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So Many Roads (John P. Hammond Album)
''So Many Roads'' is a 1965 studio album by John P. Hammond, backed by several musicians who would go on to form The Band. Recording and release ''So Many Roads'' was recorded shortly after Ronnie Hawkins' backing band The Hawks had hit out on their own, eventually naming themselves The Band. Hammond had seen The Hawks while gigging in Toronto and formed a friendship with the band members. The group toured in America's East Coast, so they could easily show up at the studio, where the record label only allowed for a single three-hour session. This was their first time recording without Hawkins. Hammond wanted the entire line-up—which included drummer Levon Helm, organist Garth Hudson, and guitarist Robbie Robertson, who all appear on the album, as well as bassist Rick Danko and keyboardist Richard Manuel—but he was denied by Vanguard Records, who insisted that veteran jazz bassist Jimmy Lewis appear, having played on previous recordings from Hammond. Hammond brought in Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John P
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richie Unterberger
Richie Unterberger (born January 19, 1962) is an American author and journalist whose focus is popular music and travel writing. Life and writing Unterberger attended the University of Pennsylvania, where he wrote for the university newspaper ''The Daily Pennsylvanian'' and in the early 1980s was a deejay on the Penn radio station, WXPN-FM. Just prior to graduating in late 1982, he started reviewing records for '' Op'' magazine, which marked the start of his career as a freelance writer. From 1985 to 1991, Unterberger was an editor for '' Option''. Since 1993, he has been a prolific contributor to AllMusic, the on-line database of music biographies and album reviews, for which he has written thousands of entries, and many of his on-line contributions have been printed in the AllMusic guide series. Unterberger contributes to various local and national publications, including ''Mojo'', ''Record Collector'', ''Rolling Stone'', ''Oxford American'', and '' No Depression''. He has writ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luther Dixon
Luther Dixon (August 7, 1931 – October 22, 2009) was an American songwriter, record producer, and singer. Dixon's songs achieved their greatest success in the 1950s and 1960s, and were recorded by Elvis Presley, the Beatles, the Jackson 5, B.B. King, Jerry Lee Lewis, Dusty Springfield, Jimmy Reed and others. As a producer, Dixon helped create the signature sound of the girl group the Shirelles. Early life Dixon was born in Jacksonville, Florida, but his family moved to Brooklyn, New York, when he was young. He learned to sing in church. Career Dixon began his professional career in 1954 with the Four Buddies, a doo-wop group led by Larry Harrison, in which Dixon sang baritone and occasionally played guitar. The Four Buddies recorded for Savoy Records, but also as the Barons for Decca Records and as The Buddies for Glory Records. The group disbanded in 1955, but Dixon and Harrison continued writing songs together. Their biggest hit was "Why Baby Why", recorded by Pat Boo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Boss Man (song)
"Big Boss Man" is a blues song first recorded by Jimmy Reed in 1960. It became one of his most popular songs, although the songwriting is credited to Luther Dixon and Al Smith. It one of Reed's last appearances on the record charts and other artists have also had chart successes with the song. Original song "Big Boss Man" is an uptempo twelve-bar blues shuffle that features "one of the most influential Reed grooves of all time". It is credited to Jimmy Reed's manager, Al Smith, and Vee-Jay Records staff writer Luther Dixon. The song is one of the few Reed hits that was written by someone other than Reed and his wife. Reed recorded the song in Chicago on March 29, 1960; backing Reed, who sang and played harmonica and guitar, are Mamma Reed on vocal, Lee Baker and Lefty Bates on guitars, Willie Dixon on bass, and Earl Phillips on drums. "Big Boss Man" was originally released on Jimmy Reed's 1960 album ''Found Love''. In 1961, Vee-Jay Records released it as a single, which reac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Joe Williams
Joseph Lee "Big Joe" Williams (October 16, 1903 – December 17, 1982) was an American Delta blues guitarist, singer and songwriter, notable for the distinctive sound of his nine-string guitar. Performing over five decades, he recorded the songs "Baby Please Don't Go", " Crawlin' King Snake" and "Peach Orchard Mama", among many others, for various record labels, including Bluebird, Delmark, Okeh, Prestige and Vocalion. He was inducted into the Blues Hall of Fame on October 4, 1992. The blues historian Barry Lee Pearson (''Sounds Good to Me: The Bluesman's Story'', ''Virginia Piedmont Blues'') described Williams's performance: :When I saw him playing at Mike Bloomfield's "blues night" at the Fickle Pickle, Williams was playing an electric nine-string guitar through a small ramshackle amp with a pie plate nailed to it and a beer can dangling against that. When he played, everything rattled but Big Joe himself. The total effect of this incredible apparatus produced the most buzz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baby, Please Don't Go
"Baby, Please Don't Go" is a traditional blues song that was popularized by Delta blues musician Big Joe Williams in 1935. Many cover versions followed, leading to its description as "one of the most played, arranged, and rearranged pieces in blues history" by French music historian Gérard Herzhaft. After World War II, Chicago blues and rhythm and blues artists adapted the song to newer music styles. In 1952, a doo-wop version by the Orioles reached the top ten on the R&B chart. In 1953, Muddy Waters recorded the song as an electric Chicago-ensemble blues piece, which influenced many subsequent renditions. By the early 1950s, the song became a blues standard. In the 1960s, "Baby, Please Don't Go" became a popular rock song after the Northern Irish group Them recorded it in 1964. Jimmy Page, a studio guitarist at the time, participated in the recording session, possibly on rhythm guitar. Subsequently, Them's uptempo rock arrangement also made it a rock standard. AC/DC and Aer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melvin "Lil' Son" Jackson
