Somethin' Sanctified
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Somethin' Sanctified
''Somethin' Sanctified'' is an album by American jazz trombonist, composer and arranger Slide Hampton which was released on the Atlantic label in 1961.Atlantic Records Catalog: 1300 Series
accessed October 29, 2015


Reception

gave the album 3 stars.Allmusic listing
accessed October 29, 2015


Track listing

# "

Slide Hampton
Locksley Wellington Hampton (April 21, 1932 – November 18, 2021) was an American jazz trombonist, composer and arranger. As his nickname implies, Hampton's main instrument was slide trombone, but he also occasionally played tuba and flugelhorn. Biography Early life and career Locksley Wellington Hampton was born on April 21, 1932, in Jeannette, Pennsylvania. Laura and Clarke "Deacon" Hampton raised 12 children, taught them how to play musical instruments and set out with them as a family band. The family first came to Indianapolis in 1938. The Hamptons were a very musical family in which mother, father, eight brothers, and four sisters, all played instruments. His sisters included Dawn Hampton and Virtue Hampton Whitted. Slide Hampton is one of the few left-handed trombone players. As a child, Hampton was given the trombone set up to play left-handed, or backwards; and as no one ever dissuaded him, he continued to play this way. At the age of 12, Slide played in his family's ...
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Baritone Horn
The baritone horn, or sometimes just called baritone, is a low-pitched brass instrument in the saxhorn family.Robert Donington, "The Instruments of Music", (pp. 113ff ''The Family of Bugles'') 2nd ed., Methuen, London, 1962 It is a piston-valve brass instrument with a bore that is mostly conical (like the higher pitched flugelhorn and alto (tenor) horn) but it has a narrower bore compared to the similarly pitched euphonium. It uses a wide-rimmed cup mouthpiece like that of its peers, the trombone and euphonium. Like the trombone and the euphonium, the baritone horn can be considered either a transposing or non-transposing instrument. In the UK, the baritone horn is part of the standardised instrumentation of brass bands. In concert band music, there is often a part marked ''baritone'', but these parts are most commonly intended for, and played on, the euphonium. A baritone can also play music written for a trombone due to similar pitches. Construction and general charac ...
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Slide Hampton Albums
Slide or Slides may refer to: Places *Slide, California, former name of Fortuna, California Arts, entertainment, and media Music Albums * ''Slide'' (Lisa Germano album), 1998 * ''Slide'' (George Clanton album), 2018 *''Slide'', by Patrick Gleeson, 2007 * ''Slide'' (Luna EP), 1993 * ''Slide'' (Madeline Merlo EP), 2022 Songs * "Slide" (The Big Dish song), 1986 * "Slide" (Goo Goo Dolls song), 1998 * "Slide" (Calvin Harris song), 2017 * "Slide" (French Montana song), 2019 * "Slide" (H.E.R. song), 2019 * "Slide" (Slave song), 1977 * "Step Back"/"Slide", by Superheist, 2001 *"Slide", by Dido from ''No Angel'' *"Slide", by Madeline Merlo from ''Slide'', 2022 *"The Slide", by Cowboy Junkies from ''One Soul Now'' Other uses in music *Slide (musical ornament), a musical embellishment found particularly in Baroque music *Slide (tune type), a tune type in Irish traditional music, common to the Sliabh Luachra area *Slide, a 1970s disco side project of Rod McKuen's *''The Slide'', a jukebox m ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Pete La Roca
Pete "La Roca" Sims (born Peter Sims; April 7, 1938 – November 20, 2012, known as Pete La Roca from 1957 until 1968) was an American jazz drummer and attorney. Born and raised in Harlem, New York City, Harlem by a pianist mother and a stepfather who played trumpet, he was introduced to jazz by his uncle Kenneth Bright, a major shareholder in Circle Records and the manager of rehearsal spaces above the Lafayette Theatre (Harlem), Lafayette Theater. Sims studied percussion at the Fiorello H. LaGuardia High School, High School of Music and Art and at the City College of New York, where he played tympani in the CCNY Orchestra. He adopted the name La Roca early in his musical career, when he played timbales for six years in Latin jazz, Latin bands. In the 1970s, during a hiatus from jazz performance, he resumed using his original surname. When he returned to jazz in the late 1970s, he usually inserted "La Roca" into his name in quotation marks to help audiences familiar with his earl ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Larry Ridley
