brown-eyed soul, a subgenre performed in the United States mainly by Latinos in Southern California * Cinematic soul, a music genre combining traditional rock/soul arrangements with orchestral instruments * Plastic soul, soul music that is believed to lack authenticity * Progressive soul, soul music that takes inspiration from progressive rock bands/artists. See also * Rock and Soul (other) * Soul Rocker, a Mexican luchador * " Soul Rock", a song by Billy Ocean * '' Rubber Soul'', a 1965 album by the Beatles * ''Let's Dance'' (David Bowie album), a 1983 album by David Bowie * ''Young Americans'', 1975 album by David Bowie * Blue-eyed soul Blue-eyed soul (also called white soul) is rhythm and blues (R&B) and soul music performed by white artists. The term was coined in the mid-1960s, to describe white artists whose sound was similar to that of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubber Soul
''Rubber Soul'' is the sixth studio album by the English rock band the Beatles. It was released on 3 December 1965 in the United Kingdom, on EMI's Parlophone label, accompanied by the non-album double A-side single "Day Tripper" / "We Can Work It Out". The original North American release, issued by Capitol Records, contains ten of the fourteen songs and two tracks withheld from the band's ''Help!'' album. ''Rubber Soul'' was met with a highly favourable critical response and topped sales charts in Britain and the United States for several weeks. The recording sessions took place in London over a four-week period beginning in October 1965. For the first time in their career, the Beatles were able to record an album free of concert, radio or film commitments. Often referred to as a folk rock album, particularly in its Capitol configuration, ''Rubber Soul'' incorporates a mix of pop, soul and folk musical styles. The title derives from the colloquialism "plastic soul" and was the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let's Dance (David Bowie Album)
''Let's Dance'' is the 15th studio album by English singer-songwriter David Bowie, released on 14 April 1983 through EMI America Records. After the release of '' Scary Monsters'' (1980), Bowie began a period of numerous musical collaborations and film appearances. By 1982, he left RCA Records out of dissatisfaction and signed with EMI America. Wanting a fresh start, he chose Nile Rodgers of the band Chic to co-produce his next record. The album was recorded in December 1982 at the Power Station in New York City. The sessions featured entirely new players, including then-unknown Texas blues guitarist Stevie Ray Vaughan on lead guitar. For the first time ever, Bowie only sang and played no instruments. Musically, ''Let's Dance'' has been described as a post-disco record, with elements of dance-rock, dance-pop and new wave. It contains three cover songs: Iggy Pop's "China Girl", which Bowie and Pop had recorded together for the latter's ''The Idiot'' (1977); Metro's "Cri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Young Americans
''Young Americans'' is the ninth studio album by English musician David Bowie, released on 7March 1975 through RCA Records. The album marked a departure from the glam rock style of Bowie's previous albums, showcasing his interest in soul and R&B. Commentators have described the record as blue-eyed soul, although Bowie himself labelled the album's sound "plastic soul". Initial recording sessions took place following the first leg of his Diamond Dogs Tour in August 1974 at Sigma Sound Studios in Philadelphia with producer Tony Visconti and a variety of musicians, including guitarist Carlos Alomar, who would become one of Bowie's most frequent collaborators. Backing vocalists included singer Ava Cherry, Alomar's wife Robin Clark and then-unknown singer Luther Vandross. After the initial sessions, the tour continued, with the setlist and design changed due to the influence of the new material recorded. This portion of the tour has been labeled the Soul tour. At the end of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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