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Society For Asian Music
The Society for Asian Music is an academic society founded in 1959. Its journal ''Asian Music'' was established in 1969. It is an English-language journal covering ethnomusicology in Asian music. Editors-in-chief have included the musicologists Mark Slobin Mark Slobin is an American scholar and ethnomusicologist who has written extensively on the subject of East European Jewish music and klezmer music, as well as the music of Afghanistan, where he conducted research beginning in 1967. He is Winsl ..., Martin Hatch, Sean Williams,Asian music: journal of the Society for Asian Music - Volume 37 - Page 163 Society for Asian Music - 2006. and currently Ricardo Trimillos. References {{Authority control Music organizations based in the United States ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Learned Society
A learned society (; also learned academy, scholarly society, or academic association) is an organization that exists to promote an discipline (academia), academic discipline, profession, or a group of related disciplines such as the arts and science. Membership may be open to all, may require possession of some qualification, or may be an honour conferred by election. Most learned societies are non-profit organizations, and many are professional associations. Their activities typically include holding regular academic conference, conferences for the presentation and discussion of new research results and publishing or sponsoring academic journals in their discipline. Some also act as Professional association, professional bodies, regulating the activities of their members in the public interest or the collective interest of the membership. History Some of the oldest learned societies are the Académie des Jeux floraux (founded 1323), the Sodalitas Litterarum Vistulana (founded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethnomusicology
Ethnomusicology is the study of music from the cultural and social aspects of the people who make it. It encompasses distinct theoretical and methodical approaches that emphasize cultural, social, material, cognitive, biological, and other dimensions or contexts of musical behavior, in addition to the sound component. Within musical ethnography it is the first-hand personal study of musicking as known as the act of taking part in a musical performance. Folklorists, who began preserving and studying folklore music in Europe and the US in the 19th century, are considered the precursors of the field prior to the Second World War. The term ''ethnomusicology'' is said to have been coined by Jaap Kunst from the Greek words ἔθνος (''ethnos'', "nation") and μουσική (''mousike'', "music"), It is often defined as the anthropology or ethnography of music, or as musical anthropology.Seeger, Anthony. 1983. ''Why Suyá Sing''. London: Oxford University Press. pp. xiii-xvii. Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asian Music
Asian music encompasses numerous musical styles originating in many Asian countries. Musical traditions in Asia * Music of Central Asia ** Music of Afghanistan (when included in the definition of Central Asia) ** Music of Kazakhstan ** Music of Kyrgyzstan ** Music of Mongolia (culturally Central Asia) ** Music of Tajikistan ** Music of Turkmenistan ** Music of Uzbekistan * Music of East Asia ** Music of Taiwan ** Music of China ** Music of Hong Kong ** Music of Japan ** Music of Korea *** Music of North Korea *** Music of South Korea ** Music of Tibet * Music of South Asia ** Asian Underground ** Music of Afghanistan ** Music of Bangladesh ** Music of Bhutan ** Music of India ** Ravanahatha ** Music of the Maldives ** Music of Nepal ** Music of Pakistan ** Music of Sri Lanka * Music of Southeast Asia **Music of Brunei **Music of Cambodia **Music of East Timor **Music of Indonesia ***Music of Sunda ***Music of Java ***Music of Bali **Music of Laos **Music of Malaysia **Music of My ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Editors-in-chief
An editor-in-chief (EIC), also known as lead editor or chief editor, is a publication's editorial leader who has final responsibility for its operations and policies. The highest-ranking editor of a publication may also be titled editor, managing editor, or executive editor, but where these titles are held while someone else is editor-in-chief, the editor-in-chief outranks the others. Description The editor-in-chief heads all departments of the organization and is held accountable for delegating tasks to staff members and managing them. The term is often used at newspapers, magazines, yearbooks, and television news programs. The editor-in-chief is commonly the link between the publisher or proprietor and the editorial staff. The term is also applied to academic journals, where the editor-in-chief gives the ultimate decision whether a submitted manuscript will be published. This decision is made by the editor-in-chief after seeking input from Peer review, reviewers selected on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Slobin
Mark Slobin is an American scholar and ethnomusicologist who has written extensively on the subject of East European Jewish music and klezmer music, as well as the music of Afghanistan, where he conducted research beginning in 1967. He is Winslow-Kaplan Professor of Music Emeritus at Wesleyan University, where he taught both music and American Studies from 1971 to 2016. He has been the president of the Society for Ethnomusicology and the Society for Asian Music. Two of his books on Jewish music have won the ASCAP-Deems Taylor Award. (2003). Conference: "Celebrating Jewish Music at Yale University", April 12-13, 2003. Yale University Library. library.yale.edu. Retrieved 2017-01 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sean Williams (ethnomusicologist)
Sean Williams (born 1959, Berkeley, California) is an ethnomusicologist who teaches at The Evergreen State College in Olympia, Washington. Her primary areas of teaching include music, Irish studies, and Asian studies; she leads the Sundanese music ensembles Gamelan Degung Girijaya (Enduring Mountain Gamelan) and Angklung Buncis Sukahejo. She received a BA in classical guitar performance from UC Berkeley in 1981, and an MA (1985) and Ph.D. (1990) in ethnomusicology from the University of Washington (Seattle). Awards * 1988 Fulbright Program Doctoral Research Fellowship * 1989 Ford Foundation Doctoral Dissertation Fellowship * 2012 Alan P. Merriam Prize for outstanding monograph in the field of ethnomusicology (for ''Bright Star of the West: Joe Heaney, Irish Song-Man'', co-written with Lillis Ó Laoire) Books Williams has written numerous articles about music in Indonesia, Ireland, and Japan, and written or edited several books about music, food, and grammar: * 1998 ''The Garland ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