Larry Ridley (born September 3, 1937) is an American jazz bassist and music educator. Allmusic Biography/ref> Biography Ridley was born and reared in Indianapolis, Indiana. He began performing professionally while still in high school in the 1950s. He studied at the Indiana University School of Music and later at the Lenox School of Jazz. Ridley has been involved in jazz education, heading the jazz program at Rutgers University. David Baker, another Indianapolis native and notable jazz musician, was one of his prime mentors. Ridley was bassist for David Baker's Big band during his studies at Indiana University. Ridley served as chairman of the Jazz Panel of the National Endowment for the Arts (NEA) and was the organization's National Coordinator of the "Jazz Artists in Schools" Program for five years (1978–1982). Ridley is a recipient of the MidAtlantic Arts Foundation's "Living Legacy Jazz Award", a 1998 inductee the International Association for Jazz Education Hall of Fame ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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George Coleman
George Edward Coleman (born March 8, 1935) is an American jazz saxophonist known for his work with Miles Davis and Herbie Hancock in the 1960s. In 2015, he was named an NEA Jazz Master. Early life Coleman was born in Memphis, Tennessee. He was taught how to play the alto saxophone in his teens by his older brother Lucian Adams, inspired (like many jazz musicians of his generation) by Charlie Parker. Among his schoolmates were Harold Mabern, Booker Little, Frank Strozier, Hank Crawford, and Charles Lloyd. Later life and career After working with Ray Charles, Coleman started working with B.B. King in 1953, at which point he switched to tenor saxophone. In 1956 Coleman moved to Chicago, along with Booker Little, where he worked with Gene Ammons and Johnny Griffin before joining Max Roach's quintet (1958–1959). Coleman recorded with organist Jimmy Smith on his album ''House Party'' (1957), along with Lee Morgan, Curtis Fuller, Kenny Burrell, and Donald Bailey. Moving to New ...
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Bass Clarinet
The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays notes an octave below the soprano B clarinet. Bass clarinets in other keys, notably C and A, also exist, but are very rare (in contrast to the regular A clarinet, which is quite common in classical music). Bass clarinets regularly perform in orchestras, wind ensembles and concert bands, and occasionally in marching bands, and play an occasional solo role in contemporary music and jazz in particular. Someone who plays a bass clarinet is called a bass clarinettist or a bass clarinetist. Description Most modern bass clarinets are straight-bodied, with a small upturned silver-colored metal bell and curved metal neck. Early examples varied in shape, some having a doubled body making them look similar to bassoons. The bass clarinet is fairly heavy and is suppor ...
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Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ...
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Jay Cameron
Jay Cameron (September 14, 1928 – March 20, 2001) was an American jazz reed musician who played the bass clarinet, baritone saxophone, and B-flat clarinet. Career Cameron began as an alto saxophonist but later recorded with bass clarinet, baritone saxophone, and B-flat clarinet. His career began in the early 1940s in Hollywood with Isaac M. Carpenter's band, with whom he played until 1947. Cameron moved to Europe near the end of the decade and played with Rex Stewart, Bill Coleman, Roy Haynes and Henri Renaud in France and Italy; in the early 1950s Cameron gigged around Belgium, Germany, and Scandinavia. In 1955 he played steadily in Paris with a band that included Bobby Jaspar, Barney Wilen and Jean-Louis Chautemps. He returned to the United States in 1956, playing in the bands of Woody Herman (1956) and Slide Hampton (1960). He also worked with Chet Baker, Dizzy Gillespie, Maynard Ferguson (1957–58), Freddie Hubbard (1958), Candido Camero, Bill Barron, André Hodeir, Ha ...
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