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So What Chord
In jazz harmony, a So What chord is a particular 5-note chord voicing. From the bottom note upwards, it consists of three perfect fourth intervals followed by a major third interval. It was employed by Bill Evans in the "'amen' response figure" to the head of the Miles Davis tune "So What". For example, an "E minor" So What chord is an Em11 voicing,: The So What chord is often used as an alternative to quartal voicings and may be used in diatonic and chromatic planing. It is identical to the standard tuning of a guitar's five lowest strings. It is essentially a minor eleventh chord, arranged as it would be played on a guitar (1, 4, 7, 3, 5). It may also be thought of as a five-note quartal chord (built from fourths) with the top note lowered by a semitone. More modern sounding than " tertial chords" (built from thirds), it is useful in comping; since the structure of quartal harmony is usually vague, many roots may be applied to the So What chord and it may work well in var ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Harmony
Jazz harmony is the theory and practice of how chords are used in jazz music. Jazz bears certain similarities to other practices in the tradition of Western harmony, such as many chord progressions, and the incorporation of the major and minor scales as a basis for chordal construction. In jazz, chords are often arranged vertically in major or minor thirds, although '' stacked fourths'' are also quite common. Also, jazz music tends to favor certain harmonic progressions and includes the addition of ''tensions'', intervals such as 9ths, 11ths, and 13ths to chords. Additionally, scales unique to style are used as the basis of many harmonic elements found in jazz. Jazz harmony is notable for the use of seventh chords as the basic harmonic unit more often than triads, as in classical music. In the words of Robert Rawlins and Nor Eddine Bahha, "7th chords provide the building blocks of jazz harmony." The piano and guitar are the two instruments that typically provide harmony for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tertial
In music theory, ''tertian'' ( la, tertianus, "of or concerning thirds") describes any piece, chord, counterpoint etc. constructed from the intervals of (major and minor) thirds. An interval such as that between the notes A and C encompasses 3 semitone intervals (A-B-B-C) and is termed a minor third while one such as that between C and E encompasses 4 semitones (C-D-D-E-E) and is called a major third. Tertian harmony (also called tertiary harmony ) principally uses chords based on thirds; the term is typically used to contrast with quartal and quintal harmony which uses chords based on fourths or fifths. A common triad chord can be regarded as consisting of a "stack" of two consecutive thirds. This allows for four permutations, each producing a chord with distinct quality: A musical scale may also be analyzed as a succession of thirds. The meantone temperament, a system of tuning that emphasizes pure thirds, may be called "tertian". Chords built from sixths may also b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Techniques
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Mantooth
Frank Mantooth (April 11, 1947 in Tulsa, Oklahoma – January 30, 2004 in Garden City, Kansas) was an American jazz pianist and arranger. Mantooth attended University of North Texas College of Music, graduating in 1969, then played in and arranged for the Air Force Academy Falconaires from 1969 to 1973. He spent the rest of the 1970s living in Austria, where he published arrangements for big bands and small ensembles. After his return to the U.S. in 1980, Mantooth worked as a pedagogue, arranger, and publisher in addition to performing. He taught at DePaul University and recorded with Phil Wilson, Ashley Alexander, and Kirsten Gustafson. He wrote music for Louie Bellson, Art Farmer, and Carla Helmbrecht. In 2004 he died from a heart attack at the age of 56 at his home in Garden City, Kansas. Discography * ''Our First'' ( Fontana, 1978) * ''Suite Tooth'' (Optimism, 1989) * ''Persevere'' (Optimism, 1990) * ''Dangerous Precedent'' (Sea Breeze, 1993) * ''Sophisticated Lady'' (Se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Jazz Piano Book
''The Jazz Piano Book'' is a method book written by Mark Levine. It was first published on January 1 1989. It aims to summarise the musical theory, including jazz harmony, required by an aspiring jazz pianist. Its target readership appears to be reading musicians who are new to jazz, implicitly classical musicians—there is very little discussion of physical pianistic technique, and only a very brief summary of musical intervals intended as a refresher. Another significant omission is any discussion of post-stride solo piano techniques—it is generally assumed that a bass player will be present to provide a root for the voicings that are discussed. The book covers a range of topics including left-hand voicings, scales and modes, improvisation, chords Chord may refer to: * Chord (music), an aggregate of musical pitches sounded simultaneously ** Guitar chord a chord played on a guitar, which has a particular tuning * Chord (geometry), a line segment joining two points on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Levine (musician)
Mark Jay Levine (October 4, 1938 – January 27, 2022) was an American jazz pianist, trombonist, composer, author and educator. Early life Levine was born in Concord, New Hampshire, on October 4, 1938. He began playing the piano at the age of five and started trombone in his early teens. He attended Boston University, and graduated with a degree in music in 1960. He also studied privately with Jaki Byard, Hall Overton, and Herb Pomeroy. Career After graduating, Levine moved to New York, where he freelanced and then played with musicians including Houston Person (1966), Mongo Santamaría (1969–70), and Willie Bobo (1971–74). Levine then moved to San Francisco, and played there with Woody Shaw in 1975–76. Levine made his first recording as a leader for Catalyst Records in 1976. He also played with the Blue Mitchell/Harold Land Quintet (1975–79), Joe Henderson, Stan Getz, Bobby Hutcherson, Luis Gasca, and Cal Tjader (1979–83). From 1980 to 1983, he concentrated on v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Now He Sings, Now He Sobs
