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Sophisticated Lady (ballet)
"Sophisticated Lady" is a jazz standard, composed as an instrumental in 1932 by Duke Ellington. Background Additional credit is given to publisher Irving Mills whose words were added to the song by Mitchell Parish. The words met with approval from Ellington, who described them as "wonderful—but not entirely fitted to my original conception". That original conception was inspired by three of Ellington's grade school teachers. "They taught all winter and toured Europe in the summer. To me that spelled sophistication." Lawrence Brown, the trombone player in Ellington's band at the time, claimed that he was responsible for the main hook in the A section of the tune. Ellington paid him $15 for his contribution, but he was never officially credited. Duke Ellington and His Orchestra introduced "Sophisticated Lady" in 1933 with an instrumental recording of the song that featured solos by Toby Hardwick on alto sax, Barney Bigard on clarinet, Lawrence Brown on trombone and Ellington o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All Or Nothing At All (album)
''All or Nothing at All'' is a studio album by Billie Holiday, released in 1958 on Verve Records, catalog MGV8329. There are 12 songs on the LP taken from five different recording sessions that took place in 1956 and 1957. Holiday was backed by a "relaxed and understanding" small combo which included the trumpeter Harry "Sweets" Edison and the saxophonist Ben Webster. A 1959 ''New York Times'' article noted that Holiday's voice "had become a very limited instrument which she used with the craft and guile of an aging pitcher who can no longer pour his fast one across the plate." Album cover art is by David Stone Martin. Track listing Original LP release LP side 1 #"Do Nothing till You Hear from Me" ( Duke Ellington, Bob Russell) – 4:12 #"Cheek to Cheek" (Irving Berlin) – 3:35 #" Ill Wind" ( Harold Arlen, Ted Koehler) – 6:14 #"Speak Low" (Ogden Nash, Kurt Weill) – 4:25 #"We'll Be Together Again" (Carl T. Fischer, Frankie Laine) – 4:24 #"All or Nothing at All" (Arthur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Redman
Donald Matthew Redman (July 29, 1900 – November 30, 1964) was an American jazz musician, music arrangement, arranger, bandleader, and composer. Biography Redman was born in Piedmont, West Virginia, Piedmont, Mineral County, West Virginia, United States. His father was a music teacher, his mother was a singer. Beginning by playing the trumpet at the age of three, Redman joined his first band at the age of six and by the age of 12 was proficient on all wind instruments ranging from trumpet to oboe as well as piano. He studied at Storer College in Harper's Ferry and at the Boston Conservatory, then joined Billy Page's Broadway Syncopaters in New York City. He was the uncle of saxophonist Dewey Redman, and thus great-uncle of saxophonist Joshua Redman and trumpeter Carlos Redman. Career In 1923, Redman joined the Fletcher Henderson orchestra, mostly playing clarinet and saxophones. He began writing arrangements, and Redman did much to formulate the sound that was to become Swing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spud Murphy
Miko Stefanovic (August 19, 1908 – August 5, 2005), better known as Lyle 'Spud' Murphy, was an American jazz multi-instrumentalist, bandleader, and arranger. Early life Born Miko Stefanovic to Serbian émigré parents in Berlin, Germany, Murphy grew up in Salt Lake City, Utah, where he took the name of a childhood friend. Music career Murphy studied clarinet and saxophone when young and took trumpet lessons from Red Nichols's father. He worked with Jimmy Joy in 1927–28 and with Ross Gorman and Slim Lamar (on oboe) in 1928. He worked in the early 1930s as saxophonist and arranger for Austin Wylie, Jan Garber, Mal Hallett, and Joe Haymes, then became a staff arranger for Benny Goodman from 1935–1937. At the same time he contributed arrangements for the Casa Loma Orchestra, Isham Jones, and Les Brown. From 1937–1940 Murphy led a big band, and from 1938–39 recorded for Decca Records and Bluebird Records. In the 1940s he moved to Los Angeles, where worked in studios and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk Plays Duke Ellington
''Thelonious Monk Plays Duke Ellington'' is an album by jazz pianist Thelonious Monk that was released by Riverside in 1955. It was also released under the title ''Thelonious Monk Plays the Music of Duke Ellington''. The album contains Monk's versions of songs by Duke Ellington. The album was reissued by Riverside on March 27, 2007, in the United States and on April 16, 2007, in the United Kingdom. Background Although Monk occasionally performed covers, he primarily played his own compositions. He had recorded several albums of originals during 1953-54 for his previous label, Prestige. But there was a perception, particularly among music critics, that Monk's music was "too difficult" for the mainstream public, and his Prestige albums sold poorly. After Riverside bought out Monk's contract in 1954 for slightly over $100, Riverside convinced Monk to record an entire album of Ellington tunes, an idea of record producer Orrin Keepnews. Monk's only 1955 session including his origin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", "Blue Monk", " Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the cover of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Great Concert Of Charles Mingus
