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Smash Cut
A smash cut is a technique in film and other moving picture media where one scene abruptly cuts to another for aesthetic, comedic, narrative, or emotional purpose. To this end, the smash cut usually occurs at a crucial moment in a scene where a cut would not be expected, manipulating viewers' expectations by changing the order of a scene. To heighten the impact of the cut, a disparity in the type of scene on either side of the cut is often present, going from a fast-paced frenzied scene to a tranquil one, or going from a pleasant scene to a tense one, for example. Smash cuts are sometimes defined as a subtype of jump cut. For example, a smash cut could be used in a murder scene: the killer brings a knife plunging down into his victim, and just before the blade pierces the skin, the scene is suddenly replaced with a non-violent use of a cutting edge, such as the chopping of vegetables. Smash cuts are often used when a character wakes up from a nightmare to simulate the jarring nat ...
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Jump Cut
A jump cut is a cut (transition), cut in film editing that breaks a single continuous sequential shot of a subject into two parts, with a piece of footage removed to create the effect of jumping forward in time. Camera positioning on the subject across the sequence should vary only slightly to achieve the effect. The technique manipulates temporal space using the duration of a single shot—fracturing the duration to move the audience ahead. This kind of cut abruptly communicates the passing of time, as opposed to the more seamless dissolve heavily used in films predating Jean-Luc Godard's ''Breathless (1960 film), Breathless'', which extensively used jump cuts and popularized the technique in the 1960s. For this reason, jump cuts are considered a violation of classical continuity editing, which aims to give the appearance of continuous time and space in the story-world by de-emphasizing editing, but are sometimes nonetheless used for creative purposes. Jump cuts tend to draw att ...
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Nightmare
A nightmare, also known as a bad dream, Retrieved 11 July 2016. is an unpleasant dream that can cause a strong emotional response from the mind, typically fear but also despair, anxiety, disgust or sadness. The dream may contain situations of discomfort, psychological or physical terror, or panic. After a nightmare, a person will often awaken in a state of distress and may be unable to return to sleep for a short period of time. Recurrent nightmares may require medical help, as they can interfere with sleeping patterns and cause insomnia. Nightmares can have physical causes such as sleeping in an uncomfortable position or having a fever, or psychological causes such as stress or anxiety. Eating before going to sleep, which triggers an increase in the body's metabolism and brain activity, can be a potential stimulus for nightmares. The prevalence of nightmares in children (5–12 years old) is between 20 and 30%, and prevalence in adults is between 8 and 30%. In common langu ...
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Gilligan's Island
''Gilligan's Island'' is an American sitcom created and produced by Sherwood Schwartz. The show's ensemble cast features Bob Denver, Alan Hale Jr., Jim Backus, Natalie Schafer, Tina Louise, Russell Johnson, and Dawn Wells. It aired for three seasons on the CBS network from September 26, 1964, to April 17, 1967. The series follows the comic adventures of seven castaways as they try to survive on an island where they are shipwrecked. Most episodes revolve around the dissimilar castaways' conflicts and their unsuccessful attempts to escape their plight, with the ship's first mate, Gilligan, usually being responsible for the failures. ''Gilligan's Island'' ran for 98 episodes. All 36 episodes of the first season were filmed in black and white and were later colorized for Broadcast syndication, syndication. The show's second and third seasons (62 episodes) and the three television film sequels (broadcast between 1978 and 1982) were filmed in color. ''Gilligan's Island'' receiv ...
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Last Of The Summer Wine
''Last of the Summer Wine'' is a British sitcom set in Yorkshire created and written by Roy Clarke and originally broadcast by the BBC from 1973 to 2010. It premiered as an episode of ''Comedy Playhouse'' on 4 January 1973, and the first series of episodes followed on 12 November 1973. Alan J. W. Bell produced and directed all episodes of the show from late 1981 to 2010. The BBC confirmed on 2 June 2010 that ''Last of the Summer Wine'' would no longer be produced and the 31st series would be its last. Subsequently, the final episode was broadcast on 29 August 2010. Since its original release, all 295 episodes, comprising thirty-one series – including the pilot and all films and specials – have been released on DVD. Repeats of the show are broadcast in the UK on BBC One (until 18 July 2010 when the 31st and final series started on 25 July of that year), U&Gold, U&Yesterday, and U&Drama. It is also seen in more than 25 countries, including various Public Broadcasting Service, ...
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Jump Cut
A jump cut is a cut (transition), cut in film editing that breaks a single continuous sequential shot of a subject into two parts, with a piece of footage removed to create the effect of jumping forward in time. Camera positioning on the subject across the sequence should vary only slightly to achieve the effect. The technique manipulates temporal space using the duration of a single shot—fracturing the duration to move the audience ahead. This kind of cut abruptly communicates the passing of time, as opposed to the more seamless dissolve heavily used in films predating Jean-Luc Godard's ''Breathless (1960 film), Breathless'', which extensively used jump cuts and popularized the technique in the 1960s. For this reason, jump cuts are considered a violation of classical continuity editing, which aims to give the appearance of continuous time and space in the story-world by de-emphasizing editing, but are sometimes nonetheless used for creative purposes. Jump cuts tend to draw att ...
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Match Cut
In film, a match cut is a cut from one shot to another in which the composition of the two shots are matched by the action or subject and subject matter. For example, in a duel a shot can go from a long shot on both contestants via a cut to a medium closeup shot of one of the duellists. The cut matches the two shots and is consistent with the logic of the action. This is a standard practice in film-making, to produce a seamless reality-effect. Wider context Match cuts form the basis for continuity editing, such as the ubiquitous use of match on action. Continuity editing smooths over the inherent discontinuity of shot changes to establish a logical coherence between shots. Even within continuity editing, though, the match cut is a contrast both with cross-cutting between actions in two different locations that are occurring simultaneously, and with parallel editing, which draws parallels or contrasts between two different time-space locations. A graphic match (as opposed ...
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Film And Video Terminology
A film, also known as a movie or motion picture, is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. Etymology and alternative terms The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in the United States is "movie", while in Europe, "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to the flickering appearance of early films ...
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