Melvin "Lil' Son" Jackson (August 16, 1915, Tyler, TexasMay 30, 1976, Dallas) was an American blues guitarist and singer. He was a contemporary of Lightnin' Hopkins. Biography Jackson's mother played gospel guitar, and he played early on in a gospel group, the Blue Eagle Four. He became a mechanic and served in the U.S. Army during World War II, after which he pursued a career as a blues musician. He recorded a demo and sent it to Bill Quinn, the owner of Gold Star Records, in 1946. Quinn signed him to a recording contract and released "Freedom Train Blues" in 1948, which became a nationwide hit in the U.S. Jackson recorded for Imperial Records between 1950 and 1954, both as a solo artist and with a backing band. His 1950 song "Rockin' and Rollin" was recast by later musicians as " Rock Me Baby". Jackson was injured in a car crash in the mid-1950s and gave up his music career, returning to work as a mechanic. He recorded an album for Arhoolie Records in 1960, but did not resu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Can't Judge A Book By The Cover
"You Can't Judge a Book by the Cover" (alternatively "You Can't Judge a Book by Its Cover") is a 1962 song by rock and roll pioneer Bo Diddley. Written by Willie Dixon, the song was one of Diddley's last record chart hits. Unlike many of his well-known songs, "You Can't Judge a Book by the Cover" does not rely on the Bo Diddley beat. A variety of rock and other performers have recorded renditions of the song. Composition and lyrics "You Can't Judge a Book by the Cover" is based on a sixteen-bar blues structure that "boasts a beat that's utterly compulsive and primordial, but closer to a way-speeded up walking rhythm than to the standard Diddley pattern", according to Richie Unterberger in a song review. Percussionist Jerome Green added maracas to the recording, which Unterberger calls "an utterly entrancing rhythm that does much to add to the power of the song". While noting Diddley's rhythm guitar contribution, Dixon biographer Mitsutoshi Inaba comments on Diddley's "uniqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bo Diddley
Ellas McDaniel (born Ellas Otha Bates; December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, Elvis Presley, The Beatles, The Rolling Stones, The Animals, George Thorogood, and The Clash. His use of African rhythms and a signature beat, a simple five- accent hambone rhythm, is a cornerstone of hip hop, rock, and pop music. In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017. He received a Lifetime Achievement Award from the Rhythm and Blues Foundation and the Grammy Lifetime Achievement Award. Diddley is also recognized for his technical innovations, including his use of tremolo and reverb effects to enhance the sound of his distinctive rectangular-shaped guitars. Early life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marshall Paul
Marshall may refer to: Places Australia * Marshall, Victoria, a suburb of Geelong, Victoria Canada * Marshall, Saskatchewan * The Marshall, a mountain in British Columbia Liberia * Marshall, Liberia Marshall Islands * Marshall Islands, an island nation in the Pacific Ocean United States of America * Marshall, Alaska * Marshall, Arkansas * Marshall, California * Lotus, California, former name Marshall * Marshall Pass, a mountain pass in Colorado * Marshall, Illinois * Marshall, Indiana * Marshall, Michigan * Marshall, Minnesota * Marshall, Missouri * Marshall, New York * Marshall, North Carolina * Marshall, North Dakota * Marshall, Oklahoma * Marshall, Texas, the largest U.S. city named Marshall * Marshall, Virginia * Marshall, Wisconsin (other) ** Marshall, Dane County, Wisconsin ** Marshall, Richland County, Wisconsin ** Marshall, Rusk County, Wisconsin Businesses * Marshall of Cambridge, a British holding company encompassing aerospace, fleet manageme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Johnson
Robert Leroy Johnson (May 8, 1911August 16, 1938) was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Although his recording career spanned only seven months, he is now recognized as a master of the blues, particularly the Delta blues style, and is also one of the most influential musicians of the 20th century. The Rock and Roll Hall of Fame describes him as being "the first ever rock star". As a traveling performer who played mostly on street corners, in juke joints, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. He participated in only two recording sessions, one in San Antonio in 1936, and one in Dallas in 1937, that produced 29 distinct songs (with 13 surviving alternate takes) recorded by famed Country Music Hall of Fame producer Don Law. These songs, recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Who Do You Love? (Bo Diddley Song)
"Who Do You Love?" is a song written by American rock and roll pioneer Bo Diddley. Recorded in 1956, it is one of his most popular and enduring works. The song represents one of Bo Diddley's strongest lyrical efforts and uses a combination of hoodoo-type imagery and boasting. It is an upbeat rocker, but the original did not use the signature Bo Diddley beat rhythm. "Who Do You Love?" was part of Bo Diddley's repertoire throughout his career, but none of his various recordings reached the record charts. The song has been interpreted and recorded by numerous musicians in different styles, often adding a Bo Diddley beat. Popular renditions include those by Ronnie Hawkins and George Thorogood, with charting singles by the Woolies, Tom Rush, Quicksilver Messenger Service, and Juicy Lucy. Guitarists' contributions to the various renditions of the song have been noted by music critics and writers. Beginning with blues guitarist Jody Williams' prominent fills and solo on Bo Diddley ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
