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Slow Motion (Ultravox Song)
''Systems of Romance'', released on 8 September 1978, is the third album by British new wave band Ultravox (an exclamation mark having been dropped from the moniker earlier in the year). It was the final recording for the group with original lead singer, lyricist and co-composer John Foxx, and their first album without guitarist Stevie Shears, who had left the band. Shears was replaced by Robin Simon, making his first and only appearance on an Ultravox album. Though not a commercial success, ''Systems of Romance'' had a significant influence on the electropop music that came after it. Production and style Co-produced by Conny Plank and Dave Hutchins, ''Systems of Romance'' featured the band's heaviest use of electronics to date. More new wave orientated than the glam- and punk-influenced tunes that characterised their first two albums, ''Ultravox! '' and ''Ha!-Ha!-Ha!'', its style was partly inspired by German band Kraftwerk, whose first four albums were produced by Plank ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ultravox
Ultravox (earlier styled as Ultravox!) were a British new wave band, formed in London in April 1974 as Tiger Lily. Between 1980 and 1986, they scored seven Top Ten albums and seventeen Top 40 singles in the UK, the most successful of which was their 1981 hit "Vienna". From 1974 until 1979, singer John Foxx was frontman and the main driving force behind Ultravox. Foxx left the band in March 1979 to embark on a solo career and, following his departure, Midge Ure officially took over as lead singer, guitarist and frontman on 1st November 1979 (despite writing and rehearsing with the band from April of that year) after he and keyboardist Billy Currie worked in the studio project Visage. Ure revitalised the band and steered it to commercial chart success lasting until 1987, at which time the group disbanded. A new line-up, led by Currie, was formed in 1992, but achieved limited success, with two albums failing to chart and one solitary single reaching 90 in the UK Singles Chart. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Music
Psychedelic music (sometimes called psychedelia) is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as LSD, psilocybin mushrooms, mescaline, and cannabis to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy. Psychedelia embraces visual art, movies, and literature, as well as music. Psychedelic music emerged during the 1960s among folk and rock bands in the United States and the United Kingdom, creating the subgenres of psychedelic folk, psychedelic rock, acid rock, and psychedelic pop before declining in the early 1970s. Numerous spiritual successors followed in the ensuing decades, including progressive rock, krautrock, and heavy metal. Since the 1970s, revivals have included psychedelic funk, neo-psychedelia, and stoner rock as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Garden (John Foxx Album)
''The Garden'' is a 1981 album by John Foxx, the follow-up to his debut solo album ''Metamatic'', released the previous year. By comparison, it features more diverse instrumentation and romantic stylings. Production and style The sound and subject matter of ''The Garden'' were informed by a number of factors: the composer's Catholic upbringing and early exposure to Latin mass and Gregorian chant; his exploration of England's countryside, architecture and history following the release of ''Metamatic''; and the song "Systems of Romance", which had been written during sessions for the Ultravox album of the same name but was not included on the record, even though its title was used. Another connection between ''The Garden'' and ''Systems of Romance'' the album was the presence of guitarist Robin Simon, whose textured style had been a significant influence on the sound of the earlier release. Whereas on ''Metamatic'' the only conventional instrument had been bass guitar, Foxx used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Music
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, and Z'E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ARP Odyssey
The ARP Odyssey is an analog synthesizer introduced by ARP Instruments in 1972. History ARP developed the Odyssey as a direct competitor to the Moog Minimoog and an answer to the demand for more affordable, portable, and less complicated "performance" synthesizers. ARP produced several versions of the Odyssey from 1972 to 1980. In early 2015, Korg reissued the Odyssey in cooperation with the original designer and ARP co-founder, David Friend. Design The Odyssey is a two-oscillator analog synthesizer, and one of the first with duophonic capabilities (the ability to play two notes at the same time). All parameters, including a resonant low-pass filter, a non-resonant high-pass filter, ADSR and AR envelopes, a sine and square wave LFO, and a sample-and-hold function are controllable with sliders and switches on the front panel. Features *Switchable between sawtooth, square, and pulse waveforms with oscillator sync, a "ring modulator", and pink or white noise. (As with the Kor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Corporation
is a Japanese manufacturer of electronic musical instruments, electronic equipment, and software. It was founded by Ikutaro Kakehashi in Osaka on 18 April 1972. In 2005, its headquarters relocated to Hamamatsu in Shizuoka Prefecture. It has factories in Malaysia, Taiwan, Japan, and the United States. As of 31 March 2010, it employed 2,699 people. In 2014, it was subject to a management buyout by its CEO, Junichi Miki, supported by Taiyo Pacific Partners. Roland has manufactured numerous instruments that have had lasting impacts on music, such as the Juno-106 synthesizer, TB-303 bass synthesizer, and TR-808 and TR-909 drum machines. It was also instrumental in the development of MIDI, a standardized means of synchronizing electronic instruments manufactured by different companies. In 2016, ''Fact'' wrote that Roland had arguably had more influence on electronic music than any other company. History 1970s Having created Ace Electronic Industries Inc in 1960, Ikutaro Kakeh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quiet Men
''Systems of Romance'', released on 8 September 1978, is the third album by British new wave band Ultravox (an exclamation mark having been dropped from the moniker earlier in the year). It was the final recording for the group with original lead singer, lyricist and co-composer John Foxx, and their first album without guitarist Stevie Shears, who had left the band. Shears was replaced by Robin Simon, making his first and only appearance on an Ultravox album. Though not a commercial success, ''Systems of Romance'' had a significant influence on the electropop music that came after it. Production and style Co-produced by Conny Plank and Dave Hutchins, ''Systems of Romance'' featured the band's heaviest use of electronics to date. More new wave orientated than the glam- and punk-influenced tunes that characterised their first two albums, ''Ultravox! '' and ''Ha!-Ha!-Ha!'', its style was partly inspired by German band Kraftwerk, whose first four albums were produced by Plank. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warren Cann
Warren Reginald Cann (born 20 May 1950 in Victoria, British Columbia, Canada) is a Canadian drummer, drum machine programmer and songwriter, best known as a founding member of the British new wave band Ultravox, for which he was one of the main songwriters. Biography Early life The son of two British immigrants, he began to be interested in electronics while he was at school.http://www.ultravox.org.uk/ImageFolio31_files/media/Gigography/Helden/Helden-prog.pdf After playing in bands in Vancouver, he came to Britain in 1972, where he found a more creative environment. He established himself in London, where he formed his first band, along with Huw Lloyd-Langton, future Hawkwind member, on guitar and Rob Rawlinson, later in Overnight Angels, on bass. Ultravox and other contemporary works Shortly thereafter, Cann contacted John Foxx, who invited Cann to join his fledgling band Tiger Lily with bassist Chris Cross and guitarist Stevie Shears. The band recorded sole single "Ain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Currie
William Lee Currie (born 1 April 1950 ) is a British multi-instrumentalist, and songwriter from , . He is best known as the keyboard and strings player with new wave band , who achieved their greatest commercial success in the 1980s. Biography Currie was bor ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kraftwerk
Kraftwerk (, "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1974 and Karl Bartos in 1975, expanding the band to a quartet. On commercially successful albums such as ''Autobahn'' (1974), '' Trans-Europe Express'' (1977), ''The Man-Machine'' (1978), and ''Computer World'' (1981), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits. Following the release of '' Electric Café'' (1986), Flür left the group in 1987, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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