''The Great Concert of Charles Mingus'' is a live album by the jazz bassist and composer Charles Mingus, recorded at the Théâtre des Champs-Élysées, Paris, France, on April 19, 1964. It was originally released as a triple album in 1971 on the French America label. The album was recorded just two days after the live sessions that produced ''Revenge!'', which was also recorded live in Paris. Track listing All songs written by Charles Mingus, except where noted. On the original vinyl release, "So Long Eric (Don’t Stay Over There Too Long)" was credited as "Goodbye Pork Pie Hat", "Parkeriana" was credited as "Parker Iana", "Meditations On Integration" was credited as "Meditation For Integration". These three errors have been corrected in subsequent editions on CD. On April 18, during the preceding concert at The Salle Wagram, after playing "So Long Eric", Johnny Coles became ill and fainted on stage. For this reason, Coles only appears on "So Long Eric." Coles can be heard on r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Mingus
Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz upright bassist, pianist, composer, bandleader, and author. A major proponent of collective improvisation, he is considered to be one of the greatest jazz musicians and composers in history,See the 1998 documentary ''Triumph of the Underdog'' with a career spanning three decades and collaborations with other jazz musicians such as Louis Armstrong, Duke Ellington, Charlie Parker, Dizzy Gillespie, and Herbie Hancock. Mingus' compositions continue to be played by contemporary musicians ranging from the repertory bands Mingus Big Band, Mingus Dynasty, and Mingus Orchestra, to the high school students who play the charts and compete in the Charles Mingus High School Competition. In 1993, the Library of Congress acquired Mingus' collected papers—including scores, sound recordings, correspondence and photos—in what they described as "the most important acquisition of a manuscript collection relating to jaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Duets (Mulgrew Miller Album)
''The Duets'' is a studio album by American jazz pianist Mulgrew Miller and Danish bassist Niels-Henning Ørsted Pedersen. The album was recorded in Copenhagen on the Bang & Olufsen label and released in 1999. The record features famous compositions by pianist Duke Ellington as well as two originals by bandmembers. Their duo later became a trio with the occasional inclusion of drummer Alvin Queen in 2000. Background In 1999–2000, Pedersen had the opportunity to make a studio recording to celebrate Duke Ellington's 100th birthday. The session was initially planned as a piano-and-bass duo, so NHØP chose Miller, whom he had never played with before. From that occasion on, they played together and had an affinity both as men and musicians. They opted for a repertoire based on the historic 1941 Duke Ellington–Jimmy Blanton James Blanton (October 5, 1918 – July 30, 1942) was an American jazz double bassist. Blanton is credited with being the originator of more complex pizzicato ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niels-Henning Ørsted Pedersen
Niels-Henning Ørsted Pedersen (, 27 May 1946 – 19 April 2005), also known by his abbreviated nickname NHØP, was a Danish jazz double bassist. Biography Pedersen was born in Osted, near Roskilde, on the Danish island of Zealand, the son of a church organist. As a child, Ørsted Pedersen played piano, but from the age of 13, he started learning to play upright bass and at the age of 14, while studying, he began his professional jazz career in Denmark with his first band, Jazzkvintet 60 (Danish for Jazz Quintet 60). By the age of fifteen, he had the ability to accompany leading musicians at nightclubs, working regularly at Copenhagen's Jazzhus Montmartre, after his debut there on New Year's Eve 1961, when he was only 15. When seventeen, he had already turned down an offer to join the Count Basie orchestra, mainly because he was too young to get legal permission to live and work as a musician in the United States. The Montmartre was a regular stop-off for touring American Jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mulgrew Miller
Mulgrew Miller (August 13, 1955 – May 29, 2013) was an American jazz pianist, composer, and educator. As a child he played in churches and was influenced on piano by Ramsey Lewis and then Oscar Peterson. Aspects of their styles remained in his playing, but he added the greater harmonic freedom of McCoy Tyner and others in developing as a hard bop player and then in creating his own style, which influenced others from the 1980s on. After leaving university he was pianist with the Duke Ellington Orchestra for three years, then accompanied vocalist Betty Carter. Three-year stints with trumpeter Woody Shaw and with drummer Art Blakey's high-profile Jazz Messengers followed, by the end of which Miller had formed his own bands and begun recording under his own name. He was then part of drummer Tony Williams' quintet from its foundation, while continuing to play and record with numerous other leaders, mostly in small groups. Miller was Director of Jazz Studies at William Paterso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silver Rain
''Silver Rain'' is an album by bassist Marcus Miller. Named after a poem by Langston Hughes, it was released in 2005. Allmusic Review: ''Silver Rain''accessed 31 March 2013 Track listing All compositions by Marcus Miller, except as noted. # "Intro Duction" – 0:30 # " Bruce Lee" – 5:23 # "La Villette" (Miller, Lalah Hathaway) – 5:54 # "Behind The Smile" – 6:24 # "Frankenstein" (Edgar Winter) – 6:33 # "Moonlight Sonata" (Ludwig van Beethoven) – 7:38 # " Boogie On Reggae Woman" ( Stevie Wonder) – 5:02 # "Paris (Interlude)" – 1:14 # "Silver Rain" (Miller, Eric Clapton, Joey Kibble, Bill Withers) – 6:08 # "Make Up My Mind" – 3:42 # " Girls and Boys" (Prince) – 5:36 # "Sophisticated Lady" ( Duke Ellington, Irving Mills, Mitchell Parish) – 5:23 # "Power of Soul" ( Jimi Hendrix) – 6:53 # "Outro Duction" – 0:53 # "If Only For One Night" ( Brenda Russell) -> "Silver Rain (reprise)" – 8:11 Personnel *Marcus Miller – Organ, Synthesizer, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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