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So In Love (Orchestral Manoeuvres In The Dark Song)
"So in Love" is a 1985 song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the first single from their album '' Crush''. It reached the top 30 of both the UK Singles Chart and the US ''Billboard'' Hot 100, becoming their first entry on the latter. The track was a top 10 hit in Belgium and Holland. The single's artwork and its accompanying promotional video were influenced by the Mexican Day of the Dead festival. Song history Although "So in Love" was the first single from ''Crush'', it was one of the last songs written for the album. It was originally dropped until band member Martin Cooper persuaded Andy McCluskey and Paul Humphreys to make a demo for the song. Andy McCluskey said it was about the painful end of a relationship. It was their first hit in the United States, after five years of trying to "break" the States, peaking at No. 26 on the '' Billboard'' Hot 100. The song reached No. 27 on the UK Singles Chart. The single's artwork, by ...
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Orchestral Manoeuvres In The Dark
Orchestral Manoeuvres in the Dark (OMD) are an English electronic music, electronic band formed in Wirral Peninsula, Wirral, Merseyside, in 1978. The group consists of co-founders Andy McCluskey (vocals, bass guitar) and Paul Humphreys (keyboards, vocals), along with Martin Cooper (musician), Martin Cooper (keyboards, saxophone) and Stuart Kershaw (drums); McCluskey has been the only constant member. Regarded as pioneers of electronic music, OMD combined an Experimental music, experimental, Minimal music, minimalist ethos with pop sensibilities, becoming key figures in the late-1970s/early-1980s emergence of synth-pop. The band were also one of the original acts involved in the MTV-driven Second British Invasion of the US. McCluskey and Humphreys led precursor group The Id (band), the Id from 1977–1978, and re-recorded their track "Electricity (Orchestral Manoeuvres in the Dark song), Electricity" as OMD's debut single in 1979. Weathering an "uncool" image and a degree of host ...
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Martin Cooper (musician)
Martin Cooper (born 1 October 1958) is an English painter and a musician. He is the secondary keyboardist and occasional saxophonist for the band Orchestral Manoeuvres in the Dark, whom he first joined in 1980. Musical career Cooper was born in Liverpool. From 1980 until 1989, he was a member of the new wave group Orchestral Manoeuvres in the Dark.Erlewine, Stephen Thomas "Orchestral Manoevres in the Dark" in Bogdanov, Vladimir etal (eds.) (2001) ''All Music Guide to Electronica'', Backbeat UK, , p. 375 Prior to joining OMD, Cooper played the saxophone at some of their concerts, or they used his pre-recorded work. He also played with Dalek I Love You. In 1981, he briefly left OMD to join Dave Hughes for a project called Godot. Cooper also made some writing contributions to their songs. His biggest success was "Souvenir", co-written with Paul Humphreys, which reached number 3 in the UK Singles Chart. Besides playing in OMD, Cooper and Hughes wrote film scores for ''C.H.U.D.'' ...
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Simon & Schuster
Simon & Schuster () is an American publishing company and a subsidiary of Paramount Global. It was founded in New York City on January 2, 1924 by Richard L. Simon and M. Lincoln Schuster. As of 2016, Simon & Schuster was the third largest publisher in the United States, publishing 2,000 titles annually under 35 different imprints. History Early years In 1924, Richard Simon's aunt, a crossword puzzle enthusiast, asked whether there was a book of ''New York World'' crossword puzzles, which were very popular at the time. After discovering that none had been published, Simon and Max Schuster decided to launch a company to exploit the opportunity.Frederick Lewis Allen, ''Only Yesterday: An Informal History of the 1920s'', p. 165. . At the time, Simon was a piano salesman and Schuster was editor of an automotive trade magazine. They pooled , equivalent to $ today, to start a company that published crossword puzzles. The new publishing house used "fad" publishing to publish bo ...
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The Rolling Stone Album Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, while a list of albums given a five star rating by the guide can be seen at Rocklist.net. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Le ...
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Rolling Stone
''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, San Francisco, California, in 1967 by Jann Wenner, and the music critic Ralph J. Gleason. It was first known for its coverage of rock music and political reporting by Hunter S. Thompson. In the 1990s, the magazine broadened and shifted its focus to a younger readership interested in youth-oriented television shows, film actors, and popular music. It has since returned to its traditional mix of content, including music, entertainment, and politics. The first magazine was released in 1967 and featured John Lennon on the cover and was published every two weeks. It is known for provocative photography and its cover photos, featuring musicians, politicians, athletes, and actors. In addition to its print version in the United States, it publishes content through Rollingstone.com and numerous international editions. Penske Media Corporation is the c ...
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Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the ''NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and ''Top of the Pops'', as well as the US ''Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founded by for ...
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Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ...
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David Hamilton (broadcaster)
David Hamilton (born 10 September 1938) is an English radio and television presenter. Since his broadcasting career began in 1959, Hamilton has hosted over 12,000 radio shows and more than 1,000 TV shows. He is usually known as 'Diddy David Hamilton', a name given to him by the comedian Ken Dodd. Early life Hamilton attended Glastonbury Road Grammar School at St Helier, London, St Helier in Surrey until the age of 17. While at school he became a columnist on the weekly national magazine ''Soccer Star''. He performed national service in the Royal Air Force from 1959. TV career On leaving school, Hamilton became a script-writer for the TV series ''Portrait of a Star''. Following his national service, he became an in-vision television announcer for ABC Weekend TV based in Didsbury, Manchester, and appeared with close friend Ken Dodd in the TV series ''Doddy's Music Box'', acquiring the nickname 'Diddy'. Throughout the 1960s, he hosted shows for the ITV (TV network), ITV franchis ...
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BBC Radio 2
BBC Radio 2 is a British national radio station owned and operated by the BBC. It is the most popular station in the United Kingdom with over 15 million weekly listeners. Since launching in 1967, the station broadcasts a wide range of content. The Radio 2 about page says: "With a repertoire covering more than 40 years, Radio 2 plays the widest selection of music on the radio—from classic and mainstream pop to a specialist portfolio including classical, country, folk, jazz, soul, rock 'n' roll, gospel and blues." Radio 2 broadcasts throughout the UK on FM between and from studios in Wogan House, adjacent to Broadcasting House in central London. Programmes are broadcast on FM radio, digital radio via DAB, digital television and BBC Sounds. According to RAJAR, the station broadcasts to a weekly audience of 14.4 million with a listening share of 16.1% as of September 2022. History 1967–1986 The network was launched at 5:30am on Saturday 30 September 1967, replacing ...
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Remix
A remix (or reorchestration) is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, video, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing in music and song recordings. Songs may be remixed for a large variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different audience * to alter a song for artistic purposes * to provide additional version ...
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A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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Picture Disc
Picture discs are gramophone (phonograph) records that show images on their playing surface, rather than being of plain black or colored vinyl. Collectors traditionally reserve the term picture disc for records with graphics that extend at least partly into the actual playable grooved area, distinguishing them from picture label discs, which have a specially illustrated and sometimes very large label, and picture back discs, which are illustrated on one unplayable side only. The beginnings A few seven-inch black shellac records issued by the Canadian Berliner Gramophone Company around 1900 had the "His Master's Voice" dog-and-gramophone trademark lightly etched into the surface of the playing area as an anti-piracy measure, technically qualifying them as picture discs by some definitions. Apart from those debatable claimants for the title of "first", the earliest picture records were not discs, strictly speaking, but rectangular picture postcards with small, round, transpar ...
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