''Now He Sings, Now He Sobs'' is the second album by Chick Corea, released in December 1968 on Solid State Records. It features Corea in a trio with acoustic bassist Miroslav Vitouš and drummer Roy Haynes. It was later reissued on CD by Blue Note in 2002 with eight bonus tracks recorded at the same sessions. All of the tracks on the original album are improvisations based on Corea’s ideas, with some being entirely free improvisations (such as "The Law of Falling and Catching Up" and "Fragments"). Vitous and Haynes would reunite with Corea as an acoustic trio on ''Trio Music'' (ECM, 1982), '' Trio Music, Live in Europe'' (ECM, 1986), and ''The Trio Live From The Country Club'' (Stretch, 1996). The bonus tracks released on the CD include a cover of Thelonious Monk's composition " Pannonica" and the Wood/Mellin standard "My One and Only Love". All eight pieces had originally been issued in 1975 on ''Circling In'', a Blue Note “twofer”. In 1999, the single "Now He Sings, Now ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chick Corea
Armando Anthony "Chick" Corea (June 12, 1941 – February 9, 2021) was an American jazz composer, pianist, keyboardist, bandleader, and occasional percussionist. His compositions "Spain", " 500 Miles High", "La Fiesta", "Armando's Rhumba", and "Windows" are widely considered jazz standards. As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed Return to Forever. Along with McCoy Tyner, Herbie Hancock, and Keith Jarrett, Corea is considered one of the foremost jazz pianists of the post-John Coltrane era. Corea continued to collaborate frequently while exploring different musical styles throughout the 1980s and 1990s. He won 27 Grammy Awards and was nominated more than 60 times. Early life and education Armando Corea was born in Chelsea, Massachusetts on June 12, 1941, to parents Anna (née Zaccone) and Armando J. Corea. He was of southern Italian descent, his father having been born to an immigrant from Albi co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Burton
Gary Burton (born January 23, 1943) is an American jazz vibraphonist, composer, and educator. Burton developed a pianistic style of four-mallet technique as an alternative to the prevailing two-mallet technique. This approach caused him to be heralded as an innovator, and his sound and technique are widely imitated.Corley, Cheryl (May 8, 2004)"Gary Burton Steps Down, Out: Jazz Vibraphonist Moves On After Three Decades at Berklee". ''NPR''. He is also known for pioneering fusion jazz and popularizing the duet format in jazz, as well as being a major figure in music education from his 30 years at the Berklee College of Music. Biography Burton was born in Anderson, Indiana, United States. Beginning music at six years old, he mostly taught himself to play marimba and vibraphone. He began studying piano at age sixteen while finishing high school at Princeton Community High School in Princeton, Indiana (1956–60). He has cited jazz pianist Bill Evans as the inspiration for his approa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Expansions (McCoy Tyner Album)
''Expansions'' is the tenth album by jazz pianist McCoy Tyner and his fourth released on the Blue Note label. It was recorded in August 1968 and features performances by Tyner with trumpeter Woody Shaw, alto saxophonist Gary Bartz, tenor saxophonist Wayne Shorter, bassist Ron Carter (here playing cello), bassist Herbie Lewis and drummer Freddie Waits. Reception The AllMusic review by Scott Yanow stated: "The stimulating music falls between advanced hard bop and the avant-garde, pushing and pulling at the boundaries of modern mainstream jazz". Track listing :''All compositions by McCoy Tyner, except as indicated.'' # "Vision" - 12:18 # "Song of Happiness" - 12:00 # "Smitty's Place" - 5:21 # "Peresina" - 10:21 # "I Thought I'd Let You Know" (Cal Massey) - 6:25 Personnel *McCoy Tyner – piano *Woody Shaw – trumpet *Gary Bartz – alto saxophone, wooden flute (on track 2) *Wayne Shorter – tenor saxophone, clarinet (on track 2) * Ron Carter – cello *Herbie Lewis – bass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
McCoy Tyner
Alfred McCoy Tyner (December 11, 1938March 6, 2020) was an American jazz piano, jazz pianist and composer known for his work with the John Coltrane Quartet (from 1960 to 1965) and his long solo career afterwards. He was an NEA Jazz Masters, NEA Jazz Master and five-time Grammy award winner. Unlike many of the jazz keyboardists of his generation, Tyner very rarely incorporated Electronic keyboard, electric keyboards or synthesizers into his work. Tyner has been widely imitated, and is one of the most recognizable and influential pianists in jazz history. Early life and family Tyner was born on December 11, 1938, in Philadelphia, Pennsylvania, the eldest of three children of Jarvis and Beatrice (Stevenson) Tyner. His younger brother Jarvis Tyner was the executive vice-chairman of the Communist Party USA. Tyner was encouraged to study piano by his mother, who had installed a piano at her beauty salon. He began piano lessons at age 13 at the Granoff School of Music where he had als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minor Scale
In music theory, the minor scale is three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just two as with the major scale, which also has a harmonic form but lacks a melodic form. In each of these scales, the first, third, and fifth scale degrees form a minor triad (rather than a major triad, as in a major scale). In some contexts, ''minor scale'' is used to refer to any heptatonic scale with this property (see Related modes below). Natural minor scale Relationship to relative major A natural minor scale (or Aeolian mode) is a diatonic scale that is built by starting on the sixth degree of its relative major scale. For instance, the A natural minor scale can be built by starting on the 6th degree of the C major scale: : Because of this, the key of A minor is called the ''relative minor'' of C major. Every major key has a relative minor, which starts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
